I think Julie's marvelous on both, but I prefer the Broadway recording too (I don't know that I have any valid criticisms of the London album, though...the original is so ingrained into my brain that the London recording just sounds "off" to me).
fflagg, Bells Are Ringing isn't one of my favorites either, but I don't think there's any shame in losing an award to Judy Holliday! Updated On: 2/5/06 at 01:09 AM
The first album was taped just days after the show opened on Broadway 50 years ago next month! Columbia did not begin recording cast albums in stereo until December of that year, so when teh show moved to Lndon with the three star players (Harrison, Andrews & Holloway) intact, they went into a London recording studio and re-taped the entire album in stereo. The stereo (London cast) has a gold colured jacket and a big STEREO FIDELITY banner across the top. The original has the same logo but against a white background.
The stereo version has some technical problems including a good deal of distortion throughout. When you listen on headphones you hear a fuzziness that is most noticable in the orchestral passages. Also the tempos are a bit brisker: the full album proper runs almost 2 minutes shorther than the New York cast album. (In early stereo days it wasn't possible to fit as much music onto a side as with mono pressings. The movie sountrack of CAROUSEL lost the first half of the Carousel Waltz on stereo Lp pressings.)
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com