what I think the question is is who could hold their own as a classically trained singer at the met. That really discounts Gravitte, Murney, even Benanti, all of whom are fabulously talented singers, but really too "pop"-y. I doubt Cohenour (again, she is FABULOUS, FABULOUS, FABULOUS) could make herself heard unamplified in a 5,000 seat house like the Met. She isn't an opera singer. She is one of our best theatre singers.
Clark MAY be able to do it, and perhaps Chenoweth. But that isn't where their greatest talents lie, so why make them do it?
I wouldn't want Deborah Voigt in Piazza.
Asking this question is akin to asking which dancer would be a great track runner. Two different animals.
I do understand what you're saying, Doogie and best12bars, but remember I am talking about the "new" form of opera, closer to musical theatre, that is being considered. It would be a challenge to see whose voices carry well enough in the Met Opera House, but it does have wonderful acoustics.
Thanks so much, jo, for all the info re Michael Ball and the Opera. I think he deserves a Tony nom for his wonderful performance in Woman in White and I hope he is back on our stages QUICKLY to delight us yet again.
"You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it."
To Kill A Mockingbird
Audra McDonald's voice will surely carry at the Met. Maybe Kristin Chenoweth a la La Battle.
Also think the voice of the last Carlotta I saw in POTO, Anne Runolfsson, should carry at the Met. I liked the purity of her voice and its agility. I wished she had pushed the Christine I saw that night (Julie Hanson) offstage and for Runolfsson to have taken over the part.
Orfeh could easily sing at the Met. Some years ago, I saw her at the Garden at a Knicks game singing the Nat'l Anthem and her mic went out. Didn't stop or throw her and the crowd went wild. Shuler Hensley, definitely. Dont' know about O'Hara or Murney.
Laura Benanti and Patti Cohenour couldn't sing at the Met and Victoria Clark could? what?
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I am NOT talking about their talent, vocally or otherwise, muscle.
I'm not saying Vicki could, she MAY be able to, but she is MUCH closer to the sound major opera houses look for than either Cohenour or Benanti.
AS I have said before, I LOVE Patti Cohenour and Laura is one of my favorite performers.
Al Dente, on WHAT planet would Orfeh ever be commisioned to sing an opera at the MET? I like her too, but her voice isn't remotely appropriate. Orfeh is a blow the walls off the place theatre/pop singer. Nothing she has displayed so far indicates a MET type voice. Updated On: 5/12/06 at 02:03 AM
I agree with most of the performers you all have said, (Cheno, Stokes, Mazzie, cast members from POTO, and Les Miz*) but I think this work has Audra written all over it. She's always talking about new work, and has recently performed two Operas (we all know she can handle the MT stage ). Does anyone know for sure if she was mic'd for 'Send, (Who Are You? I Love You)' and 'The Human Voice (La Voix Humaine)'? I think she was, but I'm not sure.
Now, don't attack me for this, but I'm (sadly) not at all familiar with Lea Solanga's voice. I know that she played Eponine and that she's a great talent. Do we think she could handle this project?
Isabelle Corradi (of Cirque du Soleil fame, currently in Varekai)
I love America. Just because I think gay dudes should be allowed to adopt kids and we should all have hybrid cars doesn't mean I don't love America.
[turns and winks directly into the camera]
- Liz Lemon (Tina Fey) on 30 Rock
There is ONE who actually has done both - Broadway musicals and who is a reigning opera superstar around the world (and he sure is currently in the news) - Jerry Hadley.
Doogie, did the original poster not say something about "new opera" Or am I completely mistaken? I did not think this was a thread about singing traditional opera but people who's voices could carry at the MET. If I'm correct, then I stand behind my choice. If not, than I *still* stand behind Hensley. Updated On: 5/12/06 at 08:31 AM
iliketheatre - Audra MacDonald was mic'd for her double bill at HGO. And that was with the orchestra placed behind her onstage at the smaller (1,000 seat) Wortham Theatre. She is apparently on the books to sing in the MET premiere of John Adams' "Doctor Atomic" in 2008-2009 and Chenoweth is still rumored to debut in 2009-2010 in "Ghosts of Versailles". So we will be able to judge for ourselves in a few years.
IssaMe - while Mr. Hadley has recorded "Candide" and "My Fair Lady", I believe he has yet to actually bow on the Great White Way... many opera singers have "crossed over" in this fashion (Doming, TeKanawa, Carreras, Ramey, Swenson, the list goes on and on)... but very few (Pinza, Tozzi, Stratas, Resnick come to mind) opera singers have actually performed on Broadway.
"When you're a gay man, you have to feel good about yourself when a urologist says, "Yeah. I pick you". - Happy Endings
And Al Dente, I think what you're (and the original poster) saying about "new opera" is really interesting. Orfeh CERTAINLY has the vocal chops to do something like that.
Here is my list: Men: Brent Barrett Matt Morrison Brian Stokes Mitchell Eric Comstock (Cabaret Off Broadway performer) Brian Charles Rooney (His Soprano ) Female: Chenoweth La Chanze Felicia P. Fields Donna Murphy Jennifer Simard Susan Egan Kelli O'Hara
I saw Jerry Hadley do Stravinsky's The Rake's progress with Dawn Upshaw (sat next to her agent actually) at the Met, Sam Ramey in the devil role, and it was incredible. Though Stravinsky is for an educated palate. Half the audience walked out and the remaining half of us was on our feet for a lengthy and enthusiastic standing ovation. I didn't know Hadley also did musical theatre--has he been in any Broadway shows?
One of the differences crossover performers would face is that musical theatre is 8 shows a week, versus one day on and at least two off for opera. Granted, the opera singing is more demanding, though if you have an operatic role in a musical, I don't know how they handle the strain of eight shows a week.
cooperross - "Ghosts" is slated for the 2009-2010 season and at this point no casting beyond Angela Gheorghiu in the role of Marie Antoinette has been confirmed.
"When you're a gay man, you have to feel good about yourself when a urologist says, "Yeah. I pick you". - Happy Endings
Don't forget that the Met does not use synthesizers, amplifiers and other electric musical instruments like Broadway houses do. After all, operas were not written w/ such instruments in mind, and, consequently, the balancing problems between voices and the orchestra are not the same at an opera house as they are in a 21st century Broadway theater. So, it's conceivable that Broadway singers, when they don't have to compete w/ electric instruments that are amplified a million times, can sing w/ a reasonably sized orchestra at the Met.
Barihunk..Cheno herself announced that she would be making her MET debut in 2 years in 'Ghosts' when she was on Tavis Smiley's show a couple of weeks ago.
-Politics is like driving. To go backward, put it in R. To go forward, put it in D.
Cooper - not to call Ms. Chenoweth a liar over 1 year - but from the Metropolitan Opera's official press release:
"The Met plans to complement commissioning efforts with presentations of contemporary operas. During the 2008-09 season, The Met will produce John Adams’ Doctor Atomic, staged by Peter Sellars in a revised version of the production first seen in San Francisco last fall. John Corigliano’s The Ghosts of Versailles, a Met commission first seen in 1991 (and revived three seasons later), returns during the 2009-10 season."