The latest reviews and critic recommendations from Dance.
It's so refreshing to get a new proposition, and that was the case with The Youth Company of the Finnish National Ballet at the Next Generation Festival at the Royal Ballet and Opera Linbury Theatre.
Christopher Wheeldon's Alice's Adventures in Wonderland returns for a second block of shows at the Royal Ballet and Opera until June 28.
There’s no greater feeling than joining a group of people coming together to support a common goal.
Ballet Hispánico’s Carmen.
John Cranko's Onegin returns to the Royal Ballet and Opera stage for a second block of shows this season, and it's largely good news for all involved.
Presented first at the Count Basie Center for the Arts in Red Bank, New Jersey, on May 8, 2025, and later at the Mayo Performing Arts Center in Morristown, New Jersey, on May 17 and 18, this program paid tribute to the genius of George Balanchine and the everlasting magic of classical ballet.
Ballet BC present a double bill at Sadler’s Wells with work by heavyweight contemporary dancemakers of the present day.
At Parsons Dance, endurance and impressive physical demand is no surprise.
The dance world is all the richer for having different kinds of storytellers - no doubt.
Considering Kenneth MacMillan’s production of Romeo and Juliet is 60 years old…it looks as fresh as a daisy.
It's a big deal to have an entire evening dedicated to your work, so kudos to Christopher Wheeldon, who's achieved this accolade in his early 50s.
In a moment when nearly all art has either an uber-famous name attached to it or hyper-social consciousness, art for the sake of art is refreshing.
Collaborations are very now, and the Rambert x (LA)HORDE combination is a very worthwhile experiment.
Acosta Danza’s program Cuban Ecléctico ran in the Eisenhower Theater at the Kennedy Center for just three days, but the show deserved much more stage time, both to receive a greater audience and to refine their performance.
The Washington Ballet’s ALICE (in wonderland) is a theatrical, whimsical, and approachable translation of Lewis Carroll’s iconic duology, Alice’s Adventures in Wonderland and Through the Looking Glass.
What did our critic think of GIGENSIS: THE GENERATION OF THE EARTH at Kennedy Center? In his new work “GIGENSIS: The Generation of the Earth,” Akram Khan interprets a story of familial relations from the ancient Sanskrit epic The Mahabharata.
Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync
Multiple award-winning Belgian dance theatre company, Peeping Tom, brought a new style of dance to Ottawa this week, displaying their signature blend of dance, theatre, and acrobatics with their production of Diptych: The missing door and The lost room at the National Arts Centre.
The Dance Theatre of Harlem’s (DTH) latest season, which premiered April 10th at the New York City Center and runs through April 13th, is exemplifies the company’s dedication to the Black experience and legacy.
Back in 2018, English National Ballet premiered Playlist (Track 1, 2) as part of their Voices of America programme.
What did our critic think of BROKEN LOVE at San Francisco Ballet? BroadwayWorld reviews the program of two contrasting ballets that runs through April 18th at the War Memorial Opera House.
Choreography isn't easy, so choreographic platforms like International Draft Works (2025) are of the utmost importance.
What did our critic think of VAN MANEN: DUTCH GRANDMASTER at San Francisco Ballet? BroadwayWorld reviews the mix-rep program of 4 works by the celebrated choreographer running through April 19th.
The Mark Morris Dance Group returned to the Kennedy Center this week for two nights of performances of Moon, a new work created for the Center’s Earth to Space festival which runs through April 20.
What did our critic think of JEKYLL AND HYDE at National Arts Centre?
