FINDING NEVERLAND Equity Chorus Call Dancers - Lunt-Fontanne Theatre Auditions

Posted August 18, 2015
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FINDING NEVERLAND - Lunt-Fontanne Theatre

FINDING NEVERLAND - ECC /Dancers
The Weinstein Company | New York, NY

Date of Audition:
8/31/2015


Call Type
Equity Chorus

Time(s)
Equity Chorus Call / Dancers
Monday, August 31st, 2015
10 AM - Equity Male Dancers
2 PM - Equity Female Dancers

Contract
Production (League)
$1861/week min

Location
Alvin Ailey Studios
405 West 55th Street
New York, NY 10019


Seeking
ENSEMBLE DANCERS
Men and Women to play 20s-30s. Seeking highly athletic, physically strong technical dancers with extensive training and experience in both ballet and contemporary dance.

See breakdown for more info

Preparation

Please come warmed up and ready to dance with comfortable, flat dance shoes. Ladies should bring heels as well. Bring a photo/resume stapled together.

Other Dates
Currently running on Broadway.

Seeking for possible future replacements.

Other
Executive Producer: NAMCO/Barry Weissler & Alecia Parker
General Manager: NAMCO

Casting: Telsey + Company, Patrick Goodwin

Personnel
Dir: Diane Paulus
Book: James Graham
Music/Lyrics: Gary Barlow and Eliot Kennedy
Music Supervisor: David Chase
Music Director: Mary-Mitchell Campbell
Choreographer: Mia Michaels

· Chorus rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

ENSEMBLE: We are seeking a physical, versatile ensemble to play multiple roles. Ability to play multiple characters, a British accent, physical movers and/or excellent contemporary dance training is strongly desired.

MALE AND FEMALE DANCERS:
Men and Women to play 20s-30s. Seeking highly athletic, physically strong technical dancers with extensive training and experience in both ballet and contemporary dance. Men should be fully capable of lifts. Women should have excellent flexibility. All dancers MUST also sing very well. ENSEMBLE.

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