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Review: I HATE HAMLET Is Full of Laughs at Elmwood Playhouse

Review: I HATE HAMLET Is Full of Laughs at Elmwood Playhouse

by Bruce Apar — September 26, 2026

There is no question the show takes wing on the deliciously grand entrance of Jason Summers as Barrymore. Mr. Summers is thoroughly engaging and mesmerizing, holding us in his thrall, and declaiming in a high-toned, clipped British accent, as he swans and seemingly floats fluidly about the stage as ...

1TBSP Releases WISH YOU LUCK FT. KID ON AIR

1TBSP Releases WISH YOU LUCK FT. KID ON AIR

by Rachel Stone — September 17, 2026

Australian producer Maxwell Byrne, aka 1tbsp, collaborates with Vienna-based artist kid on air on a dance track exploring consumerism and modern rituals through mechanical production language and electronic textures....

Review: THE YELLOW WALLPAPER at The Archive Theater

Review: THE YELLOW WALLPAPER at The Archive Theater

by Joni Lorraine — September 10, 2026

Just want to say, right away, I’m absolutely recommending THE YELLOW WALLPAPER. It seems in times like these that many of us would seek a more uplifting way to spend two hours, but stick with me. This one is relevant, important, and just about perfectly executed....

Review: THE ORESTEIA, Bridge Theatre

Review: THE ORESTEIA, Bridge Theatre

by Alexander Cohen — July 15, 2026

There is a dig at Simon Stone in the National Theatre's new Misanthrope, a jab at ultra-contemporary classical reboots staged in rotating glass boxes, the Australian auteur's calling card. His adaptions of Phaedra and Yerma turn his actors into caged zoo animals prowling around their confines wait...

Review: THE LAST MAN, Southwark Playhouse Elephant

Review: THE LAST MAN, Southwark Playhouse Elephant

by Cindy Marcolina — May 14, 2026

A virus has decimated the entire population, turning them into zombies. Or has it? Whilst all hell breaks loose, a man is isolating in a bunker alone. Deep underground, his thoughts are his only company and entertainment. His reality slowly alters. Why do we keep going in the face of hardship? Is th...

Review: SCHOOL OF ROCK at Cultural Arts Playhouse-Merrick

Review: SCHOOL OF ROCK at Cultural Arts Playhouse-Merrick

by Sam Desmond — April 09, 2026

With a central character seemingly a charming, albeit selfish, peccadillo who goes on redemption journey to connect his passion with his dreams, “School of Rock,” brings humor, honor, and hype to the standing up for yourself no matter how “acceptable” the responsible path is presented....

Review: PRIVATE LIVES at Bandwagon Arts

Review: PRIVATE LIVES at Bandwagon Arts

by Sabrina Wallace — March 07, 2026

Bandwagon Arts gives Noël Coward’s Private Lives a modern twist at Ground Floor Theatre. Ex-spouses Elyot and Amanda collide on neighboring honeymoon balconies, and chaos follows. Quick wit, messy romance, and socialites behaving badly keep this classic comedy humming....

Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre

Review: 1.17AM, OR UNTIL THE WORDS RUN OUT, Finborough Theatre

by Cindy Marcolina — February 15, 2026

Two best friends, the ghost of Katie’s brother, a secret. When Roni shows up at Charlie’s old flat, she finds Katie rummaging through his things while a party is in full swing upstairs. When Charlie died months prior, Katie disappeared from Roni’s life, leaving her without a place to stay and ...

Review: DAWN at the Everyman Theatre

Review: DAWN at the Everyman Theatre

by Tina Collins — February 13, 2026

In DAWN, the luminous world premiere by Tuyết Thị Phạm, now on stage at the Everyman Theatre , the ordinary becomes sacred. A kitchen table transforms into an altar. A cup of tea becomes an invocation. Silence stretches into something holy. What unfolds is not simply a story, but a ritual of...

Review: DEAR LIAR, Jermyn Street Theatre

Review: DEAR LIAR, Jermyn Street Theatre

by Cindy Marcolina — February 11, 2026

Showbusiness is rife with affairs; it’s the reason tabloids exist. While these days paramours trade in texts and DMs, epistolary correspondence used to be the currency of illicit romances. It was the case for one George Bernard Shaw and Mrs Patrick Campbell (née Beatrice Rose Stella Tanner)....

Review Roundup: DANCE OF DEATH at Orange Tree Theatre

Review Roundup: DANCE OF DEATH at Orange Tree Theatre

by Chloe Rabinowitz — February 09, 2026

Orange Tree Theatre is presenting Richard Eyre’s new adaptation of August Strindberg’s Dance of Death. See what the critics are saying about the production in BroadwayWorld's review roundup!...

Review: DANCE OF DEATH, Orange Tree Theatre

Review: DANCE OF DEATH, Orange Tree Theatre

by Aliya Al-Hassan — February 07, 2026

Hatred, desolation and disappointment run deep through August Strindberg's Dance of Death. Marriage is a prison from which the only escape is death. With Valentine's Day rapidly approaching, director Richard Eyre's adaptation may remind you that your other half isn't quite so bad after all....

Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End

Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End

by Albert Gutierrez — January 18, 2026

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to ...

Review: OUR AMERICAN QUEEN, Bridewell Theatre

Review: OUR AMERICAN QUEEN, Bridewell Theatre

by Clementine Scott — January 15, 2026

The stage is immediately set for a confrontation. We the audience are looking down the length of a Victorian dining table, lit from beneath, poised perfectly for domestic rows to erupt before the meal is even served....

REVIEW: Cihangir Atölye Sahnesi Presents Kâtip Bartleby

REVIEW: Cihangir Atölye Sahnesi Presents Kâtip Bartleby

by Wesley Doucette — December 22, 2025

The three previous productions I attended at Cihangir Atölye Sahnesi achieved what felt like a contradiction in terms: blackbox maximalism. Imagine my surprise, then, when I entered their space for Kâtip Bartleby, an adaptation of Herman Melville’s Bartleby the Scrivener, and found a concentra...



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