Marianka Swain - Page 10

Debbie Kurup's extensive musical theatre experience ranges from Chicago, West Side Story and Sister Act to originating roles in Girl from the North Country and The Bodyguard. She's currently playing taxi dancer Helene in Cy Coleman, Neil Simon and Dorothy Fields' Sweet Charity - the farewell production of Donmar Warehouse Artistic Director Josie Rourke, opening early next month.

“We are only as powerful as the stories we tell.” So proclaims poet and activist Emilia Bassano, as she wrestles back her own story in Morgan Lloyd Malcolm's 2018 Globe hit – its raw, feminist, revolutionary power just as potent in this West End transfer.

Pulitzer-winner Bruce Norris once again challenges audiences with a play built around a difficult topic – in this case, asking whether paedophiles are irredeemable, how they should be punished, the distinction between justice and vengeance, and whether an empathetic response betrays our support of their victims.

News emerged today that Hollywood actresses Felicity Huffman and Lori Loughlin were among 50 wealthy people charged in a college cheating scam dumbed 'Varsity Blues', in which they allegedly paid bribes of up to $6 million to secure places for their offspring at top universities. In a strange twist of fate, the breaking story coincides with the UK opening of Joshua Harmon's incendiary satire Admissions, which demonstrates that even those with the most devout liberal principles about progress and fairness can falter when it comes to their own family and self-interest.

The meticulous care of the National Theatre's production is continued in the soundtrack recording, demonstrating the collaborative brilliance of orchestrations from Jonathan Tunick and Josh Clayton, music supervision from Nicholas Skilbeck, and musical direction from Nigel Lilley - the latter conducting an exceptionally disciplined and articulate 21-piece orchestra.

Sara Bareilles and Jessie Nelson's 2015 musical adaptation of Adrienne Shelly's film, about a small-town waitress who processes her feelings via her skilful baking, brings its sugar and spice mixture to the West End. The result is a tasty treat - albeit with the odd ill-mixed ingredient. Hollywood Handshakes all round.

Harriet Lane's memorably unsettling 2012 novel, about an overlooked sub-editor who infiltrates the literary elite, has been adapted for stage by Lucinda Coxon. Its combination of psychological thriller and industry satire is decently translated, but a conservative production from Bridge boss Nicholas Hytner (who, astonishingly, is here directing his first ever play by a female writer) makes a middling case for the virtues of a theatrical version.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Pinter and tasty musical treat to a portrait of grief, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews!

'Isn't that the problem with political theater, too much directness?' queries one of Anne Washburn's characters in her new play - which, in meta fashion, and over a leisurely three hours, not only addresses Trump head on, but also painstakingly analyses our responses to the President and the present moment, including the role of the arts.

A remarkable true story birthed this modest Canadian musical, which went on to storm Broadway in 2017, and now makes it West End debut at a time when its heartfelt message seems more necessary than ever. In these murky, cynical times, Irene Sankoff and David Hein's show feels like coming up for air.

Toby Marlow and Lucy Moss's hit concert-style musical SIX, which gives fresh, 21st-century girl power voice to the wives of Henry VIII, has returned to the Arts Theatre in the West End. The cast's queens discuss the show's success - and who is most like their alter ego... 

In a programme interview, Patricia Resnick - writer of both the original 1980 film and this 2008 musical adaptation - notes that Jane Fonda wanted to convey a political message about workplace sexism, but realised couching it in comedy would make it more palatable. Like composer Dolly Parton herself, who appears on video to top and tail the stage show, it's a considered combination of sugar and steel.

Fasten your seatbelts! Ivo van Hove has taken on the ultimate quotable backstage melodrama: Joseph L. Mankiewicz's 1950 Oscar-winning film about a celebrated actress and her young wannabe assistant. And the modern star power is assured: Gillian Anderson succeeds Bette Davis, while Lily James follows in the scheming footsteps of Anne Baxter.

Already admired in the industry for her impressive range of work, actress Justine Mitchell enjoyed a breakout hit recently with David Eldridge's Beginning, which transferred from the National to the West End. She's now tackling Anne Washburn's new Donald Trump-era play, which begins next week at the Almeida. 

Jamie Lloyd's outstanding season of Pinter shorts - chock-full of mini revelations, innovative stagings, and a thrilling range of work from both actors and creatives - finishes on a high note with this thoroughly entertaining pair.

West End favourite Jenna Russell made a surprisingly belated solo concert debut at Leicester Square Theatre, but, judging by this entirely winning performance, she's a natural. Seth Rudetsky, unparalleled master of the format, was on hand to accompany and guide her through a superlative set-list, as well as draw out anecdotes both deliciously foul-mouthed and funny, and unexpectedly moving.

Natalie McQueen's past work includes Kinky Boots, Wicked, Les Miserables and Murder Ballad. She's now starring as Doralee - Dolly Parton's role in the film version - in 9 to 5 the Musical, currently playing at the Savoy Theatre.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a hit Canadian musical to showbiz satire and a classic sitcom reborn, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Matthew Croke is currently starring in the title role of Aladdin in the West End. He's also found the time to record his debut album, Only Dreaming, featuring a collection of classic songs from stage and screen.

Hampstead hosts the UK premiere of Polish-American playwright Martyna Majok's 2018 Pulitzer Prize-winning work, which explores - with thoughtful tenderness and a refreshing lack of schmaltz - the relationships between two people with disabilities and their carers.