"Barbara Walsh will star in Washington D.C's Studio Theatre's production of the award-winning musical Grey Gardens, November 12-December 21, to be directed by Serge Seiden.
Walsh's many Broadway credits include Company, Blood Brothers, Big, and Falsettos, and she starred earlier this year in Baltimore's Centerstage production of A Little Night Music. She will appear in concert on September 8 at New York's Laurie Beechman Theatre and will appear later this month in the NYMF production of About Face.
The Studio's Mainstage season began this week with artistic director Joy Zinoman's production of Athol Fugard's The Road to Mecca, about the meeting of a reclusive artist and a young teacher in South Africa (through October 12). It will also include Paul Mullins' production of Conor McPherson's The Seafarer, about a poker game with the Devil (January 24-February 22); Tom Stoppard's political drama Rock n' Roll, directed by Zinoman (April 22-May 31); and Derrick Sanders' production of August Wilson's final play Radio Golf, about an ambitious Los Angeles businessman in the 1990s (May 20-June 28.)
The theater's Milton Series includes David Muse's production of David Harrower's two-hander Blackbird (December 3-21); the world premiere of Dael Orlandersmith's solo piece Stoop Stories, directed by Gordon Edelstein (March 20-April 5); and Joan Didion's adaptation of her autobiographical best-seller The Year of Magical Thinking (June 17-July 5)..."
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
It has nothing to do with Ebersole at the stage door. While I loved what she did with the second act, I thought her first left a lot to be desired.
Walsh, being one of my favorite performers and her Joanne being one of my favorite performances (next to Clark in PIAZZA and Pinkins in COC), I have no doubt in my mind that her two performances in this musical will be nothing short of mindblowing.
Sadly I cannot afford the cost to see the show. But maybe I'll hit lotto. A boy can dream.
"I know now that theatre saved my life." - Susan Stroman
Um...am I missing something? When the show was running weren't there a ton of threads about how it would have to close when Christine left because "no one else could do the part justice"?
I'm neutral on it...but it is just an observation.
Experience live theater. Experience paintings. Experience books. Live, look and listen like artists! ~ imaginethis
LIVE THAT LESSON!!!!!!
OH I wasn't meaning you JRB_actor. I also think multiple interpretations can be wonderful. :) I just meant in general there were a lot of threads about how no one else could play the role.
Ah well. :)
Experience live theater. Experience paintings. Experience books. Live, look and listen like artists! ~ imaginethis
LIVE THAT LESSON!!!!!!
Um...am I missing something? When the show was running weren't there a ton of threads about how it would have to close when Christine left because "no one else could do the part justice"?
like how everyone said last summer that Patti would win a Tony should Gypsy transfer to Broadway, and then after it transferred said Kelli O'Hara or Faith Prince should win.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I'm curious who will be Big Edie. The only other production I heard about had Dale Soules who was the Big Edie u/s on Broadway and (when I saw her) was basically a carbon-copy of MLW's performance.
Should be interesting if they have to completely unaffiliated-to-the-Broadway-run Edies.
Sidenote: Barbara Walsh is actually good friends with Maureen Moore, who u/s Edie on Broadway.
I love America. Just because I think gay dudes should be allowed to adopt kids and we should all have hybrid cars doesn't mean I don't love America.
[turns and winks directly into the camera]
- Liz Lemon (Tina Fey) on 30 Rock
I thought Christine Ebersole was sheer genius as the Edies, but I never thought the show couldn't "survive" without her. It just demands someone special to sing those gorgeous songs and make us both laugh and cry. I can't wait to see what Barbara Walsh--and the Studio Theatre--does with GREY GARDENS.
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
Polly and Barbara were perfect as the bickering mother and daughter in A Little Night Music at Centerstage.
The relationship between Desiree and Madame Armfeldt is very similar to the one between Big and Little Edie. I think it would be perfect.
Drench yourself in words unspoken. Live your life with arms wide open. Today is where your book begins. The rest is still unwritten.
"Unwritten" Natasha Bedingfield