I've been waiting for them to do Rags forever. It would be a perfect show for them with that glorious, full score. I'd love to see Judy Kuhn play Rebecca.
"Rags" would be ideal. I think "They're Playing Our Song" would be neat (I'd be interested to see who they'd cast). "Mack and Mabel", much like "Rags," would be great with a full orchestra (that score would be amazing). (Not sure who I'd cast in this either. It was written for the talents of Peters and Preston-but I'm sure there are others who could do the roles justice.)
Seeing Fiorello done again at Encores (and much better the second time) made me wish that they would bring back a few shows from past seasons of Encores: Lady in the Dark (done badly), One Touch of Venus and Boys From Syracuse (both done wonderfully).
HIGH SPIRITS HAZEL FLAGG MAKE A WISH BEST FOOT FORWARD THE GOLDEN APPLE
The last one especially. I would love to see some older shows that were recorded, but either heavily abridged, without their original full arrangements or only in mono.
I often think about how I can't wait for the flops that I fell in love with when I first started going to the theater (which was just in the 90s) became old enough to make a go of it at Encores. But with Side Show's retooled version going around these days, that one's less likely. And Titanic may even be coming back. So I'll stick with this wish: that some day they'll do The Life, and I'll have a chance to see it.
I'd also be down for a season that's all Tony winners that haven't been performed recently: Kismet, Redhead, Hallelujah Baby, Two Gentleman of Verona, and Raisin could all be considered.
And just looking at what's been done before, it really might be time for some Cy Coleman in general--Wildcat, Seesaw, I Love My Wife...
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
They need to tackle SEESAW right away, same goes for MACK & MABEL
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I'm not going to spoil their upcoming season announcement but one of the shows mentioned on page two of this thread is basically confirmed for next season.
It's my current obsession. I'd love for it to include Patti Lupone (hannah), Sutton Foster (Percy), and Laura Benanti (Shelby). Think of all of that awesomeness on one stage.
They've already done Allegro, although obviously there's a chance they would do it again a la Fiorello.
My vote is for Darling of the Day, preferably with Rebecca Luker or Victoria Clark as Alice Challice and Jefferson Mays as Priam Farll.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
AMOUR, one of my favorite 21st-Century scores that seems to be widely forgotten.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
jnb9872, Le Passe-Muraille (Amour when it premiered on Broadway) actually premiered in 1997 in Paris, so it is late 20th century, though I agree it is lovely but forgotten because the performers on the OBCR are just awful.
Anything regarding shows stated by this account is an attempt to convey opinion and not fact.