SCHWARTZ CENTER FOR THE ARTS

by Greer Firestone - April 20, 2026

George Abbott earned the reputation of Broadway’s “show doctor” in the 1950s because he had an uncanny ability to fix troubled musicals quickly and commercially. Producers would bring him in—often late in rehearsals or even during out-of-town tryouts—to tighten scripts, sharpen comedy, res...

by Greer Firestone - April 14, 2026

The Smyrna Opera House’s Cabaret isn’t just good—it’s a minor miracle. This is their first musical in years, and instead of easing back in with something safe, they went straight for one of the most stylistically demanding, tonally complex shows in the canon. And they pulled it off with grit...

by Rosanne DellAversano - March 21, 2026

A monster of a musical hits The Candlelight Theatre stage....

by Greer Firestone - March 10, 2026

Producing a play called POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive in today’s political climate takes nerve. Aisle Say applauds Kerry Kristine McElone and the Board of City Theatre for having exactly that kind of chutzpah. Mounting this razor-edged farce at a mo...

by Rosanne DellAversano - January 20, 2026

What did our critic think of THE PRODUCERS - A MEL BROOKS MUSICAL at The Candlelight Theatre?...

by Rosanne DellAversano - December 18, 2025

Disney’s The Little Mermaid, loosely based on the fairytale of Hans Christian Andersen, tells the simple story of the beautiful young mermaid, Ariel, and her longing to leave her ocean home and live in the world above with humans....

by Greer Firestone - December 15, 2025

City Theatre Company’s CHICAGO was met with a warm audience response on opening night—and deservedly so. Now celebrating its 32nd year, CTC has long occupied a vital place in Delaware’s theatrical landscape, with current Artistic Director Kerri Kristine McElrone integral to the company since i...