Review: SINGIN' IN THE RAIN at Le Théâtre Du Lido
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.…
Place de la Bastille
Paris, Île-de-France 75012
Opéra Bastille is a theatre in Paris, Île-de-France.
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.…
Tucked into La Grange's intimate corner of Bruxellons, Andrew Lippa's near-sung-through two-hander proves a musical can carry real psychological weight.…
A brilliantly cast, beautifully judged French production of A Gentleman’s Guide to Love and Murder, where British manners, French theatrical tradition and comic murder collide at the Théâtre du Palais-Royal.…
Some festivals go out with a whimper. Once the excitement of the opening production in the Cour d'Honneur has passed, the remaining artists often present more modest, less foregrounded projects. There are concerts, readings, and other events, and it remains a vibrant hub of activity, but it is never…
Boris Charmatz dances with discomfort. His work Muette, now in performance at the Festival d'Avignon's La Chartreuse, offers no easy viewing. Earthy movement, prolonged silence, and nudity combine in an unsettling yet riveting exploration of the body. Charmatz seeks to dance the interior self, a sel…
What better way to close out the Festival d'Avignon than with a love letter to the theatre? At the conclusion of Casting Lear, now performing at the Opéra Grand Avignon as part of the Festival, creator and performer André Jiménez makes an impassioned case for the art form. …
In Christiane Jatahy and Wagner Moura's Un Procès Après l'Ennemi du Peuple, now performing at the Festival d'Avignon's Gymnase du Lycée Aubanel, Thomas Stockmann finally gets his day in court. Reimagining the events of Ibsen's An Enemy of the People in contemporary Brazil, the production transfor…
With its generous public funding for culture, France's Festival d'Avignon can produce theatrical spectacles on an extraordinary scale. Its directors regularly push the formal limits of the art form with enormous casts, technological innovation, and elaborate stagecraft. …
In his podcast, political commentator Ezra Klein has examined a curious conundrum within the modern elite: the pursuit of extraordinary qualities divorced from their original purpose. Looksmaxers have become sterile in their pursuit of superhuman beauty. …
In a BBC interview, famed director Katie Mitchell calls for fewer productions of Hamlet. She is tired of attending plays about “misogynistic, angry, depressed men.” I respect any artist defining the boundaries of what interests them. …
71 total · showing 21–30
Echoing the Tricentennial celebrated in 2013, the school of dance continues its journey through the history of the choreographic style of the French school of dance. Concerto in d, created by Claude Bessy in 1977 for the first show of the school of dance, she led from 1973 to...
John Cage Third construction Maurice Ohana Étude d’interprétation n° 11 « Sons confondus » ; Étude d’interprétation n° 12 « Imitations-Dialogues » George Crumb Music for a Summer Evening (Makrokosmos III)
Widely regarded as the greatest opera ever composed, Don Giovanni tells of the devious schemes and hijinks of history’s most beguiling scoundrel, Don Juan. Mozart’s anti-hero has a personality so engaging that audiences root for him, even as his dark side emerges. Don Giovanni...
Modeste Moussorgski Night on the Bare Mountain Serguei Rachmaninov Piano concerto N° 3 Dimitri Chostakovitch Symphony N° 6 in B minor, op. 54
Pioneers of 20th century dance, Agnes de Mille and Birgit Cullberg both ventured along new pathways in order to translate the passions and inner conflicts of their characters into movement and bodily expression. In 1945, the American choreographer, Agnes de Mille exploited a...
Undoubtedly one of the most beautiful and most comprehensive portraits of a woman in the history of opera—but also one of the most terrible, since it is a tale of humiliation and deceit which ultimately leads to death. From its advent in the 1890s, “verismo” had relied on...
With Onéguine, John Cranko has conceived one of the key ballets of the repertoire. Inspired by Alexander Pushkin's verse-novel, he has streamlined the story and focused the intrigue on the feelings and relationships of the four principal characters. Unfinished loves, duels and...
Hugo Wolf Italian Serenade Ottorino Respighi String quartet in D major Giacomo Puccini Crisantemi Ottorino Respighi Il Tramonto
"In those strange days, people coming from God knows where, joined forces in that far Western land, and, according to the rude custom of the camp, their very names were soon lost and unrecorded, and here they struggled, laughed, gambled, cursed, killed, loved and worked out...
"From Alcina you will receive the sceptre and the power and you will be the happiest of mortals. But you will soon become no more than beast, tree or rock." These words are taken from Handel's third opera, inspired by the poem Orlando Furioso and first performed in London in...
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