Review: MATTHEW BOURNE'S ROMEO & JULIET, Sadler's Wells
In Matthew Bourne’s dystopian take on the classic love story, there are leaps aplenty - and not just in the physical sense....
Review: THE AUSTRALIAN BALLET: 60TH ANNIVERSARY CELEBRATION, Royal Opera House
All good things come to an end, and to signify the culmination of their week-long residency at the Royal Opera House, The Australian Ballet offered a suitably wonderful Celebration Gala acknowledging their 60th anniversary....
Review: JEWELS, Royal Opera House
London welcomes The Australian Ballet to the Royal Opera House after 35 years, to celebrate their 60th anniversary, with six performances in total....
Review: CARLOS AT 50, Royal Opera House
How do mere mortals celebrate their 50th birthday? By having a midlife crisis? Not dance royalty Carlos Acosta, who seems to literally turn back time by making a return to the stage as a dancer - having retired from performing in 2016 - in Carlos at 50 at the Royal Opera House (with five, basically ...
Review: ONE DANCE at Lincoln Center-A Stunning Visual Display of Korean Dance
SK Group, the second-largest conglomerate in South Korea, is now presenting the Sejong Center’s exceptional display of dance with their program, One Dance during Korean Arts Week. ...
Review: FLAMENCO FESTIVAL: LA LEONA, Sadler's Wells
Sadler’s Wells' Flamenco Festival really is a festival. As in the programme includes a wide range of approaches and possibilities when dealing with the genre. It makes the relevance of flamenco in 2023 something to ponder - as there's clearly an interest, and different generations of creatives ver...
Review: SW!NG OUT at The Joyce Theater through July 2-The Dance Highlight of the Summer
'SW!NG OUT' is now at The Joyce Theater through July 2 and wow, just wow! The beloved genre of Lindy Hop, the pre-eminent form of swing-Jazz, partnered dance is being presented at its very best with choreography and improvisation by Director, Caleb Teicher and the Braintrust in collaboration with ul...
Review: CHERYLYN LAVAGNINO DANCE EXPLORES THE FRAGILITY OF EXISTENCE IN NEW PROGRAM at The Jack Crystal Theater
What did our critic think of CHERYLYN LAVAGNINO DANCE EXPLORES THE FRAGILITY OF EXISTENCE IN NEW PROGRAM at The Jack Crystal Theater?...
Review: CINDERELLA, Royal Albert Hall
It’s exactly four years since English National Ballet brought Christopher Wheeldon’s Cinderella to the Royal Albert Hall. It sat happily in my memory, from 2019, as a visual spectacle; the opulent ball scene, those slapstick sisters and Julian Crouch’s fantastical designs. Now it returns, thes...
Review: UNTITLED, 2023/CORYBANTIC GAMES/ANASTASIA ACT III, Royal Opera House
Perhaps it’s already clear, but this is a rather subdued triple bill to bring the 22/23 season to a close. Earnest in tone and at times devastating in appeal. ...
Review: NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center
Read BroadwayWorld's review for NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center....
Review: NEW YORK CITY BALLET PROGRAM A at Kennedy Center
Growing up with the New York City Ballet (NYCB)nearby during my high school and college years (as they had their summer residency at the Saratoga Performing Arts Center in Saratoga Springs), I was thrilled to turn around many years later to see the Kennedy Center present an evening of some of the Ne...
Review: GALLIM CELEBRATES 15 YEARS OF ARTISTIC EXPLORATION AND EVOLUTION at The Joyce Theater
The program features a highly anticipated world premiere collaboration with Krump artist Brian “HallowDreamz” Henry, along with favorites such as FROM (2019), SAMA (2019), No Ordinary Love (2022), state (2018), and a new arrangement of the full evening work, FOLD HERE (2013).
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Review: BALLET HISPÁNICO at New York City Center
What did our critic think of REVIEW: BALLET HISPÁNICO at New York City Center?...
Review: For Ballet Hispanico Making Art is About Making Change
In celebration of its founder Tina Ramirez, the ballet company’s latest installment at the New York City Center focuses on how dance can build community and celebrate the LatinX culture to make a difference....
Review: DANCE NATION Wins at BlueBarn Theatre
What did our critic think of DANCE NATION at BlueBarn Theatre?...
Review: GOOD GRIEF: SONGS OF THE MOON AND THE UNBROKEN CIRCLE at Kennedy Center
In Good Grief: Songs of the Moon and The Unbroken Circle creator Tariq Darrell O’Meally explores how we become more than what we’ve lost. His answer: we must grieve a person as much as we have loved them and balance loss with praise and celebration. The world premiere is the culmination of the 2...
Review: THE CRUCIBLE at Eisenhower Theater
What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source. Both try to make a new language to express the Salem witch trials of 1692 because those events were too...
Review: FJK DANCE: Raising the Arab Voice in Contemporary Dance at New York Live Arts
What did our critic think of FJK DANCE: RAISING THE ARAB VOICE IN CONTEMPORARY DANCE at New York Live Arts? For their ninth season, FJK Dance presents three company signature works by Artistic Director Fadi J. Khoury, each rich with contemporary and visual arts, reflective narratives, and an overarc...
Review: BALLET BLACK: PIONEERS, Theatre Royal, Stratford East
Ballet Black is now in its 21st season, Cassa Pancho’s company entering somewhat of a new era after the retirement of company favourite, Cira Robinson and the addition of some junior members to its ranks....
Review: THE GREAT GATSBY, Sadler's Wells
A visit from Leeds-based Northern Ballet every Spring at Sadler’s Wells is always a highlight of the dance calendar, and never more so when at their glittering best with their unique dance interpretation of F. Scott Fitzgerald’s The Great Gatsby....
Review: THE SLEEPING BEAUTY at Kennedy Center
It's really the perfect weekend for the Washington Ballet's revival of its grand 'The Sleeping Beauty.' With all the pomp and pageantry currently dominating news cycles, with flocks of kids are seen trailing behind newly-crowned monarchs lugging their elaborate trains, it didn't seem so out of place...
Review: Trisha Brown Dance Company Presents Its First Choreographic Commission at The Joyce Theater
Trisha Brown Dance Company pays tribute to its legacy and connects new artistic voices in a triple bill program at The Joyce Theater. The season features two focal pieces from Brown's collaboration with Alvin Curran and a brand-new world premiere of the company's first ever choreographic commission ...
Review: PNB'S “A MIDSUMMER NIGHT'S DREAM” at McCaw Hall
What did our critic think of PNB’S “A MIDSUMMER NIGHT’S DREAM” at McCaw Hall?...
Review: PERIDANCE PRESENTS THE LEGACY FESTIVAL 40TH ANNIVERSARY at NYU Skirball Center
'40 years ago, Peridance was born,' says Igal Perry, Founder and Artistic Director of Peridance Center and Peridance Contemporary Dance Company. '...I had two students, one investor, my family, and a dream.' Perry, speaking onstage at NYU Skirball Theater, celebrated the Legacy Festival commemoratin...
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