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VIDEO: Get A First Look At LA BOHEME at The Met Opera

Three casts of captivating artists bring Puccini's classic tragedy of bohemian friends and lovers to life in Franco Zeffirelli's immortal staging. Tenors Matthew Polenzani, Roberto Alagna, and Joseph Calleja trade off as the exuberant Rodolfo, alongside sopranos Ailyn Pérez, Hei-Kyung Hong, and Maria Agresta as the fragile Mimì. Marco Armiliato and Emmanuel Villaume share conducting duties.

World premiere: Teatro Regio, Turin, 1896. La Bohème, the passionate, timeless, and indelible story of love among young artists in Paris, can stake its claim as the world's most popular opera. It has a marvelous ability to make a powerful first impression and to reveal unsuspected treasures after dozens of hearings. At first glance, La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection, it reveals the deep emotional significance hidden in the trivial things-a bonnet, an old overcoat, a chance meeting with a neighbor-that make up our everyday lives.

The libretto sets the action in Paris, circa 1830. This is not a random setting, but rather reflects the issues and concerns of a particular time when, following the upheavals of revolution and war, French artists had lost their traditional support base of aristocracy and church. The story centers on self-conscious youth at odds with mainstream society-a Bohemian ambience that is clearly recognizable in any modern urban center. La Bohème captures this ethos in its earliest days.

Lyrical and touchingly beautiful, the score of La Bohème exerts an immediate emotional pull. Many of its most memorable melodies are built incrementally, with small intervals between the notes that carry the listener with them on their lyrical path. This is a distinct contrast to the grand leaps and dives that earlier operas often depended on for emotional effect. La Bohème's melodic structure perfectly captures the "small people" (as Puccini called them) of the drama and the details of everyday life.










 OPERA America Awards IDEA Opera Grants to Three Projects by Alan Chan, Victoria Moy, Boni Photo
OPERA America has announced the next cycle of IDEA Opera Grants (Inclusion, Diversity, Equity, and Access), a program that supports composers and librettists who identify as Arab, Asian, Black, Latinx, Native American, and/or Pacific Islander in the development of new operatic works and the advancement of their careers in the opera industry.  

Opera Naples Explores The Life And Art Of Frida Kahlo in FRIDA This April Photo
Audiences will enjoy an evening as colorful and enchanting as the surrealistic paintings and fiery personality of famed Mexican artist Frida Kahlo as Opera Naples presents 'Frida' Tuesday and Wednesday, April 4-5, at Cambier Park, 601 Park St., Naples.

VIDEO: New TV Spot for Terence Blanchards CHAMPION at the Metropolitan Opera in April Photo
Terence Blanchard's opera Champion, based on the true story of the troubled former middleweight boxing champion Emile Griffith, will have its highly anticipated Metropolitan Opera premiere on April 10, with nine performances running through May 13.

Review: Botstein and ASO Bring Strauss’s Seldom-Heard DAPHNE to Carnegie Hall Photo
It’s hard to compete with yourself — especially the ‘you’ that was at the height of your powers. I think that’s part of the problem with the place that Richard Strauss’s DAPHNE holds in the composer’s canon. Often referred to as a second- (or even third-) tier work, it has much to offer and enjoy, as the performance by the American Symphony Orchestra under Leon Botstein at Carnegie Hall the other night proved quite well.


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