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. During a roughly 20-minute near silent stretch the cast execute a near flawless, complex, scene employing “Controlled Chaos”. Even the most `curmudgeonly of audience members find themselves rolling along with the rest of the crowd.…
What did our critic think of RHINOCEROS at American Repertory Theater?…
What did our critic think of DALLOWAY: FIRST LOVE at Gloucester Stage Company?…
What did our critic think of ROCK OF AGES at Bill Hanney's North Shore Music Theatre?…
Shakespeare’s most searching play – a gripping story of grief, conscience, and the cost of inaction. Haunted by his father’s ghost, a young prince must navigate a world of secrets, power, and betrayal, where nothing is as it appears.…
Making his debut with the Boston Pops at Tanglewood on August 11, Hugh Jackman dazzled his sold-out audience – under the Koussevitzky Music Shed and stretching as far as the eye could see on the lawn that surrounds it – from the moment he took the stage.…
Typical of BSC efforts, everything about this production is of first-rate quality. Pharel’s script is well blended with elements that “the kids say” as well as those which are more universally applicable.…
What did our critic think of DEAR EVAN HANSEN at Harbour Lights Theatre?…
So, if you like good lip-synching, a driving 4/4 beat, hair and makeup that’s “too – Fabu” or perhaps know of someone who needs to be reminded that I’m OK, you’re OK, and being different doesn’t make you less than… get down to The Colonial Theatre.…
The two-hour play (presented with one 15-minute intermission) has earned widespread praise for its raw emotional depth, humor, and tender romance. This is due in large part to McNally’s brilliant script, a virtual symphony of words and human emotion…
Ephrat Asherie Dance performs Shadow Cities, a piece originally created in collaboration with Grammy Award-winning pianist and composer Arturo O'Farrill. Performed by seven dancers and four musicians, the work is a contemplative, raucous, and celebratory reflection on the...
Brian Brooks Moving Company presents a mixed program including the world premieres of Elsewhere and Closing Distance, featuring award-winning music by Caroline Shaw, and Could we be Quiet?, featuring guest artists from Miami City Ballet. Praised by the Chicago Tribune as a...
The annual Pillow Pride Dance Party begins at 8:30pm in the Doris Duke Theatre, featuring an acclaimed guest DJ. Partygoers can arrive at 8pm for a queer hustle dance lesson led by Abdiel, a former principal dancer with Martha Graham Dance Company.
The second annual FUTURE FIGURES Symposium is dedicated to in-depth discussion on the possibilities and advances in technology and dance. Facilitated by Sydney Skybetter, Director of the Brown Arts Institute, the event features participating artists d. Sabela grimes, Meena...
Choreographer and researcher Ilya Vidrin makes his Jacob's Pillow debut with Proxies, a work developed during Pillow Lab residencies in 2018 and 2023. Presented with in-the-round seating and live music created in real time by musicians responding to the dancers, the piece...
Shamel Pitts | TRIBE presents Touch of RED in their Pillow debut, a duet developed in part during a Pillow Lab residency. The work is inspired by the rapid-fire footwork of boxing, the African American jazz dance style Lindy Hop, Gaga movement language, and nightlife culture...
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Covenant SpeakEasy Stage Company (9/25-10/17) |
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The Norwegians Elayne P. Bernstein Theatre (9/04-10/04) |
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This Is Your Song: The Elton John Songbook Norton Singers (10/02-10/03) |
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Meet the Cartozians Boston Center for the Arts (2/18-3/21) |
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Golden Girls: The Laughs Continue Emerson Colonial Theatre (11/28-11/28) VIDEOS |
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The Bodyguard The Hanover Theatre and Conservatory for the Performing Arts (11/06-11/08) |
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Laura Benanti: Nobody Cares Boston Center for the Arts (10/22-10/25) |
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Alanis Morissette's Jagged Little Pill Arlington Friends Of The Drama (9/19-10/04) |
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Songs for a New World Eventide Theatre Company (11/05-11/15) |
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An Evening With Georgia Heers The Jean McDonough Arts Center (9/24-9/24) |
