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OPERA THEATER REVIEWS

The latest reviews and critic recommendations from Opera
Review: LA TRAVIATA, Opera Holland Park

Review: LA TRAVIATA, Opera Holland Park

by Aliya Al-Hassan — July 21, 2025
Now on its third revival, Rodula Gaitanou's heart-stopping version of Verdi's tragic La Traviata is as affecting as ever. Opening with courtesan Violetta gasping for air, it never lets up its hold on the senses....
Review: FALSTAFF, Glyndebourne Festival

Review: FALSTAFF, Glyndebourne Festival

by Aliya Al-Hassan — July 19, 2025
Adapted from Shakespeare’s The Merry Wives of Windsor, director Richard Jones’s glorious Falstaff makes a welcome return to Glyndebourne, losing none of its charm or deft comedy. It is playful, witty and a pure delight....
Review: SEMELE, Royal Ballet And Opera

Review: SEMELE, Royal Ballet And Opera

by Alexander Cohen — July 1, 2025
Forget Arcadian landscapes and Corinthian columns. Oliver Mears’s new production of Handel’s Semele remoulds Greek myth to a 20th century manor house where mortals are servants of Gods who lounge around in velvet ball gowns. Semele is a maid plucked from service by master of the house, a cigaret...
Review: LE NOZZE DI FIGARO, Glyndebourne Festival

Review: LE NOZZE DI FIGARO, Glyndebourne Festival

by Clementine Scott — June 30, 2025
You could be forgiven for thinking that there isn’t much more to be said about Le nozze di Figaro, the most performed opera in Glyndebourne’s history. However, Mozart’s classic role subversion comedy is deceptive in its simplicity: beneath the farce and improbable plot twists is a complex web ...
Review: TRIAL BY JURY/A MATTER OF MISCONDUCT!, Opera Holland Park

Review: TRIAL BY JURY/A MATTER OF MISCONDUCT!, Opera Holland Park

by Clementine Scott — June 25, 2025
A thoughtfully selected double bill making up the operetta segment of Opera Holland Park’s summer season shows the genre at its technical best, but also illuminates its troubling shortcomings....
Review: Old Meets New at Lincoln Center, Mixing George Lewis and Monteverdi in THE CO

Review: Old Meets New at Lincoln Center, Mixing George Lewis and Monteverdi in THE COMET/POPPEA

by Richard Sasanow — June 20, 2025
The recent New York premiere of Yuval Sharon’s production of THE COMET/POPPEA at Lincoln Center kicked off the summer’s 5-week residency of the American Modern Opera Company (cheekily known as AMOC, after its penchant for taking a somewhat wild and crazy approach to the art form)....
Review: MAZEPPA, Grange Park Opera

Review: MAZEPPA, Grange Park Opera

by Aliya Al-Hassan — June 16, 2025
Even ardent opera fans may struggle to recall the story or the score for Mazeppa. Based on a poem by Pushkin, Tchaikovsky's opera has been unjustly overshadowed by his Eugene Onegin. Last staged at the London Coliseum in 1984, Grange Park Opera have landed a coup by engaging the English National O...
Review: Puccini’s TRITTICO Storms the Bastille, Giving Asmik Grigorian Three Times

Review: Puccini’s TRITTICO Storms the Bastille, Giving Asmik Grigorian Three Times the Showcase

by Richard Sasanow — June 15, 2025
One of the operas at the top of my list for next season at the Met is the Deborah Warner staging of Tchaikovsky’s EUGENE ONEGIN that brings back soprano Asmik Grigorian for the first time since her 2024 debut in MADAMA BUTTERFLY. Not that there’s anything wrong with Puccini, the major composer ...
Review: SAUL, Glyndebourne Festival

Review: SAUL, Glyndebourne Festival

by Aliya Al-Hassan — June 9, 2025
Just how much fun can you have at an oratorio about a Old Testament tale of jealousy, madness and death? Well, quite a lot as it happens at the return of Barry Kosky's remarkable production of Handel's Saul. This staging is opera at its most theatrical, with severed heads, a breast-feeding witch, a ...
Review: MADAMA BUTTERFLY, Grange Park Opera

Review: MADAMA BUTTERFLY, Grange Park Opera

by Aliya Al-Hassan — June 9, 2025
Grange Park Opera has opened its new season with a crowd-pleaser. Giacomo Puccini's Madama Butterfly remains problematic, with its story of a Japanese teenage geisha, impregnated and cruelly abandoned by an American lieutenant. However, it is still wildly popular, mainly due to its ravishing score....
Review: ITCH, Opera Holland Park

Review: ITCH, Opera Holland Park

by Franco Milazzo — June 4, 2025
Opera Holland Park has never shied away from audacious programming, and with Jonathan Dove’s Itch, it plunges boldly into radioactive territory—literally. Originally seen here in 2023 and based on Simon Mayo’s YA novel about a teenage element hunter who stumbles upon a potentially world-alteri...
Review: QUEEN OF SPADES at Metropolitan Opera

