The Verdi Messa da Requiem—better known to English speakers as the Verdi Requiem—featuring the Cleveland Orchestra and its Chorus, with a quartet of soloists, breezed into Carnegie Hall the other night and promptly knocked many concert-goers out of their seats.
The Dallas Opera has been awarded a significant $25 million challenge grant by the O'Donnell Foundation to support its future endeavors and artistic projects.
Boston Ballet will present Winter Experience, a program comprised of two high-octane ballets that have made a mark on dance history: Resident Choreographer Jorma Elo’s Le Sacre du Printemps (The Rite of Spring) and Crystal Pite’s The Seasons’ Canon.
A bold statement of opera industry solidarity with the Washington National Opera was issued following the news of the company's decision to leave Kennedy Center.
Two powerful women will be at the helm when Opera San José returns in the new year with the operatic double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci.
Washington National Opera’s planned separation from the Kennedy Center is moving into a complex legal stage, with negotiations underway over assets, facilities, and the future of the Kennedy Center Opera House Orchestra.
North Carolina Opera's production of Puccini's Madama Butterfly has become the best-selling production in the organization's history, setting a new ticket sales record since the company was founded in 2010.
Odyssey Opera and the Boston Modern Orchestra Project will present Mono E Mono, a concert of monodramas by leading American composers, at NEC's Jordan Hall.
OPERA America has provided grants totaling $190,000 to nine opera companies through its NYC Opera Grants: Support for Small-Budget Organizations program.
The Metropolitan Opera has announced a new round of cost-cutting measures, including layoffs, executive pay reductions, and a scaled-back production schedule, as it continues to grapple with financial instability.
Daphne in Concert, Seattle Opera’s latest offering in their series of concert presentations initiated in 2023, proved that the series concept is a successful one.
From her first appearance on stage, it was clear that mezzo Aigul Akhmetshina was no flash in the pan, giving us a scorching Carmen when this production was new just two years ago.
BroadwayWorld is now accepting nominations for the BroadwayWorld Stage Recording Awards, celebrating outstanding achievements in theatrical and performance-based recordings released during the 2025 calendar year.