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DANCE THEATER REVIEWS

The latest reviews and critic recommendations from Dance
Review: DEEPSTARIA, Sadler's Wells

Review: DEEPSTARIA, Sadler's Wells

by Gary Naylor — February 28, 2025
A work that uses the darkest of dark sets to shed light on the possibilities inherent in creative work, right here, right now...
Review: TANGO AFTER DARK at Joyce Theater-An Exhilarating Dance Experience

Review: TANGO AFTER DARK at Joyce Theater-An Exhilarating Dance Experience

by Marina Kennedy — February 27, 2025
You will be awed by the beauty, energy and excitement of 'Tango After Dark' now being performed at The Joyce Theater through March 9th. ...
Review: Washington Ballet's TRANSCENDANCE at The Kennedy Center

Review: Washington Ballet's TRANSCENDANCE at The Kennedy Center

by Emily Berger — February 22, 2025
What did our critic think of THE WASHINGTON BALLET'S TRANSCENDANCE at Kennedy Center?...
Review: CINDERELLA, Birmingham Hippodrome

Review: CINDERELLA, Birmingham Hippodrome

by Vikki Jane Vile — February 21, 2025
Sir David Bintley’s 2010 production of Cinderella has been long overdue an outing, and based on Wednesday’s opening night at Birmingham Hippodrome it is worth the wait. Thanks to Birmingham Royal Ballet’s fundraising efforts, the work now returns refreshed with restored costumes and a dazzling...
Review: BIRDBOY, Sadler's Wells

Review: BIRDBOY, Sadler's Wells

by Matthew Paluch — February 21, 2025
February 2025 is the inaugural month of Sadler’s Wells East, London’s newest dance house with a 550-seat theatre, six dance studios, and a public performance space all under one roof. Dance has found a new home in East Bank, Stratford/London’s latest cultural and educational district, and Iri...
Review: GRUPO CADABRA DAZZLES with HERMAN CORNEJO in ANIMA ANIMAL at The Joyce Theate

Review: GRUPO CADABRA DAZZLES with HERMAN CORNEJO in ANIMA ANIMAL at The Joyce Theater

by Christina Pandolfi — February 20, 2025
Argentinian-based dance group Grupo Cadabra made their New York premiere on February 18th at The Joyce Theater with the dazzling contemporary ballet, Anima Animal. Featuring ABT Principal Dancer Herman Cornejo, who reimagined this ballet from a century-old Nijinsky idea, the piece was a true explora...
Review: LIGHT OF PASSAGE, Royal Ballet And Opera

Review: LIGHT OF PASSAGE, Royal Ballet And Opera

by Louise Penn — February 21, 2025
Crystal Pite’s deeply moving work has themes of safe passage, displacement, community and mortality. Light of Passage, taken as a whole work with the three sections together, builds into a cohesive whole on the theme of who we are, where we are going, and what we feel. Although there are moments...
Review: VOLLMOND, Sadler's Wells

Review: VOLLMOND, Sadler's Wells

by Gary Naylor — February 15, 2025
Desperation, desire and dance in a drowned world...
Review: ABT'S CRIME AND PUNISHMENT at Kennedy Center

Review: ABT'S CRIME AND PUNISHMENT at Kennedy Center

by Emily Berger — February 14, 2025
American Ballet Theatre (ABT) regularly brings new story ballets to DC for their Kennedy Center performances and this year was no different. Crime and Punishment, based on the novel by Fyodor Dostoevsky, premiered in New York in the fall and is the first full-length ballet by a female choreographer ...
Review: FOREVER TANGO at Van Wezel

Review: FOREVER TANGO at Van Wezel

by Shanti M. Kennedy — February 12, 2025
On a dimly lit stage enveloped in an air of mystique, a melodious bandoneon tenderly caresses the night's silence, its haunting notes reverberating through the hushed theater. Bathed in a solitary spotlight, the instrument's melancholic melody sets the stage, foretelling an evocative and passionatel...
BWW Review: Columbus Presents a Tour-de-FOURce Production of WEST SIDE STORY

BWW Review: Columbus Presents a Tour-de-FOURce Production of WEST SIDE STORY

by Christina Mancuso — February 12, 2025
In an unprecedented collaboration, the Columbus Symphony, BalletMet, Opera Columbus, and the Columbus Association for the Performing Arts (CAPA) have all joined forces to present West Side Story, the classic forbidden love story and rivalry between the Jets and the Sharks in a mesmerizing fusion of ...
Review: ALVIN AILEY AMERICAN DANCE THEATER PROGRAM C at the Kennedy Center

Review: ALVIN AILEY AMERICAN DANCE THEATER PROGRAM C at the Kennedy Center

by Emily Berger — February 9, 2025
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM C at Kennedy Center?...
Review: ALVIN AILEY AMERICAN DANCE THEATER PROGRAM B at the Kennedy Center

