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Review: THE ORESTEIA, Bridge Theatre

Review: THE ORESTEIA, Bridge Theatre

by Alexander Cohen — July 15, 2026

There is a dig at Simon Stone in the National Theatre's new Misanthrope, a jab at ultra-contemporary classical reboots staged in rotating glass boxes, the Australian auteur's calling card. His adaptions of Phaedra and Yerma turn his actors into caged zoo animals prowling around their confines wait...

Review: THE LAST MAN, Southwark Playhouse Elephant

Review: THE LAST MAN, Southwark Playhouse Elephant

by Cindy Marcolina — May 14, 2026

A virus has decimated the entire population, turning them into zombies. Or has it? Whilst all hell breaks loose, a man is isolating in a bunker alone. Deep underground, his thoughts are his only company and entertainment. His reality slowly alters. Why do we keep going in the face of hardship? Is th...

Review: SCHOOL OF ROCK at Cultural Arts Playhouse-Merrick

Review: SCHOOL OF ROCK at Cultural Arts Playhouse-Merrick

by Sam Desmond — April 09, 2026

With a central character seemingly a charming, albeit selfish, peccadillo who goes on redemption journey to connect his passion with his dreams, “School of Rock,” brings humor, honor, and hype to the standing up for yourself no matter how “acceptable” the responsible path is presented....

Review: PRIVATE LIVES at Bandwagon Arts

Review: PRIVATE LIVES at Bandwagon Arts

by Sabrina Wallace — March 07, 2026

Bandwagon Arts gives Noël Coward’s Private Lives a modern twist at Ground Floor Theatre. Ex-spouses Elyot and Amanda collide on neighboring honeymoon balconies, and chaos follows. Quick wit, messy romance, and socialites behaving badly keep this classic comedy humming....

Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre

Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre

by Cindy Marcolina — February 15, 2026

Two best friends, the ghost of Katie’s brother, a secret. When Roni shows up at Charlie’s old flat, she finds Katie rummaging through his things while a party is in full swing upstairs. When Charlie died months prior, Katie disappeared from Roni’s life, leaving her without a place to stay and ...

Review: DAWN at the Everyman Theatre

Review: DAWN at the Everyman Theatre

by Tina Collins — February 13, 2026

In DAWN, the luminous world premiere by Tuyết Thị Phạm, now on stage at the Everyman Theatre , the ordinary becomes sacred. A kitchen table transforms into an altar. A cup of tea becomes an invocation. Silence stretches into something holy. What unfolds is not simply a story, but a ritual of...

Review: DEAR LIAR, Jermyn Street Theatre

Review: DEAR LIAR, Jermyn Street Theatre

by Cindy Marcolina — February 11, 2026

Showbusiness is rife with affairs; it’s the reason tabloids exist. While these days paramours trade in texts and DMs, epistolary correspondence used to be the currency of illicit romances. It was the case for one George Bernard Shaw and Mrs Patrick Campbell (née Beatrice Rose Stella Tanner)....

Review Roundup: DANCE OF DEATH at Orange Tree Theatre

Review Roundup: DANCE OF DEATH at Orange Tree Theatre

by Chloe Rabinowitz — February 09, 2026

Orange Tree Theatre is presenting Richard Eyre’s new adaptation of August Strindberg’s Dance of Death. See what the critics are saying about the production in BroadwayWorld's review roundup!...

Review: DANCE OF DEATH, Orange Tree Theatre

Review: DANCE OF DEATH, Orange Tree Theatre

by Aliya Al-Hassan — February 07, 2026

Hatred, desolation and disappointment run deep through August Strindberg's Dance of Death. Marriage is a prison from which the only escape is death. With Valentine's Day rapidly approaching, director Richard Eyre's adaptation may remind you that your other half isn't quite so bad after all....

Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End

Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End

by Albert Gutierrez — January 18, 2026

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to ...

Review: OUR AMERICAN QUEEN, Bridewell Theatre

Review: OUR AMERICAN QUEEN, Bridewell Theatre

by Clementine Scott — January 15, 2026

The stage is immediately set for a confrontation. We the audience are looking down the length of a Victorian dining table, lit from beneath, poised perfectly for domestic rows to erupt before the meal is even served....

REVIEW: Cihangir Atölye Sahnesi Presents Kâtip Bartleby

REVIEW: Cihangir Atölye Sahnesi Presents Kâtip Bartleby

by Wesley Doucette — December 22, 2025

The three previous productions I attended at Cihangir Atölye Sahnesi achieved what felt like a contradiction in terms: blackbox maximalism. Imagine my surprise, then, when I entered their space for Kâtip Bartleby, an adaptation of Herman Melville’s Bartleby the Scrivener, and found a concentra...

Review: INDIAN INK, Hampstead Theatre

Review: INDIAN INK, Hampstead Theatre

by Clementine Scott — December 17, 2025

Indian Ink is not among Tom Stoppard’s greatest plays. The tale of a literary darling moving to 1930s India is awkwardly structured and hamfisted in its messages about Indian identity. Yet this revival breathes new life into the lesser-known work....

Review: MUSEUM OF AUSTERITY, Young Vic

Review: MUSEUM OF AUSTERITY, Young Vic

by Franco Milazzo — December 12, 2025

There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies. Museum of Austerity, revived at the Young Vic, is a cool, technologically-slick indictment, a moral subpoena served directly to your eyeballs through augmente...

Review: THE WAVERLY GALLERY at Backyard Renaissance

Review: THE WAVERLY GALLERY at Backyard Renaissance

by ErinMarie Reiter — December 03, 2025

Backyard Renaissance delivers an exquisite reminder: we do not choose when the people we adore begin to fade, but we do get to decide how fiercely we hold them while they do....



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