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La Monnaie De Munt

Place de la Monnaie
1000 Bruxelles

Review: KINKY BOOTS at Château du Karreveld

Review: KINKY BOOTS at Château du Karreveld

by Patrick Honoré · August 22, 2026

Vincent Heden's bold, controversial Lola anchors a Kinky Boots that stumbles early and dances late — but Bruxellons' craft makes it sing regardless.…

Review: TOSCA at La Monnaie

Review: TOSCA at La Monnaie

by Alexandre DIACONU · July 2, 2026

Before the curtain rises, a Pasolini quote appears. It’s a clear warning this TOSCA won’t simply walk through Puccini’s Rome. It’ll filter it through Italian cinema, religion, power, desire, and violence.…

Review: THE ZOO at Brussels Light Opera Company

Review: THE ZOO at Brussels Light Opera Company

by Alexandre DIACONU · June 11, 2026

BLOC’s spring double bill brings together two short comic operas, THE ZOO and TRIAL BY JURY, and it’s the kind of evening that reminds you how satisfying light opera can be when it’s played with genuine skill. It’s colourful, musically confident, and consistently fun. You can feel the compan…

Review: BARTLEBY / LA VOIX HUMAINE at Opéra Royal De Wallonie Liège

Review: BARTLEBY / LA VOIX HUMAINE at Opéra Royal De Wallonie Liège

by Alexandre DIACONU · May 22, 2026

BARTLEBY begins with a tease. The curtain only rises a little, just enough to show feet. Expressive. Unexpected and intriguing from the first second. When it finally lifts, Vincent Lemaire’s set reveals itself in clean, minimal lines, white bricks, a black table, black chairs, and a bust. It’s a…

Review: MEDUSA AT LA MONNAIE at La Monnaie

Review: MEDUSA AT LA MONNAIE at La Monnaie

by Alexandre DIACONU · May 8, 2026

MEDUSA at La Monnaie opens with a sound that feels like it’s coming from somewhere far away, then closer, then right at your throat. An eerie choral orchestration approaches in waves, growing louder and heavier, until the stage itself seems to answer it. A black set begins to move, pivot, and brea…

Review: LUCREZIA BORGIA at Opera Royal De Wallonie Liège

Review: LUCREZIA BORGIA at Opera Royal De Wallonie Liège

by Alexandre DIACONU · April 20, 2026

Some evenings remind you why opera exists. LUCREZIA BORGIA at Opéra Royal de Wallonie-Liège did exactly that, in a space that feels fully aligned with what opera stands for, vocal mastery, ritual, and a visual world built to carry myth sized emotion.…

Review: ALICE ET LA PIERRE D'OPAZE at La Sucrerie de Wavre

Review: ALICE ET LA PIERRE D'OPAZE at La Sucrerie de Wavre

by Alexandre DIACONU · April 14, 2026

Art Fantesies has built its reputation in Belgium on family friendly musical theatre with big heart and big visuals, and ALICE ET LA PIERRE D’OPAZE fits that identity perfectly. Conceived for the company's 20th anniversary, as an original sequel to Alice in Wonderland, the story follows Alice as s…

Past Shows

27 total · showing 11–20

The Miraculous Mandarin & Bluebeard’s Castle

The Miraculous Mandarin & Bluebeard’s Castle

Jun 8 – Jun 24, 2018

‘Hopes, chimeras, distant mysteries... What does this story tell us?’ The Prologue to Bluebeard’s Castle invites us to consider the work as a mysterious adventure punctuated by the opening of castle doors, each opening on another world, allowing Bartók to write layered and...

Háry János

Háry János

May 22

His pagan barbarity, his explosive and angrily defiant melancholy, his demoniacal instinct...these are all echoes...of the thousand-year-old Hungarian psyche’: words attributed to Béla Bartók. Following the two concerts devoted to the music of Liszt and Bartók, Alain Altinoglu...

Queen Elisabeth Competition

Queen Elisabeth Competition

May 10 – May 12, 2018

In 2018, for the ninth time in its history, the Queen Elisabeth Competition will focus on singing. From 1 to 12 May, an international jury of renowned singers, teachers and opera directors will search for the voices of tomorrow. In the finale, participants may rely on the...

Lohengrin

Lohengrin

Apr 19 – May 6, 2018

‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic...

Achterland

Achterland

Apr 12 – Apr 15, 2018

Achterland is a seminal choreography in Anne Teresa De Keersmaeker’s highly individual body of work, as it contains the fruit of what preceded it as well as the seeds of what was to follow. It was for this 1990 production that De Keersmaeker first wrote specific dance material...

Cavalleria Rusticana & Pagliacci

Cavalleria Rusticana & Pagliacci

Mar 6 – Mar 22, 2018

One of the most popular opera double-headers is once again on the bill at La Monnaie after an absence of 15 years. In these two short operas, obsessive love and jealousy give rise to explosive emotions and passionate outbursts in the music. In both Cavalleria rusticana and...

Journey to Bluebeard

Journey to Bluebeard

Feb 11 – Feb 17, 2018

Béla Bartók, speaking of Franz Liszt, described ‘... an astonishing audaciousness, in both form and content. This boldness is quite simply the fanatical tendency towards the new, the unusual.’ The audaciousness that Bartók appreciated in the music of his compatriot is equally...

Requiem

Requiem

Feb 9 – Feb 13, 2018

‘I wrote this requiem for myself...’, bemoaned Mozart, worn-out but conscious that his Mass for the Dead would become his musical testament and would guarantee him an afterlife. The Requiem, the mythical final point of Mozart’s life, is the starting point today for this new work...

Kreatur

Kreatur

Feb 2 – Feb 4, 2018

New choreographic works by Sasha Waltz invariably surprise us with their grouping, the depth of their subjects and styles, and their stunning aesthetics. Her next new work will be created in collaboration with the Dutch designer Iris van Herpen – whose talents are also on...

Sheherazade

Sheherazade

Feb 4

Sultan Shahryar was of the opinion that all women were unfaithful and he had therefore decided that all his wives had to be killed after the first night. However, his wife Scheherazade succeeded in avoiding this fate by telling him a different story every night for a thousand...

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