Review: SINGIN' IN THE RAIN at Le Théâtre Du Lido
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.…
Place de la Bastille
Paris, Île-de-France 75012
Opéra Bastille is a theatre in Paris, Île-de-France.
Robert Carsen turns the Lido’s cabaret heritage into a theatrical advantage, creating the most convincing production yet of its musical-theatre era.…
Tucked into La Grange's intimate corner of Bruxellons, Andrew Lippa's near-sung-through two-hander proves a musical can carry real psychological weight.…
A brilliantly cast, beautifully judged French production of A Gentleman’s Guide to Love and Murder, where British manners, French theatrical tradition and comic murder collide at the Théâtre du Palais-Royal.…
Some festivals go out with a whimper. Once the excitement of the opening production in the Cour d'Honneur has passed, the remaining artists often present more modest, less foregrounded projects. There are concerts, readings, and other events, and it remains a vibrant hub of activity, but it is never…
Boris Charmatz dances with discomfort. His work Muette, now in performance at the Festival d'Avignon's La Chartreuse, offers no easy viewing. Earthy movement, prolonged silence, and nudity combine in an unsettling yet riveting exploration of the body. Charmatz seeks to dance the interior self, a sel…
What better way to close out the Festival d'Avignon than with a love letter to the theatre? At the conclusion of Casting Lear, now performing at the Opéra Grand Avignon as part of the Festival, creator and performer André Jiménez makes an impassioned case for the art form. …
In Christiane Jatahy and Wagner Moura's Un Procès Après l'Ennemi du Peuple, now performing at the Festival d'Avignon's Gymnase du Lycée Aubanel, Thomas Stockmann finally gets his day in court. Reimagining the events of Ibsen's An Enemy of the People in contemporary Brazil, the production transfor…
With its generous public funding for culture, France's Festival d'Avignon can produce theatrical spectacles on an extraordinary scale. Its directors regularly push the formal limits of the art form with enormous casts, technological innovation, and elaborate stagecraft. …
In his podcast, political commentator Ezra Klein has examined a curious conundrum within the modern elite: the pursuit of extraordinary qualities divorced from their original purpose. Looksmaxers have become sterile in their pursuit of superhuman beauty. …
In a BBC interview, famed director Katie Mitchell calls for fewer productions of Hamlet. She is tired of attending plays about “misogynistic, angry, depressed men.” I respect any artist defining the boundaries of what interests them. …
71 total · showing 11–20
Arnold Schoenberg Verklärte Nacht, for strings Franz Schubert Symphony N° 8 in C major (The Great), D 944
In 1857 Wagner took a pause from composing the Ring, abandoning Siegfried in the depths of the forest to embark upon another quest. The composer had read Schopenhauer and the Bhagavad-G?ta – perceiving in renunciation the ultimate means of breaking free from the limits of...
Ludwig Thuille Sextet for piano and wind quintet, op. 6 Ludwig Van Beethoven Quintet for piano and winds, op. 16
One of Rossini’s most exquisite successes, from a composer who was just 21 at the time: an opera buffa which has retained all its charm and humour, to as score as fresh today as it was then and characters who seem to have been born yesterday. The beautiful Isabella sails off to...
The Young Dancers performances allow the upcoming generation to shine on stage in extracts from both classical works and today's repertoire. An opportunity for the future hopes of the Paris Opera Ballet, more often hard at work in the Corps de Ballet, to perform the showpiece...
We will never know how death revealed itself to Mozart and when and in what form it dispatched its messengers to him. Nevertheless, all the music composed in 1791, his last year, reveals to us that Mozart had heard and accepted their message without fear. Mozart loved...
Jean Cras Quintet with harp Jean Françaix String trio André Jolivet Chant de Linos Claude Debussy Sonata for flute, viola and harp Albert Roussel Sérénade
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