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Erica Miner

Erica Miner

Violinist turned author ERICA MINER has had a multi-faceted career as an award-winning screenwriter, author, lecturer and poet. A native of Detroit, she studied violin at Boston University with Boston Symphony Orchestra concertmaster Joseph Silverstein, where she graduated cum laude; the New England Conservatory of Music, and the Tanglewood Music Center, summer home of the Boston Symphony, where she performed with such celebrated conductors as Leonard Bernstein. She continued her studies with Mr. Silverstein at the New England Conservatory of Music, and went on to perform with the prestigious Metropolitan Opera Orchestra for twenty-one years, where she worked closely with much-respected maestro James Levine and numerous other luminaries of the opera world. After retiring from the Met, Erica drew upon her lifelong love for writing as her creative outlet and studied screenwriting in Los Angeles with screenplay guru Linda Seger. Erica’s screenplays awards include such recognized competitions as Santa Fe and the Writer’s Digest. Her debut novel, TRAVELS WITH MY LOVERS, won the Fiction Prize in the Direct from the Author Book Awards. Subsequent published novels include the first in Erica’s FOUREVER FRIENDS novel series chronicling four teenage girls coming of age in the volatile 60s. ARIA FOR MURDER, a novel of assassination and intrigue at the Metropolitan Opera, the first in her Julia Kogan Opera Mystery series published by Level Best Books, has won rave reviews across the board. The sequel, PRELUDE TO MURDER, received a glowing report ('A skillfully written whodunit of operatic proportions') from the prestigious Kirkus Reviews (https://www.kirkusreviews.com/book-reviews/erica-miner/prelude-to-murder/). Erica’s lectures, seminars and workshops have received kudos on both coasts and in Australia, and she has won top ratings as a special lecturer for Royal Caribbean Cruise Lines. An active contributor to BroadwayWorld.com, Backtrack.com and LAOpus.com, she also contributed a monthly “Power of Journaling” article series for the National Association of Baby Boomer Women newsletter. Other writings have appeared in Vision Magazine, WORD San Diego, Istanbul Our City, and numerous E-zines. Erica’s lecture topics include “The Art of Self- Re-invention,” “Journaling: the Write Way to Write Fiction,” “Solving the Mystery of Mystery Writing,” and “Opera Meets Hollywood.” Details about Erica’s novels, screenplays and lectures can be found on her website, https://www.ericaminer.com.

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First Show

GYPSY

Favorite Show

Onward Victoria

Favorite Stories

  • Lawrence Brownlee Speaks as he Sings: Gloriously - African American tenor Brownlee is opera royalty, a representative of diversity in his field and at the top of his game. Interviewing him was sheer pleasure, as he could not have been more affable, accessible, and articulate.
  • MET OPERA CONCERTMASTER RAYMOND GNIEWEK: A REMEMBRANCE at Metropolitan Opera House - Ray Gniewek was also opera royalty, one of the greatest concertmasters of all time, and a key influence on my life as a violinist with the Met Opera. His immense contribution to the opera world cannot be quantified. I remain in awe of him.
  • BWW Previews: THE (R)EVOLUTION OF STEVE JOBS - The brilliant operatic rendering of the life of this ultra-important person, whose work has had an enormous influence on all of our lives, has been hugely successful since its premiere. The composer and librettist captured the essence of Jobs: his life, his trials, and his journey, so perfectly.
  • BWW Interview: Jamie Bernstein Celebrates Remarkable Centennial - Jamie Bernstein has been a friend and colleague ever since we were at the Tanglewood Music Center decades ago, when I was a Fellowship student working with her famous father, whom we all called Lenny. She is keenly intelligent, savvy, and a joy to interview.
  • Interview: David Holloway Shepherds Santa Fe Apprentices - David is another former opera colleague whose friendship goes back decades, ever since we were neighbors in Manhattan and our children played together and we worked together at the met Opera. More recently, he provided me entree into the Santa Fe Opera, where I based my most recent Opera Mystery novel, Prelude to Murder. His insights into the workings of this unique opera company were fascinating.


Most Popular Articles

Obituary: Operatic Superman Speight Jenkins

Obituary: Operatic Superman Speight Jenkins

June 16, 2026

Opera enthusiasts, and devotees of Seattle Opera in particular, have been grieving the recent loss of a titan whose memory never will be absent from the minds of people who knew and loved him.

Review: CARMEN at McCaw Hall

Review: CARMEN at McCaw Hall

May 3, 2026

The production, with its flamboyantly portrayed characters and colorful background, fulfilled the most crowd-pleasing elements of the work

Review: DAPHNE IN CONCERT at McCaw Hall

Review: DAPHNE IN CONCERT at McCaw Hall

January 20, 2026

Daphne in Concert, Seattle Opera’s latest offering in their series of concert presentations initiated in 2023, proved that the series concept is a successful one.

Review: TOSCA at McCaw Hall

Review: TOSCA at McCaw Hall

May 12, 2025

Ending the season with a memorable production of one of opera’s most tour de force masterpieces is sure to motivate audiences to return for Seattle Opera’s next season

Interview: Ludovic Morlot of LES TROYENS IN CONCERT at McCaw Hall

Interview: Ludovic Morlot of LES TROYENS IN CONCERT at McCaw Hall

January 13, 2025

Following his triumph in Seattle Opera’s celebrated Samson and Delilah in Concert in 2023, Seattle Symphony Conductor Emeritus Ludovic Morlot will helm an unprecedented operatic event in January 2025: the SO premiere of Les Troyens in Concert, a rarely performed abridged version of Hector Berlioz

Review: MAHLER SYMPHONY NO. 1 at Benaroya Hall

Review: MAHLER SYMPHONY NO. 1 at Benaroya Hall

November 17, 2024

Both monumental works were perfectly matched in their brashness and sensitivity, helmed and rendered with great panache by two outstanding young artists: a program to delight all tastes

Review: PLAY/WRITE at Planet M Records

Review: PLAY/WRITE at Planet M Records

March 22, 2024

What did our critic think of PLAY/WRITE at Planet M Records? There is much to unpack here in the way of unique sounds, colors and vibrations




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