You obviously aren't working very hard at this...but I'll throw some leads in that will hopefully lead you to others: Shakespeare, Kaufman, Hart, Herb Gardner, Philip Barry.
Aristophanes Shakespeare Moliere Feydeau Wilde Coward George S. Kaufman (and Moss Hart et al) Hecht & MacArthur Joseph Kesselring Clare Booth Luce Philip Barry Mary Chase (Harvey) Garson Kanin Jean Kerr Murray Schisgal Alan Ayckbourn Michael Frayn (Noises Off) Herb Gardner Charles Ludlam Nicky Silver Wendy Wasserstein Caryl Churchill (sorta) Christopher Durang John Guare Terrence McNally Paul Rudnick Joe Orton Charles Busch Douglas Carter Beane Larry Shue
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Well I would start with one, if not THE most, revered playwright. His works are often broken down into categories like The Comedies of, the Tragedies of, the Historical Plays of, and oh...he's known for his Sonnets too.
The problem is most playwrights employ humor on one level or another in their writing -- how much do they have use it to be considered "comedic playwrights." In the case of both Stoppard and Shaw, I find it reductive to describe them as just "comedic" playwrights -- yeah they can be very funny, but they're so much MORE than that. Personally, I think Beckett, Ionesco, and Albee can be quite hysterical, but would you call any of them just "comedic playwrights?"
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I would consider all those mentioned as comedic writers. I think that comedy can be so much more than what is nowadays considered as such. These playwrights took the comedy to the next level by discussing serious issues with a satirical, lighthearted look at life. I find the greatest comedies to be the ones you don't instantly think to be comedies.
Correct. Charles Dickens was one of the greatest writers of comedy in English literature. Yet, when you think of him, you don't immediately think 'comedic'.
"One no longer loves one's insight enough once one communicates it."
The opposite of creation isn't war, it's stagnation.
Rosencrantz: "Be happy - if you're not even HAPPY what's so good about surviving? We'll be all right. I suppose we just go on."
- from Tom Stoppard's Rosencrantz and Guildenstern are Dead