Review: THE WASHINGTON BALLET: JAZZ ICONS - A FINE ROMANCE at Kennedy Center
The dance school choices for students, I recall, were ballet and jazz tap.
Dance Theater Reviews
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Review: TWYLA THARP Dance Sizzles with A Triumphant Program at The Joyce
Call it habit, anticipation, excitement.
Review: NELKEN - TANZTHEATER WUPPERTAL PINA + BAUSCH TERRAIN BORIS CHARMATZ, Sadler's Wells
Some people only need one name: Cher, Madonna etc.
Review: DARK WITH EXCESSIVE BRIGHT, Royal Opera House
Appearing as part of their Festival of New Choreography, the Royal Ballet have partnered with the National Ballet of Canada for Dark With Excessive Bright, an extraordinarily intimate experiment which allows audience to experience the art form in a radical way.
Review: ALVIN AILEY - PROGRAM B at Opera House at The Kennedy Center
Thursday’s Ailey performance of Program B featured Century, a new work by Amy Hall Garner, her first for the company, 2019’s Ode by former company member Jamar Roberts, and Mr.
Review: SÃO PAULO DANCE COMPANY, Sadler's Wells
Considering the São Paulo Dance Company was founded in 2008, it’s taken them 16 years to perform in the UK! But the wait is over.
Review: ALVIN AILEY AMERICAN DANCE THEATER at The John F. Kennedy Center For The Performing Arts - Program A
Alvin Ailey American Dance Theater’s annual run at The Kennedy Center is consistently a highlight of the winter season, and this year is no exception.
Review: EMPOWER IN MOTION: A BALLET INCLUSIVE, Sadler's Wells
The entire evening was a poignant reminder of the power of dance.
Review: The National Ballet of Canada's EMMA BOVARY, ANGELS' ATLAS at the National Arts Centre
What did our critic think of EMMA BOVARY, ANGELS’ ATLAS at National Arts Centre?
Review: TESS, Peacock Theatre
Filled with a couple of operas’ worth of tragedy, Thomas Hardy’s Tess of the d’Urbervilles is not the likeliest source of inspiration for a dramatic circus show but Ockham's Razor are here to prove us wrong.
Review: MERE MORTALS at San Francisco Ballet
What did our critic think of MERE MORTALS at San Francisco Ballet? BroadwayWorld reviews the world premiere of 'Mere Mortals' at San Francisco Ballet, a wildly ambitious collaboration between much in-demand choreographer Aszure Barton and composer Sam Shepherd.
Review: WORKS & PROCESS UNDERGROUND UPTOWN DANCE FESTIVAL at Peter B. Lewis Theater At The Guggenheim Museum
What did our critic think of THE GUGGENHEIM MUSEUM: WORKS & PROCESS UNDERGROUND UPTOWN DANCE FESTIVAL at Peter B.
Review: Ronald K. Brown/EVIDENCE at The Joyce Theater Through 2/21
Strong, somber notes from a piano fill the The Joyce Theater as the curtain rises on the annual home season of Brooklyn-based fusion dance company, EVIDENCE.
Review: GISELLE, London Coliseum
Fresh from no fewer than 40 performances of Wayne Eagling’s Nutcracker (a production which now seems to thankfully be going into retirement) English National Ballet, are back less than a week later to round off their Coliseum season, this time it’s Mary Skeaping’s Giselle which they last perfo
Review: Alvin Ailey Wants You to Feel Something Again
What did our critic think of ALVIN AILEY WANTS YOU TO FEEL SOMETHING AGAIN at New York City Center?
Review: MOMIX At The Joyce Theater Is A Spectacular Must-See Dance Event
New Yorkers and guests of the city are fortunate to have the opportunity to see MOMIX at The Joyce Theater through January 7th.
Review: NUTCRACKER at San Francisco Ballet Casts an Enchanting Spell for the Holidays
What did our critic think of NUTCRACKER at San Francisco Ballet? BroadwayWorld reviews San Francisco Ballet's magical production of the Tchaikovsky perennial running through December 30th at the War Memorial Opera House
Review: EDWARD SCISSORHANDS, Sadler's Wells
No Sugarplum Fairy at Sadler’s Wells this Christmas…they've got Edward Scissorhands instead! Specifically Matthew Bourne’s New Adventures production running until 20 January.
Album Review: CHRISTMAS Is A Time To CHER!
Taking on the 1967 Stevie Wonder hit WHAT CHRISTMAS MEANS TO ME, who else could our queen sing with but the R&B king himself
Review: THE GUGGENHEIM MUSEUM WORKS & PROCESS PRESENTS 'DANCE IS LIFE'
What did our critic think of THE GUGGENHEIM MUSEUM WORKS & PROCESS PRESENTS ‘DANCE IS LIFE’ at Https://www.
Review: THE NUTCRACKER, Royal Opera House
The world can often seem so grey at the moment, so any opportunity to step into the light is most welcome.
Review: DORRANCE DANCE: NUTCRACKER SUITE at Kennedy Center
The New York City based tap ensemble Dorrance Dance roared into Kennedy Center’s Eisenhower Theatre this past weekend with their take on Duke Ellington’s Nutcracker Suite as arranged by Billy Strayhorn.
Review: LUNAR HALO, CLOUD GATE DANCE THEATRE, Sadler's Wells
I’ve never seen a lunar halo – a sparkling ring around the moon – so the fact that Cheng Tsung-lung’s work of the same name uses it as a premise is indeed intriguing.
Review: YOUNG ASSOCIATES MIXED BILL, Sadler's Wells
Sadler’s Wells is a busy old place, with numerous performance spaces, departments and associated initiatives.
Review: RAMBERT / BEN DUKE - DEATH TRAP, Sadler's Wells
Two very different performances, Cerberus and Goat, from Rambert, deliver a meta dance comedy exploring life, death and performance.
