Opera Columbus to Present New Opera THE OLD MAN AND THE SEA
Beth Morrison Projects’ The Old Man and the Sea will be presented at the Mershon Auditorium this fall.
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Beth Morrison Projects’ The Old Man and the Sea will be presented at the Mershon Auditorium this fall.
As a dramatic soprano, Alexandra LoBianco is accustomed to performing some of the most challenging roles in the repertoire, including Leonore in “Fidelio,” with the Vienna State Opera and North Carolina Opera, Brünnhilde in “Die Walküre,” Minnie in “La fanciulla del West,” with Des Moi
Opera Parallèle, San Francisco's contemporary opera company now in its 16th anniversary season, is on the move—stretching its wings across North America and beyond.
Lyric Opera of Chicago launches its 71st season with the company premiere of Luigi Cherubini’s Medea, opening Saturday, October 11, 2025, at the Lyric Opera House.
If you liked Evita at the Palladium, you'll like Carmen at the Coliseum
Madison Opera launches its 2025–26 season with Puccini’s timeless masterpiece La Bohème, performed November 7 and 9 at Overture Hall.
Sing For Your Seniors, the New York City–based nonprofit that brings live musical performances to older adults, has announced a landmark partnership with members of the world-renowned Metropolitan Opera Chorus Artists.
Lyric Opera of Chicago will present the company premiere of Carl Orff’s Carmina Burana.
Frank DiLella, Emmy Award-winning Journalist, media personality and host of ON STAGE on Spectrum NY1, will join the one-night-only debut concert presentation of The Real Housewives of New York City: An Opera.
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero.
Both director and designer have slightly too many ideas about what the show could be, and what is left is unresolved potential.
Sometimes great singing can save a bad production.
Carrie Cracknell’s production of Carmen will return to the Met for 13 performances beginning in October.
Franco Zeffirelli’s production of Puccini’s La Bohème will return to the Met stage for 20 performances featuring many of today’s leading artists.
What did our critic think of OPERA À LA CARTE'S PRODUCTION OF OFFENBACH'S ORPHEUS IN THE UNDERWORLD at St.
The Dallas Opera has raised $13 million toward a $25 million challenge from the O’Donnell Foundation, which will match contributions dollar-for-dollar.
The Canadian Opera Company has announced the seven finalists for the 2025 Centre Stage: Ensemble Studio Competition, taking place October 23, 2025, at Toronto’s Four Seasons Centre.
The Metropolitan Opera's new production of Bellini's La Sonnambula marks the beginning of the 19th season of The Met: Live in HD, with Nadine Sierra making her company role debut as Amina and Xabier Anduaga in his company role debut as Elvino
Snider’s first opera, HILDEGARD, for which she also wrote the libretto, will be presented in rolling world premieres by Los Angeles Opera (November 5-9, 2025) and PROTOTYPE Festival in New York (January 9-17, 2026), with subsequent performances at the Aspen Music Festival and School (Summer
Chicago Opera Theater (COT) will illuminate Shakespeare and Antonio Salieri this fall with a trilogy of performances and events, culminating in the Chicago premiere of Salieri’s Falstaff, ossia Le tre burle (Falstaff, or The Three Tricks) December 3–7, 2025 at the Studebaker Theater.
New Rochelle Opera has appointed Maestro Jason Tramm as its new General and Artistic Director.
Héctor Armienta’s operatic reimagining of ZORRO is a richly textured work that fuses bravado and romance into a timely meditation on liberty.
It’s over 40 years since English National Opera staged Rossini's Cinderella (La Cenerentola) and they open their 2025-26 season with a vibrant new production of the sparkling comedy.
Utopia Opera and London’s Forbear! Theatre will bring their fantasy-inspired production of Gilbert & Sullivan’s The Mikado to New York City for four performances, October 3–5 at Hunter College.
Mozart’s DON GIOVANNI was one of my first operas and remains among my favorites, despite its misogyny and the difficulty in putting together the kind of cast that can do justice to the string of show-stoppers in the score.