Stephen Hanks - Page 14

The National Theatre Conference (NTC), an organization founded in 1925 that meets annually in New York to discuss relevant issues in today's theatre community and to celebrate outstanding achievement in the American theatre, has named the recipients of its 2013 awards. Playwright Lynn Nottage has been named Person of the Year; the Oregon Shakespeare Festival, under the artistic direction of Bill Rauch, is the recipient of the Theatre of the Year Award; and playwright Jackie Sibblies Drury has been selected as the winner of the Barrie and Bernice Stavis Playwright Award. All three will be honored and presented with their awards and hold discussions with the membership at The Players club during NTC's annual meeting in New York, December 6-8, 2013.

It may not be like getting a gift on every one of the 12 Days of Christmas, but for cabaret and musical theater lovers, the 5th Annual Urban Stages Winter Rhythms series--presented over a dozen nights at the not-for-profit Off-Broadway theatre on 259 West 30th Street--could be the closest thing to opening a daily present by the tree. From December 3-15, dozens of singers and musicians will perform in an eclectic mix of a dozen shows plus late night and matinee 'extras,' with all the proceeds from ticket sales dedicated to the Urban Stages 'On Tour Outreach Program that brings more than 200 free multicultural theater and music programs to elementary and middle school age children and their families in libraries and schools throughout NYC five boroughs. Three years ago, Urban Stages Artistic Director Frances Hill brought in MAC and Bistro award-winning director, lyricist and producer Peter Napolitano to produce the Winter Rhythms program and broaden its scope.BroadwayWorld.com Cabaret Columnist Stephen Hanks recently caught up with the Sol Hurok of Urban Stages to learn how Napolitano has helped Winter Rhythms evolve and to get some insights into this year's program.

The not-for-profit musical theater development group Manhattan Musical Theatre Lab (formerly Musical Mondays Theatre Lab) has announced that the second show of its 2013-2014 season is the musical comedy, THE CURSE OF BATVIA. This original and seriously silly musical comedy concerns a missing dog, a missing book of spells from a far-off, vaguely Eastern European country, and four characters on the loose in an English manor house, two of whom need to find the counter spell before an ancient, lycanthropic curse comes true forever.

While it was billed as a presentation celebrating the release of his 13-song CD, Tales From the Bonus Round, and his 60th birthday, Steven Schalchlin's recent show at the Metropolitan Room was so much more than that. It was also one about fear, fortitude, anxiety, anguish, compassion, courage, and love, all expressed in poetic and often clever lyrics and melodies ranging from uplifting gospel to Billy Joel-sounding mid-tempo pop to sensitive ballads, many colored with musical theater undertones. At their core, most of the songs conveyed what Schalchlin has thought, felt and experienced since early 1993, when he was diagnosed with AIDS, launched one of the first internet diaries/blogs (in early 1996), stared death in the face on a daily basis, took an experimental AIDS drug (Crixivan), and ultimately regained his health and career. When you listen to his songs, it's not hard to believe Schalchlin when he claims that during those scary days writing music and the “healing properties of piano vibrations” also helped save his life, and the 17 years since are what he calls his “Bonus Round.”

It turns out that when it came to Tanya Moberly cabaret shows and this reviewer, the third time was the charm. After being blown away by Moberly's powerful voice and stage presence when I first caught her one-song performances at the Sunday Salon Open Mics three years ago, I wasn't crazy about either of her full-blown cabaret shows the past two years (Tanya Moberly Sings Di Franco/Tanya Moberly Sings Jonatha Brooke in 2011 and Tanya Lorraine Moberly Sings Barbra Joan Streisand in 2012—in spite of her receiving MAC and BroadwayWorld.com Best Female Vocalist nominations for the latter). But her new show that opened this past Friday and Saturday nights at Don't Tell Mama, I Love New York Songwriters, pressed many of my cabaret buttons—in a good way. While there were still some minor flaws—owing to a certain stubbornness in her approach to a cabaret show—this eclectic set of original songs written by some of the city's best “unknown” composers was consistently entertaining. In this particular show, Ms. Moberly was Tanya Terrific.

As a prelude to playing three shows in Vermont on November 9 and 10 that will celebrate the 25th Anniversary of The Vermont Pub & Brewery (the state's first Brewpub), New York-based guitarists Sean Harkness (right in photo) and Brian Camelio (center in photo) will be joined by New Orleanian Chip Wilson (left in photo) for a New York show tonight, November 5 at Stage 72 at 9:30.

