BAD KREYOL Equity Principal Actors - Signature Theatre Company Inc. Auditions
BAD KREYOL - Signature Theatre Company Inc.
BAD KREYOL - NYC EPA
Signature Theatre Company Inc. | New York, NY Notice: Audition Call Type: EPA
AUDITION DATE
Friday, June 28, 2024
9:30 AM - 5:30 PM (E)
Lunch 1:00 PM -2:00 PM
CONTRACT
Off Broadway
$1125 weekly minimum (Cat. CC) - 23-24 rates - negotiations pending.
SEEKING
Equity actors for roles in BAD KREYOL (See breakdown).
EDIA Statement - Signature Theatre is an Equal Opportunity/Affirmative Action Employer and encourages performers of all ethnicities, genders, abilities, ages, and other ways of identifying to audition. Please note that unless otherwise specified in the breakdown, for all roles we are actively seeking and welcoming of actors of any ethnicity, race, gender/gender identification/gender expression, age, and physical and neurological ability.
PREPARATION
Please prepare a brief monologue and bring your headshot and resume stapled together.
LOCATION
Actors' Equity New York Audition Center 165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
Written by Dominique Morisseau
Directed by Tiffany Nichole Greene Artistic Director: Paige Evans
Executive Director: Tim McClimon
Associate Artistic Director: Beth Whitaker General Manager: Kenneth Naanep
Expected to attend:
Artistic Line Producer: Jeremy Ehlinger Casting Director: Sujotta Pace
OTHER DATES
First Rehearsal: Tues, 09/10/24
Previews begin: Tues, 10/08/24
Opening: Sun, 10/27/24 or Mon, 10/28/24
End of guaranteed run: Sun, 11/17/24
Possible extension through: Sun, 12/01/24
OTHER
Venue: The Irene Diamond Stage
EPA Procedures are in effect for this audition. An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
BAD KREYOL
SYNOPSIS: Simone, 1st generation Haitian American, and her cousin Gigi, Haitian born and raised, reunite to honor their grandmother’s dying wish for them to reconnect. Simone’s pilgrimage back to her ancestral homeland forces both cousins to confront their differing world views, the presence of NGOs in Haiti, and the plagued relationship between Haiti and the U.S.
SEEKING:
SIMONE [pronounced See-moan] (ROLE IS ON OFFER) - Haitian-American woman, (NO ACCENT) early 30s, free thinking, smart, social-justice obsessed, and a bit wayward. Her heart is in the right place, but she can sometimes miss the mark with her intentions. She is Haitian by blood, but very Black American from-the-burbs by culture. She wants to be down for her people, but also feels disconnected from them. She is often the butt of other folk's jokes, especially her cousin GIGI, and as such, has learned how to be neutral and not take herself too seriously. Somewhere deep inside is a lost soul looking for validation.
GIGI [pronounced Zhee Zhee] (ROLE IS CAST) - Haitian woman, (ACCENT NEEDED) mid-late 30s, bourgeousie, intelligent, proud and bossy. She works in international trading and is often times in sheer business-mode. She takes herself too seriously and unlike Simone, does not have the ease with which to laugh at herself. She is Haitian-born with American exposure and influence. Her clipped nature can seem rude, but to Gigi, this is just who people are. Somewhere deep inside is a loving bird that refuses to be vulnerable at all costs.
PITA [pronounced Pee-Tah] (ROLE IS CAST) - Haitian man, (ACCENT NEEDED) early to mid 30s, vibrant, full of spirit, and easy to love. He identifies with Haiti's Queer community, but is not yet openly a part of it. He loves life and loves Haiti in all of its beautiful contradictions and is proud of his upbringing and survival story. He is also the housekeeping help for Gigi, though he would never be reduced to being anyone's maid. In Haiti, this role is far more complicated, and Pita will remind you of that. Somewhere, his revolution is waiting for him.
LOVELIE [pronounced Low-vlee] (ROLE IS CAST) - Haitian woman, (ACCENT NEEDED) late 20s/early 30s, quiet, strong, mysterious. She is a former prostitute turned seamstress and is seeking her independence. She is no victim. She is the picture of defiant resilience.
THOMAS [pronounced Toe-mas] (ROLE IS CAST) - Haitian-American man, (ACCENT NEEDED) late 30s/early 40s, affluent, bourgeousie and impersonal. He is an international trades businessman and embodies all of the tropes of foreign executive power, a shark nature where self-preservation trumps all.
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