Driving Miss Daisy at Fulton Theatre

Broadway: DIANA, ANASTASIA, WICKED, CINDERELLA, NICE WORK IF YOU CAN GET IT (Tony Award, Drama Desk Award, Outer Critics Circle Award), SWEENEY TODD, SOUVENIR (Tony Award nomination, LA Ovation Award), MAMMA MIA! (Tony nomination), RAGTIME (LA Ovation Award), PAJAMA GAME, PHANTOM OF THE OPERA (Tony Award), ON THE 20TH CENTURY (Theater World Award), GREASE. Regional: TALES OF THE CITY (ACT), SOUVENIR (San Francisco, Los Angeles, Phoenix, Tucson, Baltimore, Rochester, Sarasota), LOST IN YONKERS (Old Globe, Arizona Theater Company). Tour: SWEENEY TODD (Carbonell Award), GREASE. Off Broadway: TILL DEATH, IBSEN’S GHOST. Recently: DRIVING MISS DAISY at Theatre Aspen and BABBIT opposite Matthew Broderick at the Washington Shakespeare Theatre.

Is making his Fulton Theatre debut in this iconic role. David made his Broadway debut in EUBIE!, a musical revue celebrating the music of the ragtime pianist, Eubie Blake. Following the Broadway engagement of EUBIE! he continued on the National Tour. When he was cut on the day of his audition for MY ONE AND ONLY, he returned the next day and was chosen by Tommy Tune and cast immediately as a New Rhythm Boy for the original Broadway production starring Mr. Tune and Twiggy. A National Tour followed including 5 weeks in Japan. A dream of playing The Palace Theatre in New York City became a reality with the production of LA CAGE AUX FOLLES in the role of Jacob, the maid. GRAND HOTEL, THE MUSICAL will forever be the high point of his professional career as one of the two Jimmys, the role he created for the original Broadway production. He has performed GRAND HOTEL in London and regionally. David has written and performed his one-man show at the nightclub 54 Below and most recently with friends in the critically acclaimed two sold out performances of Cotton Club Confidential. David studied drama with Charles Kakatsakis, Charles Nelson Reilly and Uta Hagen.

Off-Broadway: 59E59; REGIONAL: Olney Theatre Center, Folger Theatre, New Jersey Rep, PA Shakespeare Festival, Fulton Theatre, Arden Theatre, Walnut Street Theatre, Phila. Theatre Co. TV: Dope Thief (Apple TV), Task (HBO), Dispatches from Elsewhere (AMC) and Mare of Easttown (HBO); FILM: Alice & the Vampire Queen, Hayride to Hell, Love & Communication, Kinderwald. His plays have been produced at Perseverance Theatre, NJ Rep, Inis Nua Theatre, Yes! Festival, Edinburgh Festival and Theatre Conspiracy. His play, Voyager One, was named a “Top Ten Production in New Jersey,” 2019. His screenplays have placed in the Austin Film Festival, Big Break, Launch Pad, and Screencraft, among others. His first novel, Billy the Kid vs. Dracula, was published by Cult Pulp Press. Jared is co-founder of 100th Meridian, independent theatre, and co-host of a weekly podcast about the musician Prince, titled When Doves Podcast. www.jaredmichaeldelaney.com

Aaron Frederick is a New York-based actor with experience in film, television, and theatre. He is passionate about authentic storytelling and strives to bring depth and truth to every role. His recent credits include a pilot presentation with Louis Mandylor, a holiday special on Comedy Central, and various commercials. His theatre credits include the roles of “Brucie” and Evan” in Stockton University’s production of “Sweat” by Lynn Nottage. He appeared as “Pat” in “Go Go Slim” for Pride Month at The Tank NYC and “Frank” in Alchemical Studios’ production of “Counterbalance,” both original plays by Marc Lyons. In addition to his acting career, Aaron is an avid tropical fish hobbyist with over 25 years of experience and a lifelong martial artist, currently a 3-stripe blue belt in Brazilian Jiu-Jitsu.