With her most recent show at Stage 72, 'Let Me Sing and I'm Happy,' the New York cabaret community should realize that talented singer Corinna Sowers-Adler has indeed “catapulted” herself into the elite group of young performers and landed very comfortably in the mix.

Some people, especially some cabaret reviewers and cabaret fans, might think it's lazy or a copout or both for a performer to keep recycling previous shows. But when the Café Carlyle comes a'callin' you: A) May not have enough time to create a totally new show or B) Want to pitch the big game with your best stuff or C) All of the above. Since I only started reviewing cabaret in late 2010, I missed the Laurie Beechman Theatre debut of Jennifer Sheehan's 2009 show You Made Me Love You: Celebrating 100 Years of the Great American Songbook, and missed it again when she brought it to the Metropolitan Room in 2010. So I, for one, am not complaining that she dusted off the critically praised set again (with the new slug 'Timeless Classics and New Treasures' from said Songbook show) for her debut last Saturday night at the prestigious Café Carlyle. Sheehan may have been booked for the room's new 10:45 late night series and not the prime time slot, but at least the Carlyle is giving opportunities to exciting young cabaret performers like Sheehan (and Marissa Mulder, who will make her debut at the room on November 7). With You Made Me Love You, Sheehan made everything old new again-at least for me.

Today, October 24, the not-for-profit development group Musical Mondays Theatre Lab will launch its 14th season with a new name and a very heavy organizational heart. This summer, after years of presenting promising new musicals at the Snapple Theatre Center on Thursdays (because that was the only slot that was open in the schedule), the MMTL Board of Directors voted to change the organization's name to Manhattan Musical Theatre Lab (thereby retaining the corporate initials) with the vote and complete blessing of the group's founder and Co-Artistic Director Richard 'Bick' Goss. Less than a month later, Goss died from complications of Parkinson's disease. The director, choreographer and former Bob Fosse dancer was 75.

Two years ago I heard the relatively new “Marquee Five” perform a show at the Laurie Beechman Theatre called “8-Track Throwback,” which was a five part harmony homage to the music of the 1960s and '70s. They hadn't gotten even halfway through their set when I realized that in Marquee Five I'd heard my Manhattan Transfer for the new millennium. Marquee Five's style is less jazzy and more pop than the Transfer, and their sound is infused with the tones of a co-ed barbershop quintet, Broadway belting, and holiday season caroling. Marquee Five's new show last Saturday night at 54 Below did nothing to push me off their bandwagon. In Broadway By the Letter: Act One (a set of songs representing the first half of the alphabet), this fabulous five-some once again delivered delicious harmonies on a variety of song styles, standout individual performances, and intricate yet accessible vocal arrangements.

As a 20-year cabaret veteran and 10-time MAC Award nominee (winning three), Sue Matsuki is nothing if not ambitious and a tad pretentious. How else to explain someone with both the chutzpah and the checkbook to stage a run of four shows at the Metropolitan Room (soon to become six) in which each show covers a different musical genre with a totally different set list and employs different directors, musical directors and bands? Just writing that sentence has me clutching my checkbook for deal life.

As a prelude to playing three shows in Vermont on November 9 and 10 that will celebrate the 25th Anniversary of The Vermont Pub & Brewery (the state's first Brewpub), New York-based guitarists Sean Harkness and Brian Camelio will be joined by New Orleanian Chip Wilson for a New York show on November 5 at Stage 72. The musicians will bring a program of original, New Orleans and classic covers with elements of jazz, folk and blues to New York and Burlington, with several Vermont musicians sitting in. For the Vermont shows later in the month, the trio will be joined by Vermont's own Lucas Adler, reuniting the group that played at VP & B at its start in 1988.

On October 24, the not-for-profit development group Musical Mondays Theatre Lab will launch its 14th season with a new name and a very heavy organizational heart. This summer, after years of presenting promising new musicals at the Snapple Theatre Center on Thursdays (because that was the only slot that was open in the schedule), the MMTL Board of Directors voted to change the organization's name to Manhattan Musical Theatre Lab (thereby retaining the corporate initials) with the vote and complete blessing of the group's founder and Co-Artistic Director Richard 'Bick' Goss. Less than a month later Goss died from complications of Parkinson's disease. The director, choreographer and former Bob Fosse dancer was 75. But the shows must go on and the newly christened Manhattan Musical Theatre Lab will dedicate the entire season to Goss' memory and begin its 2013-14 season at the Snapple on October 14 at 5pm with a presentation of The Dirty Hippy Jam Band.

