The latest reviews and critic recommendations from Dance.
What did our critic think of NUTCRACKER at San Francisco Ballet? BroadwayWorld reviews San Francisco Ballet's magical production of the Tchaikovsky perennial running through December 30th at the War Memorial Opera House
No Sugarplum Fairy at Sadler’s Wells this Christmas…they've got Edward Scissorhands instead! Specifically Matthew Bourne’s New Adventures production running until 20 January.
Taking on the 1967 Stevie Wonder hit WHAT CHRISTMAS MEANS TO ME, who else could our queen sing with but the R&B king himself
What did our critic think of THE GUGGENHEIM MUSEUM WORKS & PROCESS PRESENTS ‘DANCE IS LIFE’ at Https://www.
The world can often seem so grey at the moment, so any opportunity to step into the light is most welcome.
The New York City based tap ensemble Dorrance Dance roared into Kennedy Center’s Eisenhower Theatre this past weekend with their take on Duke Ellington’s Nutcracker Suite as arranged by Billy Strayhorn.
I’ve never seen a lunar halo – a sparkling ring around the moon – so the fact that Cheng Tsung-lung’s work of the same name uses it as a premise is indeed intriguing.
Sadler’s Wells is a busy old place, with numerous performance spaces, departments and associated initiatives.
Two very different performances, Cerberus and Goat, from Rambert, deliver a meta dance comedy exploring life, death and performance.
Rhiannon Faith Company premieres Lay Down Your Burdens at the Barbican Centre, another “socially conscious” work to add to their ever-growing portfolio
With a potent and varied score from Thomas Adès, vibrant choreography from Wayne McGregor, and intruguing design from Tacita Dean, The Dante Project captures the attention despite the assumption audiences know who's who in this revered Italian narrative poem.
The beloved children’s classic gets a beautifully bleak update that compels audiences to confront our climate disaster and our predatory nature.
LOVETRAIN2020 by Emanuel Gat started promisingly: atmospheric lighting, shafts of layered space and glimpses of new romantic courtiers bedecked in asymmetrical, louche garbs.
Ballet Black return to the Royal Opera House, Linbury Theatre with their double bill Pioneers.
It seems unfathomable that a dance company has been based in London for 15 years and I've never seen their work before.
'Malavika Sarukkai: Anubandh – Connectedness' explores a narrative with a universalized touch – one that helped build the connections central to the piece itself.
New York City Center is presenting the NYC premiere of 'Song of Songs' featuring gorgeous choreography by Pam Tanowitz perfectly set to David Lang’s exceptional choral music performed live on stage.
Broadwayworld had the pleasure of attending the opening night of “Kyle Marshall Choreography” at The Joyce Theater on Wednesday, November 8.
Every Christmas we are promised a 'new take' on either Tchaikovsky's The Nutcracker and Dickens' A Christmas Carol.
Welcome to Zona Franca, a show created by Brazilian choreographer Alice Ripoll and dance company Cia Suave that does its level best to defy being pigeonholed.
New English Ballet Theatre is in its 13th year as a company and presents a mixed programme at the Lilian Baylis Studio, Sadler’s Wells that's also a rather mixed bag…
Northern Ballet presents the Generations: Three Short Ballets triple bill at the Linbury Theatre, Royal Opera House as part of its national tour this autumn.
Bang-bang-bang.
I wonder why London has had to wait five whole years to see this extremely worthwhile piece?
A play about the limits of language ought to easily translate into a ballet.
