GOOD BONES Equity Actors - Studio Theatre Auditions

GOOD BONES - Headshot/resume submissions
Studio Theatre | Washington, DC

CONTRACT

LORT Non-Rep
$975 weekly minimum (LORT D)

SEEKING

Equity actors for roles in GOOD BONES (see breakdown).

SUBMISSION

INSTRUCTIONS

Submit by filling out this form:

https://forms.gle/t7uTV5gd2j3knmZn9" target="_blank">
https://forms.gle/t7uTV5gd2j3knmZn9

Deadline: 12/26/2022

PERSONNEL

Artistic Director: David Muse
Director: Psalmayene 24
Writer: James Ijames
Casting Director: JZ Casting, Geoff Josselson, CSA, Katja Zarolinski, CSA

OTHER

Audition Date(s): TBD
Rehearsal Date(s): April 11, 2023
Preview Date(s): May 13, 2023
Closing Date(s): June 11, 2023
Extension Date(s): June 25, 2023

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of
inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

COVID/ Vaccination Policy: In accordance with DC Mayor’s Order 2021-099, Studio Theatre
requires all employees and contractors to be “fully vaccinated” against COVID-19. “Fully vaccinated” is
defined as (i) having received any of the FDA-approved vaccinations and (ii) having completed the two
(2) week waiting period after the final shot. Additionally, Studio Theatre requires all employees and
contractors to be “boosted” within 6-7 months being fully vaccinated. Actor agrees to provide proof of
“full vaccination” against COVID-19 upon execution of this agreement. If Actor is not eligible to be
boosted at the time of professional engagement; Actor agrees to coordinate with Studio Theatre on
reaching full compliance based on the appropriate timeline based on CDC recommendations. Studio
Theatre accepts a photocopy or digital photo of your CDC-issues Vaccination Card (front and back) as
proof of your vaccination.

Storyline: Aisha’s moved back to the block, but the neighborhood’s changed. She’s an urban planner,
returning to her hometown, renovating a townhouse that’s seen better days. Aisha tries to convince
her husband to spring for crown molding and endures the noise that blares from the street all night.
But when their contractor is caught up in an act of violence a block away, Aisha’s homecoming
becomes more complex than she expected. A Studio-commissioned play by 2022 Pulitzer Prize
winner James Ijames, Good Bones explores gentrification and belonging, displacement and upward
mobility, and being haunted by a legacy you’re only just beginning to understand.

Seeking:

[AISHA] 30’s; Black; grew up in this neighborhood and is moving back home with her husband Travis;
working to turn a cherished neighborhood spot into an upscale meeting space; excited about
remodeling their new house to be just right.

[EARL] 30’s; Black; has lived in this neighborhood his whole life and doesn’t plan on leaving; a staple
in the community regarding keeping history and working as a handyman; hired to complete work on
Aisha and Travis’s new home.