Phyllida Lloyd’s gripping films of the groundbreaking Donmar Warehouse Shakespeare Trilogy, in which women play all the parts originally written for men, could not be more timely. Lloyd’s metatheatrical approach made the actors inmates in a women’s prison assuming the characters in Shakespeare’s plays and the consequences of social and criminal justice inequities are especially relevant. The casts, led by Harriet Walter, evoke with gusto that raw, tragic pain we are reliving today.
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