The latest reviews and critic recommendations from Dance.
American Repertory Ballet has continued their successful season with the outstanding world premiere of Ethan Stiefel's Spirit of the Highlands that was presented from Friday, March 7 through Sunday, March 9, at the New Brunswick Performing Arts Center.
Natalia Osipova is not a dancer who likes to play by the rules.
Galas aren't always the easiest of watches; endless pas de deux with bravado at the forefront of proceedings.
New York City Center and the Flamenco Festival are now presenting the 24th Annual Flamenco Festival, an exciting and enticing display of dance, through March 9th.
The Philadelphia Ballet always shines, but there is a certain sweet spot when Artistic Director Angel Corella has a chance to interpret Tchaikovsky works originally staged by choreographer Marius Petipa.
Sir Kenneth MacMillan’s Romeo and Juliet continues to enjoy endless popularity, this being its third run by the Royal Ballet since 2019, but when the results are as good, there’s no reason why not.
With NOW standing for many nows, thens, nowheres, future nows, past nows, and present nows, Jasmin Vardimon offers up revisited classic choreography fused with new material to create a beautiful and intense way to celebrate the company's 25th anniversary.
Contemporary dance choreographer and company founder Dana Tai Soon Burgess produced the dance concert “An Asian American Dance Journey” for a three-day run at the Woolly Mammoth Theatre Company.
Scottish Ballet return to Sadler’s Wells with a triple bill.
What did our critic think of PAUL TAYLOR DANCE COMPANY at Kennedy Center?
A work that uses the darkest of dark sets to shed light on the possibilities inherent in creative work, right here, right now
You will be awed by the beauty, energy and excitement of 'Tango After Dark' now being performed at The Joyce Theater through March 9th.
What did our critic think of THE WASHINGTON BALLET'S TRANSCENDANCE at Kennedy Center?
Sir David Bintley’s 2010 production of Cinderella has been long overdue an outing, and based on Wednesday’s opening night at Birmingham Hippodrome it is worth the wait.
February 2025 is the inaugural month of Sadler’s Wells East, London’s newest dance house with a 550-seat theatre, six dance studios, and a public performance space all under one roof.
Argentinian-based dance group Grupo Cadabra made their New York premiere on February 18th at The Joyce Theater with the dazzling contemporary ballet, Anima Animal.
Crystal Pite’s deeply moving work has themes of safe passage, displacement, community and mortality.
Desperation, desire and dance in a drowned world
American Ballet Theatre (ABT) regularly brings new story ballets to DC for their Kennedy Center performances and this year was no different.
On a dimly lit stage enveloped in an air of mystique, a melodious bandoneon tenderly caresses the night's silence, its haunting notes reverberating through the hushed theater.
In an unprecedented collaboration, the Columbus Symphony, BalletMet, Opera Columbus, and the Columbus Association for the Performing Arts (CAPA) have all joined forces to present West Side Story, the classic forbidden love story and rivalry between the Jets and the Sharks in a mesmerizing fusion of
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM C at Kennedy Center?
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM B at Kennedy Center?
In the new Sadler's Wells East venue, we are invited to observe and then enter the world of Club Groove in a pulsing, energetic, modern dance piece allowing the audience to mingle on the dance floor.
The excitement was overflowing in The Kennedy Center Opera House as the annual Alvin Ailey American Dance Theater program began.