Review: QUEEN OF SPADES at Metropolitan Opera

by Peter Danish — May 28, 2025
The Metropolitan Opera's revival of Tchaikovsky’s *The Queen of Spades*, which opened on Friday, May 23, 2025, offered a visually opulent and musically ambitious evening, though not without its challenges. Elijah Moshinsky’s elegant 1995 production, with its sumptuous sets and period costumes, p...
Review: THE FLYING DUTCHMAN, Opera Holland Park

Review: THE FLYING DUTCHMAN, Opera Holland Park

by Michael Higgs — May 28, 2025
Stormy weather and an enthusiastic audience mark Julia Burbach’s The Flying Dutchman as it proves a smashing success to open the 2025 season of Opera Holland Park....
Review: DIE FLEDERMAUS at Opera Theatre Of St. Louis

Review: DIE FLEDERMAUS at Opera Theatre Of St. Louis

by Steve Callahan — May 27, 2025
For nearly half a century the Opera Theatre of St. Louis has been bringing quite glorious opera to our fair city.  It just opened its semicentennial season with a brilliant and lively production of Die Fledermaus, by Johann Strauss II. ...
Review: PORGY AND BESS at Kennedy Center

Review: PORGY AND BESS at Kennedy Center

by David Friscic — May 27, 2025
The pivotal and star-crossed main characters and the Catfish Row community come alive in the highly influential, thought-provoking, and engrossing opera Porgy and Bess. This much discussed opera has its partisans and detractors but there is a distinct need to ponder and consider a work of this quali...
Review: FAUST, Royal Ballet And Opera

Review: FAUST, Royal Ballet And Opera

by Michael Higgs — May 24, 2025
Celebrating its sixth revival, David McVicar’s critically acclaimed production of Faust is a spectacular success with stunning sets and costumes, a magnificent cast, and some of Gounod’s greatest music....
Review: Kevin Puts Has Georgia (and Alfred) on His Mind in BRIGHTNESS at NY Philharmo

Review: Kevin Puts Has Georgia (and Alfred) on His Mind in BRIGHTNESS at NY Philharmonic

by Richard Sasanow — May 20, 2025
This past weekend, composer Kevin Puts’s BRIGHTNESS OF LIGHT, based on the long, abundant correspondence of artist Georgia O’Keeffe and photographer/gallerist Alfred Stieglitz, had its long overdue New York premiere, with the New York Philharmonic under debuting conductor Brett Mitchell, and sop...
Review: New Cast, Great Fun at Met’s BARBIERE

Review: New Cast, Great Fun at Met’s BARBIERE

by Richard Sasanow — May 19, 2025
When mezzo Aigul Akhmetshina stepped on stage in the Met’s new production of CARMEN, back on New Year’s Eve of 2023, it was hard to imagine her in any other role because of the way she completely inhabited it. Would we ever be able to watch her in anything else, despite credits from other...
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival

Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival

by Aliya Al-Hassan — May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understand...
Review: Exciting Bullock and Finley Take on Met Debut of Adams’s ANTONY & CLEOPATRA

Review: Exciting Bullock and Finley Take on Met Debut of Adams’s ANTONY & CLEOPATRA

by Richard Sasanow — May 13, 2025
There’s an old expression, “A lawyer who defends himself has a fool for a client.” While John Adams didn’t decide to take on the libretto for his latest opera, Monday night’s Met premiere, ANTONY AND CLEOPATRA, all on his own, I wonder whether he might have bypassed the one resource that m...
Review: TOSCA at McCaw Hall

Review: TOSCA at McCaw Hall

by Erica Miner — May 12, 2025
Ending the season with a memorable production of one of opera’s most tour de force masterpieces is sure to motivate audiences to return for Seattle Opera’s next season...
Review: World Premiere of Moravec-Campbell ALL SHALL RISE At OSNY under Tritle at Car

Review: World Premiere of Moravec-Campbell ALL SHALL RISE At OSNY under Tritle at Carnegie Hall

by Richard Sasanow — May 7, 2025
By definition, the historical view of the oratorio is that it’s typically religious in nature, performed unstaged and without costumes or scenery. Going by that description, The Oratorio Society of New York’s (OSNY) program at Carnegie Hall this week—a combination of contemporary and cl...
Review: AMERICAN RHAPSODY at Kennedy Center

Review: AMERICAN RHAPSODY at Kennedy Center

by David Friscic — May 7, 2025
An evening of the myriad modes of music that constitute the American Experience was celebrated at the Kennedy Center’s production of American Rhapsody. The evening was a rich treasure trove of the glory that is American music from opera, spirituals, modern composers, classic songwriters, and Broad...
Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center

Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center

by Roger Catlin — May 5, 2025
It’s not so strange, really, that there’s  a serious opera about Apple co-founder Steve Jobs. His life’s work is usually invoked before every production of the last decade or more, when audiences are asked to silence their smartphones....
Review: PIMPINONE, Royal Ballet and Opera

Review: PIMPINONE, Royal Ballet and Opera

by Gary Naylor — May 4, 2025
Super show that lightens a very dark subject (corecive control), but does not diminish it...
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