is a director, performer, and education artist from Shippensburg, PA—go Greyhounds! Directing: The Sound of Music and A Christmas Carol (Asst. & Choreo) at Totem Pole Playhouse. Regional acting credits include Sam Phillips in Million Dollar Quartet and Bob Cratchit in A Christmas Carol (Totem Pole Playhouse), Hamlet in Hamlet, Mercutio in Romeo and Juliet, and Lysander in A Midsummer Night’s Dream (Shakespeare & Company). He is thrilled to be returning to Fulton for this iconic play. Perhaps Luke’s most treasured credit of all is having proudly led the Shippensburg Area Senior High School’s Drama Club for over 6 years and 16 shows.

a Lancaster city resident and Fulton first-time cast member. Locally featured in multiple shows at Sight & Sound, Servant Stage, EPAC, and The People’s Shakespeare Project. World Premier/National Tour: Lady Randall, u/s Morgan & Guinevere in Magic Treehouse: The Musical; Regional: Aunt March/Mrs. Kirke in a staged reading of Little Women: The Musical, w/Kate Baldwin (Connecticut Stage Co. and NYC); Ma Bailey in It’s a Wonderful Life; Assunta in The Rose Tattoo (Cumberland Theatre); The Winnipesaukee Playhouse multiple seasons including Daisy in Driving Miss Daisy; Christina in Guess Who’s Coming to Dinner; Hannah/Diana/Gert in California Suite; Dotty/Mrs. Clackett in Noises Off; commercials, industrials, voiceovers. Gratitude to all for this opportunity. Psalm 118:1

Has been directing at the Fulton since 2001. In 2009, he became the Artistic Director, and in 2016 became the Executive Artistic Producer. Regionally, he has directed and choreographed over 450 productions, many in his 24-year residency in Chicago where he was honored with 16 Joseph Jefferson Awards, and where he served as the Artistic Director of the Drury Lane Theatre in Evergreen Park. He has staged shows at Walnut Street Theatre, Theatre Under The Stars, Pittsburgh Civic Light Opera, Marriott Theatre, Drury Lane Oakbrook, Northlight Theatre, Ravinia, Steppenwolf Theatre, Chicago Shakespeare Theatre, Beef N Boards, Fireside, Theatre on the Square, American Music Theatre, the Dutch Apple, and many others. He made his London directorial debut with the World Premier of It Happened in Key West and served as the Artistic Director for the Ovation series in Chicago at the Auditorium Theatre and the Artistic Lead on the National Movie Tour of the Sing-Along Wizard of Oz which premiered in New York at the Gershwin Theatre. Off-Broadway, he directed the revival of Romance, Romance and the tour of Vineland the Musical. He was an adjunct professor at Northwestern University and has taught guest classes all over the country. He shares his residence between Lancaster, PA and his second home in Brunswick, Maine where he has spent 19 Seasons (35 shows) at Maine State Music Theatre. As a playwright and composer he has written 15 Family Musicals with his husband Curt Dale Clark. They have authored and presented their full-length musical Treasure Island to great acclaim, and this coming May, his first novel will be published in London and the US. He feels blessed to continue his relationship with the Fulton and this extraordinary community, and when he isn’t creating theatre, he is at home playing video games on his PS5 VR!!

Is excited to be back at the Fulton where he first designed 30 years ago. Paul’s work can also be seen at: Actors Theater of Phoenix, Arizona Theater Company, Childsplay, Phoenix Theater, and the Phoenix Opera Co., The Walnut Street Theater in Philadelphia, Theater Aspen, American stage in Florida, The Carousel Dinner Theatre in Ohio, Maine State Music Theater, Maltz Jupiter Theatre in Jupiter, Florida and Palm Beach Drama Works. Music Theater West in LA.

Eliza is thrilled to be designing again for the Fulton Theater. Originally from Massachusetts, Eliza got her BA in Theater from UMass Amherst. She is going into her third year full time at the Fulton, and has fallen in love with all Lancaster has to offer. Eliza would like to thank Seymour, her family, and all the people who have helped her along the way.

Seth Asa is a lifelong listener from the backwoods of Southern Maine. He has spent decades as a Sound Designer and Theatre Artist, and has collaborated with arts and educational organizations across our United States. Seth's work has been heard in The Fulton's Studio Series productions of Sweat, Changing Channels, Jacob Marley's Christmas Carol, and An Act of God, and he is honored to help bring Driving Miss Daisy to the Mainstage. Seth is Resident Sound Designer at Portland Stage in Maine, and is thankful for blessings of love, family, friends, and a wonderful life among creators and visionaries. Be kind to others, and to yourself, and let people know you love them. Much Love to Mary Lana.

