ROSSINI

Experience Giacomo Puccini's The Girl of the Golden West presented by Washington Opera Society at the Atrium of the Embassy of France in Washington, DC. Cocktail attire encouraged....

Riverside Opera Company, celebrating its 27th season on Staten Island, will host PoPera 2024 on the lawn of the Garibaldi Meucci Museum....

Waterperry Opera Festival, the acclaimed celebration of opera and classical music, has announced its return for its annual ten-day event from August 9th to August 18th, 2024. ...

The Riverside Opera Company presents PoPera 2023, a fusion of Broadway and opera classics accompanied by a full orchestra.  This concert will feature a cast of ROC's award-winning singers performing popular Opera and Broadway favorites....

An historic recording of golden age tenor Richard Tucker singing “Sound an Alarm” from Handel’s JUDAS MACCABEUS” set the tone for the Richard Tucker Music Foundation’s Gala concert at Carnegie Hall. There was wonderful singing ahead of us—but of a certain kind. Like many other classical organizations, the Tucker Foundation, has found that, as Charles Dickens said in “A Tale of Two Cities,” “It was the best of times, the worst of times.” The “best” is for the quality of the singers that the foun...

New York's Heartbeat Opera has announced its Tenth Anniversary Season in 2023-24. Learn more about the full upcoming season here!...

OPERA America has announced the induction of seven exemplary artists, administrators, and advocates to the Opera Hall of Fame as the Class of 2023. They join a distinguished roster of previous inductees who are honored in OPERA America's National Opera Center....

As I sat down to write about the delightful recent performance I heard of Rossini’s IL TURCO IN ITALIA at Madrid’s Teatro Real, with soprano Lisette Ororpesa in a charming new production by Laurence Pelly, I went to Spotify to see what kind of recordings were around. I was surprised to find more than a dozen of them--headlining everyone from Callas (in several of them) to Bartoli, with Sills, Jo, Caballe, Sciuti and some less familiar singers....

Combine a supreme farceur with a stentorian voice that thrills and you get baritone Michael Volle’s portrayal of the title role in Verdi’s FALSTAFF, which breezed into town late last week for a limited run at the Met. While we’ve had dramatic singers in the role before, they were mostly from Italian repertoire; I don’t know when the last time a Wagnerian--a Wotan from the Ring, for instance--took on this role around here, but Volle did himself proud....

Watch highlights from the Met Opera's production of Falstaff, now on stage through April 1st. Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging....

​​​​​​​Wagner's soaring masterpiece Lohengrin returns to the Met stage after 17 years, in a new production by internationally renowned director François Girard. The production runs from February 26th-April 1st....

Will Crutchfield’s gutsy Teatro Nuovo brought New Yorkers a chance to evaluate Rossini's MAOMETTO SECONDO the other day at Jazz from Lincoln Center’s Rose Theatre. Kudos to Crutchfield, who continues on his quest for the most authentic of the authentic in bel canto, even when the originals weren’t exactly smash hits to begin with. That includes MAOMETTO, which has had a quite checkered past....

Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3....

O22, as Opera Philadelphia's festival was called this year, wasn’t exactly “something old, something new” but more like big fat sandwich cookie. On one side, there was a kind of “traditional” contemporary opera, Hosokawa’s THE RAVEN , a big filling of Rossini’s OTELLO opera seria in the middle, and finished with the Little-Waldman BLACK LODGE, a rock opera that was half ear-blasting concert performed live, half film....

It took longer to read the notes for Joan Tower’s “Fanfare for the Uncommon Woman, No. 1” than it did for the New York Philharmonic under Jaap van Zweden to kick off the first program in its current concert series, “Authentic Selves: The Beauty Within”. But it was a fitting opening for the evening, which featured countertenor Anthony Roth Costanzo (the Phil's current James G. Wallach Artist-in-Residence) and cabaret diva Justin Vivian Bond--not only exciting in the piece itself but for what lay ...

Oh, sure, give us Missy Mazzoli, Nico Muhly, Laura Kaminsky, Kevin Puts, Terence Blanchard, Paul Moravec, Huang Ruo and all the other fabulous composers at work today. But let’s talk about Rossini--and it’s hard for anyone who attended the concert the other night at New York’s 92nd Street Y not to. With tenor Lawrence Brownlee, (bari)tenor Michael Spyres and pianist Myra Huang presenting us with a dizzying array of what Brownlee called “barnburner pieces, back to back,” there was not much more t...