Review: ALVIN AILEY AMERICAN DANCE THEATER PROGRAM B at the Kennedy Center

by Emily Berger — February 8, 2025
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER PROGRAM B at Kennedy Center?...
Review: OUR MIGHTY GROOVE, Sadler's Wells East

Review: OUR MIGHTY GROOVE, Sadler's Wells East

by Louise Penn — February 10, 2025
In the new Sadler's Wells East venue, we are invited to observe and then enter the world of Club Groove in a pulsing, energetic, modern dance piece allowing the audience to mingle on the dance floor. The story is slight but the vibe is unmistakable. This production opens with a half-hour of powerhou...
Review: ALVIN AILEY AMERICAN DANCE THEATER at The Kennedy Center Opera House – Febr

Review: ALVIN AILEY AMERICAN DANCE THEATER at The Kennedy Center Opera House – February 4th

by Audrey Cahak — February 7, 2025
The excitement was overflowing in The Kennedy Center Opera House as the annual Alvin Ailey American Dance Theater program began. The audience was so heavily anticipating the start that they found every excuse to cheer — they even applauded the sponsor acknowledgement. ...
Review: LEÏLA KA AND CHRISTOS PAPADOPOULOS, Sadler’s Wells

Review: LEÏLA KA AND CHRISTOS PAPADOPOULOS, Sadler’s Wells

by Matthew Paluch — February 5, 2025
The prizes continue at Sadler’s Wells with both a Bloom and Rose contender showing their work....
Review: NATIONAL BALLET OF CHINA'S CHINESE NEW YEAR at Kennedy Center

Review: NATIONAL BALLET OF CHINA'S CHINESE NEW YEAR at Kennedy Center

by Emily Berger — February 1, 2025
Thus it was with great fanfare and symbolism that the National Ballet of China’s return to the Kennedy Center took place Wednesday, with performances of Chinese New Year, a reimagining of The Nutcracker story. ...
Review: MARCO DA SILVA FERREIRA: CARCAÇA, Sadler’s Wells

Review: MARCO DA SILVA FERREIRA: CARCAÇA, Sadler’s Wells

by Matthew Paluch — February 3, 2025
Competition in the Arts...now there's a loaded statement! Nonetheless, London has a new biennial event, or rather two, in the form of the Rose, and Bloom Prize. ...
Review: GISELLE at Ottawa's National Arts Centre

Review: GISELLE at Ottawa's National Arts Centre

by Courtney Castelino — January 31, 2025
​​​​​​​Giselle may be dubbed 'the ballerina's Hamlet' because of the complexity of the title role, but Tirion Law effortlessly tackles the challenges and uses them to showcase her talent as principal dancer with the National Ballet of Canada....
Review: NORTHERN BALLET - THREE SHORT BALLETS, Royal Ballet And Opera

Review: NORTHERN BALLET - THREE SHORT BALLETS, Royal Ballet And Opera

by Matthew Paluch — January 29, 2025
Northern Ballet return to the Linbury Theatre for a triple bill of diverse works…or is it really a double bill with an additional third piece that's just five minutes long?! ...
Review: MANON at San Francisco Ballet

Review: MANON at San Francisco Ballet

by Jim Munson — January 27, 2025
The chance to see a classic full-length ballet for the first time is always a rare and welcome opportunity, so it’s especially exciting that San Francisco Ballet is kicking off its 2025 Repertory Season with Kenneth McMillan’s Manon, choreographed in 1974 and subsequently performed all over the ...
Review:  DEWEY DELL - THE RITE OF SPRING, Southbank Centre

Review: DEWEY DELL - THE RITE OF SPRING, Southbank Centre

by Matthew Paluch — January 24, 2025
The one thing we can always count on is a new reading of The Rite of Spring. Welcome to London the Dewey Dell, 2023 production at the Purcell Room on the Southbank. ...
Review: ONEGIN, Royal Ballet and Opera

Review: ONEGIN, Royal Ballet and Opera

by Matthew Paluch — January 23, 2025
Cranko took the predictable love melodrama - I want you, I don't, actually I do, well now I don’t - and turned it into a full-length, 3 act ballet. It divides people - some love, some less so. I definitely think it has strong moments throughout, and an overall, refined structure that can't be deni...
Review: RONALD K. BROWN’S EVIDENCE Celebrates 40 Years with Return to The Joyce The

Review: RONALD K. BROWN’S EVIDENCE Celebrates 40 Years with Return to The Joyce Theater

by Elizabeth Blosfield — January 17, 2025
Ronald K. Brown's EVIDENCE, A Dance Company, marks its return to The Joyce Theater from January 14–19 with a worshipful celebration of the company’s 40th anniversary....
Review: THE NUTCRACKER, Royal Albert Hall

Review: THE NUTCRACKER, Royal Albert Hall

by Franco Milazzo — January 2, 2025
When I first saw The Nutcracker, I was convinced one of these things must be true: either someone had spiked my drink, the cast were all on drugs or we were all in some kind of baffling nightmare. No other explanation seemed plausible to my young mind....
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