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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,212,768 | $1,212,768 | $152 $323 |
7,954 | 8,208 | 8 | 96.90% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$748,239 | $748,239 | $125 $348 |
5,978 | 9,224 | 8 | 64.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,438,904 | $1,438,904 | $105 $216 |
13,679 | 13,816 | 8 | 99.00% |
|
APPROPRIATE (HAYES) |
$568,150 | $568,150 | $196 $377 |
2,904 | 2,905 | 5 | 100.00% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,325,148 | $1,325,148 | $112 $297 |
11,823 | 11,824 | 8 | 100.00% |
|
CHICAGO (AMBASSADOR) |
$1,018,556 | $1,018,556 | $122 $257 |
8,319 | 8,640 | 8 | 96.30% |
|
DAYS OF WINE AND ROSES (STUDIO 54) |
$413,166 | $413,166 | $96 $277 |
4,298 | 7,904 | 8 | 54.40% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$489,078 | $489,078 | $105 $323 |
4,662 | 5,089 | 7 | 91.60% |
|
HADESTOWN (WALTER KERR) |
$1,042,079 | $1,042,079 | $141 $399 |
7,404 | 7,344 | 8 | 100.80% |
|
HAMILTON (RICHARD RODGERS) |
$1,961,250 | $1,961,250 | $184 $399 |
10,685 | 10,592 | 8 | 100.90% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,502,607 | $1,502,607 | $118 $299 |
12,692 | 12,976 | 8 | 97.80% |
|
KIMBERLY AKIMBO (BOOTH) |
$603,137 | $603,137 | $104 $273 |
5,774 | 6,184 | 8 | 93.40% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,613,481 | $1,613,481 | $209 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ (NEIL SIMON) |
$1,565,740 | $1,565,740 | $149 $329 |
10,504 | 11,096 | 8 | 94.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,494,944 | $1,494,944 | $144 $439 |
10,370 | 10,400 | 8 | 99.70% |
|
PRAYER FOR THE FRENCH REPUBLIC (FRIEDMAN) |
$511,455 | $511,455 | $110 $299 |
4,659 | 5,096 | 8 | 91.40% |
|
SIX: THE MUSICAL (LENA HORNE) |
$986,350 | $986,350 | $120 $249 |
8,187 | 8,248 | 8 | 99.30% |
|
SPAMALOT (ST. JAMES) |
$929,034 | $929,034 | $89 $362 |
10,390 | 11,920 | 8 | 87.20% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,479,716 | $1,479,716 | $154 $499 |
9,621 | 10,486 | 7 | 91.80% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,091,189 | $1,091,189 | $129 $299 |
8,452 | 8,528 | 8 | 99.10% |
|
THE LION KING (MINSKOFF) |
$2,004,314 | $2,004,314 | $150 $215 |
13,365 | 13,568 | 8 | 98.50% |
|
THE NOTEBOOK (SCHOENFELD) |
$1,013,563 | $1,013,563 | $141 $323 |
7,179 | 7,119 | 7 | 100.80% |
|
WICKED (GERSHWIN) |
$1,933,993 | $1,933,993 | $132 $275 |
14,600 | 14,936 | 8 | 97.80% |
| TOTAL | $26,946,864 | $1,171,603 | $133.91 $335.85 |
201,227 | 213,831 | 178 | 94.11% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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