The Board of Manhattan Musical Theatre Lab has announced that November 3, 2013 will be the date for the memorial service for Richard 'Bick' Goss, the noted New York City-based theater director and choreographer, former Bob Fosse dancer, and the Founder and Co-Artistic Director of the non-profit musical theater development organization, Musical Mondays Theatre Lab (now called Manhattan Musical Theatre Lab). The memorial will be held at Park Avenue Christian Church on 1010 Park Avenue at 85th Street at 5:15 pm. A reception will follow.

Legendary concert artist and Kennedy Center Honoree Barbara Cook returns to New York City's Town Hall, 123 West 43rd Street (between 6th Avenue & Broadway,) on Thursday, November 14th at 8 PM with a new evening of song (and stories) as she continues to explore her newly-developed repertoire of jazz and swing, while also reprising her now-classic renditions of songs from Broadway and the Great American Songbook. Five weeks later, on December 19, 2013, Town Hall will overflow with the musical joys of the season when three extraordinary talents, Leslie Uggams, Marilyn Maye and Christine Andreas take the stage for Holiday Belles.

Attention cabaret lovers: It's time to start remembering the great shows you saw in the past year and who performed in them so you can make your nominations for the 2nd Annual BroadwayWorld.com New York Cabaret Awards. The nomination period will begin on Monday, October 28, 2013 and will end on Sunday, November 24. After the final nominations ballot is announced, voting will begin on Monday, December 2 and end on Sunday, January 5. The winners will be announced the week of January 6. This year's 2013 BroadwayWorld.com New York Cabaret Awards Show will be on Sunday, February 23 at 6:30 at Joe's Pub and BroadwayWorld.com lead New York cabaret reviewer and columnist Stephen Hanks will host a show featuring performances by many of the winners.

Over the last 20 or so years, there have been three nightclubs in New York that have been considered the venue Holy Grail for cabaret singers. Two of them--the Oak Room at the Algonquin Hotel and Feinstein's at the Loews Regency--have in the past year or so sadly died a corporate death, leaving the upper east side Cafe Carlyle as the Carnegie Hall of cabaret haunts. When she first came to New York from California 24 years ago, Natalie Douglas would save her pennies to see the legendary Bobby Short perform at the Carlyle and dream that she would some day star in a show from that stage. Last Thursday and Friday night, after almost a quarter century performing in every New York venue on the cabaret map and many prestigious clubs around the world, and after winning numerous MAC, Bistro and Nightlife Awards, Douglas finally soloed at the venerable venue and the audiences who saw her shows probably wondered why it took so long.

Now that the legendary Elaine Stritch and Julie Wilson have retired from performing, the only celebrity 80-plusers who have been performing regularly on the cabaret circuit are the equally legendary Barbara Cook and Marilyn Maye. But now there's another octogenarian on the scene and while he may not be a legend, George Marcy is an 86-year-old former Broadway musical theater actor/dancer who recently staged a totally charming and entertaining show at Don't Tell Mama.

In 1962, Ray Charles made history when he brought soul music and country music together in the same album: Modern Sounds in Country & Western Music. Now, more than 50 years later, just in time for the late legend's 84th birthday, Joe's Pub and the Album of the Month Club expand the palette by adding jazz, cabaret, Broadway, folk music, and bluegrass into Brother Ray's classic mix. On Today, September 23 at 9:30 pm, Joe's Pub will present the first in a ongoing series of shows celebrating great pop and jazz albums, during which classic songs will be explored and re-examined by a rotating cast of singers and musicians in styles covering jazz, pop, Broadway, cabaret, and blues.

ScoBar Entertainment and Iridium NYC have announced that they will present a one-night-only Tribute to Ervin Drake tonight, September 17th at 8pm. The evening will celebrate the life and music of legendary 94-year-old American songwriter whose works include Great American Songbook standards such as 'It Was A Very Good Year,' which was popularized by Frank Sinatra.