Review: PONDERING ABOUT MY MEMORIES at Capital Fringe Festival
Rodin Alcerro’s PONDERING ABOUT MY MEMORIES is lush, powerful and deeply moving.
Pamela Roberts - Page 2
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Review: RE: WRITING at Capital Fringe Festival
RE: WRITING is a moving and assured new work at the Capital Fringe Festival.
Review: TOPDOG/UNDERDOG at Round House Theatre
At Round House Theatre, director Jamil Jude stages a brilliant, heightened and deeply emotional interpretation of the Suzan-Lori Parks’ work that is as raw and affecting now as it was when it earned Parks a Pulitzer Prize two decades ago.
Review: THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN at Creative Cauldron
Creative Cauldron stages a positively effervescent musical, THE BUBBLY BLACK GIRL SHEDS HER CHAMELEON SKIN, a coming-of-age story that ably balances light humorous moments with pointed questions of growing up a Black woman in the latter part of the 20th century.
Review: HAIR at Signature Theatre
Signature Theatre’s revival of the groovy Vietnam-era musical HAIR is wildly energetic, colorful, and full of spirit.
Review: STOMP at Capital One Hall
STOMP is here for a brief five-performance run through April 7 at Capital One Hall in Tysons.
Review: LITTLE SHOP OF HORRORS at Ford's Theatre
Horrors! Ford’s Little Shop disappoints.
Review: THE LEHMAN TRILOGY at Shakespeare Theatre Company
The Lehman Trilogy, directed by Arin Arbus at the Shakespeare Theatre Company, is an extraordinary feat of storytelling.
Review: TICK, TICK ...BOOM! at John F. Kennedy Center For The Performing Arts
Tick, tick …BOOM! is a raw and moving semi-autobiographical musical by Rent's Jonathan Larson.
Review: THE WINTER'S TALE at The Folger Theatre
The Folger Theatre welcomes audiences back to its jewel box theatre with The Winter’s Tale – a story of friendship, betrayal, loss and second chances.
Review: CONFEDERATES at Mosaic Theater Company
Mosaic Theater Company's production Confederates, by MacArthur “genius” fellow and two-time Tony-nominated playwright Dominique Morisseau, is a smart and moving satire about the struggles of two formidable women who must stand up to subjugation as they consider whom they can trust and how they m
Review: THE CHOSEN at 1st Stage
THE CHOSEN at 1st Stage is a fascinating coming-of-age story of two boys and their fathers, and their extraordinarily different Jewish communities located just “five blocks and a world apart.
Review: ECHO at Cirque Du Soliel
Cirque du Soliel’s ECHO, now making its U.
Review: COMPAGNIE KÄFIG: PIXEL at John F. Kennedy Center For The Performing Arts
Compagnie Käfig merges elements of hip hop with modern dance, circus, and technological wizardry in its highly innovative production, Pixel, which has been seen by audiences in more than 30 countries around the world.
Review: TO KILL A MOCKINGBIRD at John F. Kennedy Center For The Performing Arts
Seeing To Kill a Mockingbird, now at the Kennedy Center, isn’t the same experience as the novel you were quizzed on in high school or the classic 1962 film.
Review: CYRANO DE BERGERAC at Synetic Theater
Synetic Theater’s wordless Cyrano de Bergerac is gorgeous to behold and packs a powerful emotional wallop.
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Keegan Theatre’s SEUSSICAL: THE MUSICAL is bright and exuberant.
Review: THE ENIGMATIST at The Kennedy Center
Puzzles and patterns, stories and magic are artfully woven together by David Kwong in The Enigmatist at the Kennedy Center.
Review: GOOD GRIEF: SONGS OF THE MOON AND THE UNBROKEN CIRCLE at Kennedy Center
In Good Grief: Songs of the Moon and The Unbroken Circle creator Tariq Darrell O’Meally explores how we become more than what we’ve lost.
Review: EXCLUSION at Arena Stage
Exclusion, a thought-provoking and witty world premiere by Kenneth Lin at Arena Stage, explores the tug-of-war between what is true and what sells
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