AMADEUS Equity Principal Auditions - North Carolina Stage Company Auditions

Posted September 8, 2014
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AMADEUS - North Carolina Stage Company

AMADEUS - EPA by Appointment
North Carolina Stage Company | Asheville, NC

Date of Audition:
9/25/2014


Call Type
Equity Principal

Time(s)
Equity Principal Auditions by APPOINTMENT
Thursday, September 25th, 2014
9:30 AM to 5:30 PM
lunch 1 to 2

Contract
SPT
Tier 4; $332/week AEA minimum

Location
North Carolina Stage Company
15 Stage Lane
(off of Walnut Street)
Asheville, NC
See website for directions and parking info


Seeking
Equity actors for various principal roles.

see breakdown.

Preparation

Other Dates
Rehearsals 6 days per week with a minimum of 30 hrs/wk.
Performs Wed - Sat at 7:30 and Sun at 2.

Runs at Asheville Community Theatre's Heston Auditorium as a special addition to their 2014-2015 season.

1st reh: 2/4/15. Runs: 3/11 - 3/22/15

Other
AEA members without appointments seen as time permits.

www.ncstage.org

Personnel
Writer: Peter Shaffer

In attendance:
Charlie Flynn-McIver, Artistic Director, NC Stage
Angie Flynn-McIver, Producing Director NC Stage, Director

· A monitor will not be provided. The producer will run all aspects of this audition.

Appointments
AEA members Email casting@ncstage.org for appointment and/or inquiries or call 828-239-0263 between noon and 5, Mon -Fri. Email preferred.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

Seeking:

ANTONIO SALIERI
Ages 35 – 77 in the play. Italian composer and musician in the court of the Austrian Emperor Joseph II. He is proud, proper, restrained, ambitious. He has spent his life doing what is expected of him, and he wants the reward of being a magnificent composer, but his talent fails him. He is deeply and corruptingly jealous of Mozart.

WOLFGANG AMADEUS MOZART
Ages 25 – 35 in the play. Silly, passionate, absurd, and a genius composer, he comes to the court of Joseph II at the age of 25, and his reputation precedes him. His impolitic, frantic, mocking behavior makes enemies of the courtiers around him, and he and his family suffer from poverty and indignity. He is crude and brilliant.

CONSTANZE WEBER
Mozart’s wife. She is lower class, out of her depth at court, but principled and loves Mozart. She can be silly with him, but also admires his talent. She is shrewd when she needs to be.

JOSEPH II
The Emperor of Austria. His every opinion is supported and magnified by those around him. He is never challenged or questioned. He is a fundamentally uninteresting man made fascinating by his position.


COUNT JOHANN VON STRACK
COUNT FRANZ ORSINI-ROSENBERG
BARON VAN SWIETEN
These three men are in the Emperor’s inner circle. They are extremely skilled in the art of politics; they are wealthy, and they are knowledgeable. They are unused to making mistakes, or to admitting to making them. They hold themselves carefully, as if their power were a fragile thing.

THE VENTICELLI
These two men are Salieri’s spies—they are everywhere and bring him all the news and gossip. They blend in with everyone everywhere. They function as a chorus in the play.

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