Meg is happy to be going into her fifth season with the Fulton Theatre! Audiences may have seen her most recent prop design work in last spring’s production of Anastasia. Some of her favorite prop designs include Who’s Holiday, Charlie and the Chocolate Factory, Grease, and Who’s Afraid of Virginia Woolf? She loves the storytelling power of props—whether it’s building a bizarre holiday cocktail or refurbishing a vintage cash register—and takes pride in the creativity and teamwork that go into every show. Huge thanks to the incredible Fulton production and shop teams and the audiences who keep theatre magic alive. When she’s not at the theatre, you can probably find her thrifting for hidden treasures or building something weird and wonderful at the scene shop. Enjoy the show!

Anthony joined the Fulton Theatre 25 seasons ago. Locally, Anthony has enjoyed designing for EPAC, Theatre of the 7th Sister, Hempfield Dance Theatre, and Ephrata & Garden Spot High Schools. Nationally, Anthony’s designs have been seen at the Riverside Theater, Playhouse on the Square, Maine State Music Theatre, and Walnut Street Theatre. Favorite shows include In the Heights, Fun Home, and Jesus Christ Superstar. Favorite hair designs include Taffetas, Wizard of Oz, and Kinky Boots.

he/him Joey has been the Fulton Casting Asssociate since 2018. He began as an actor/dancer at the Fulton in 2005's Carousel. He has since performed in over 16 productions, his last in the role of Bob Crewe in Jersey Boys. Joey was the Associate Director and Makeup Designer for last season's CATS, and also Directs some of our Theatre For Young Audience shows. He is so grateful to have the talented and distinuished cast of Driving Miss Daisy here to start the 2025-2026 Season. Many thanks to you, our audiences for supporting live theatre, and love always to Jeff, Piper and Jackson. @joeytumble

Is excited to be returning to the Fulton for her second full season working backstage! She is a proud member of the Fulton family since age 11, and Beth Bash Award recipient. Favorite Fulton backstage credits include; Grease (child supervisor), 9 to 5 (deck crew), Charlie and the Chocolate Factory (child supervisor), Beautiful (PA), Frozen (child supervisor), Jesus Christ Superstar (PA), and Anastasia (PA). Wagner College graduate. All the love in the world to her parents, grandparents, and friends for their constant support. <3 IG @sofie.shirey

Fulton Theatre debut. Broadway: Fela, Xanadu, Beauty and The Beast (original company), A Small Family Business, The Seagull, Prelude to A Kiss. National Tours include: A Beautiful Noise, A Soldiers Play, The Band’s Visit, Cabaret, Porgy and Bess, Anything Goes, Fela, Young Frankenstein, The Producers, Little Shop of Horrors, The 101 Dalmatians; the musical, Almost Like Being in Love with Diahanne Carrol, Stardust (Pre-Broadway) with Betty Buckley, Blithe Spirit with Angela Lansbury. Regionally: Chautauqua Theatre Company, ACT of CT, George Street Playhouse, Papermill Playhouse, Long Wharf, Barter Theatre, The MUNY, Maine State. Two years with Royal Caribbean Cruise Lines. 2023 Honoree Del Hughes Award for “Lifetime Achievement in the Art of Stage Management”.

Grew up in Port Chester, New York and trained at Northwestern University. Since 1975 she has lived and worked in Scotland. As a highly respected acting teacher and director Lynn has been Head of Acting (Fife College and Queen Margaret University), Playwright (TraverseTheatre, TheThird Eye, Wildcat, 7:84), Actor (BBC), Co Founder of Stellar Quines Theatre Company, a thriving touring company, now 30 years old. She created ‘American Voices’ and as a specialist American Accent/dialect coach has worked on many dozens of productions (Royal Lyceum Edinburgh, Perth Theatre, Pitlochry Festival Theatre, Dundee Rep, Byre Theatre, etc) working with students, amateur and professional actors throughout the UK for fifty years.