1
Theatro São Pedro Brings Secret Love, Chaos and Crescendos in Rossini’s THE SILKEN LADDER (A Escada de Seda)
Comic misunderstandings, secret romance, and sparkling music come together in The Silken Ladder (La scala di seta), the beloved one-act opera by Gioachino Rossini, opening May 28 at Theatro São Pedro. Presented by the Opera Academy and the Youth Orchestra of Theatro São Pedro, the production runs through May 31 with stage direction by João Malatian and musical direction by Gabriel Rhein-Schirato. Premiered in Venice in 1812, the opera follows Giulia and Dorvil, secretly married lovers whose nightly rendezvous depend on a silken ladder lowered from her bedroom window. Filled with jealous servants, mistaken identities, and Rossini’s signature crescendos, the lively comedy remains one of the composer’s most charming early successes.
2
Royalty, Fame and Humanity Take Center Stage in DIANA – A PRINCESA DO POVO (Diana: the Musical)
Following a successful run in Rio de Janeiro, Diana – A Princesa do Povo arrives in São Paulo on May 15 at Teatro Liberdade. Directed by Tadeu Aguiar and produced by Estamos Aqui Produções, the large-scale musical stars Sara Sarres as Diana, Princess of Wales in a Brazilian non-replica staging that explores the emotional, public, and political dimensions of the beloved royal icon. The production traces Diana’s journey from shy aristocrat to global humanitarian figure, highlighting her compassion, vulnerability, and enduring legacy. The cast also features Claudio Lins as Prince Charles, Simone Centurione as Queen Elizabeth II, and Giselle de Prattes as Camilla Parker Bowles.
3
Acclaimed Play AS CENTENÁRIAS (The Centenarians) Gets Bold Musical Reinvention With Music by Chico César
As Centenárias, the celebrated play by Newton Moreno, will premiere at Sesc Bom Retiro on May 14, running through June 14. Directed by Luiz Carlos Vasconcelos, the production stars Juliana Linhares and Laila Garin as two elderly professional mourners traveling through Brazil’s Northeastern sertão performing funeral rituals and farewell ceremonies. Blending humor, poetry and emotional storytelling, the new version features 16 original songs by Chico César, who also serves as musical director alongside Elísio Freitas. Nearly two decades after the original production became a landmark of Brazilian theatre, this reimagined staging brings fresh musicality and contemporary energy to one of the country’s most acclaimed modern plays.
4