Review: GLAD TO BE DEAD at R-Bar, Brighton Fringe
Each year Brighton Fringe is home to some of the UK theatre scenes wildest and most unique performances.
Paige Cochrane
Review: VARDY V ROONEY: THE WAGATHA CHRISTIE TRIAL, The Ambassadors Theatre
Vardy V Rooney: The Wagatha Christie Trial brings a social media nightmare to a shocking and amusing reality.
Review: WHAM BAM THANK YOU MAM, VAULT Festival
Wham Bam Thank You Mam is a collaboration straight from the minds of Frances Keyton, Su Mi and Marty Gleeson.
Review: NOISES OFF, Phoenix Theatre
What’s that famous quote, never work with children or animals? After a peek behind the curtain at Noises Off, there should be no doubt that drunks, adulterers, or actors prone to nosebleeds should be added to that list.
Review: PARADISE NOW!, Bush Theatre
It all starts with a friend request out of the blue.
Review: JACK AND THE BEANSTALK, Lyric Hammersmith
With winter nights growing ever darker and Christmas just around the corner, now is the perfect time to treat yourself to everyone’s favourite festive entertainment.
Review: PERFECT SHOW FOR RACHEL, Barbican Theatre
This is a theatrical experience unlike any other, crafted with accessibility at the helm.
Review: STRANGER SINGS!, The Vaults
Nestled deep underneath the Waterloo railway, get ready to be reintroduced to all your favourites, who will have you laughing your way through the chaotic events of season one (yes, that includes a dancing Demogorgon.
Review: ANTIGONE, Regent's Park Open Air Theatre
Nigerian born writer, Inua Ellams, originally turned down working on Antigone due to feeling “no distant kinship with the protagonist.
Review: I, JOAN at Shakespeare's Globe
Joan of Arc has long been a symbol of female empowerment.
BWW Interview: Director of HENRY VIII, Amy Hodge, Talks Women and Re-Interpreting The Bard
With an expansive career directing for both stage and screen, Olivier-nominated director Amy Hodge has worked at some of the most respected theatre venues across the country.
BWW Review: HENRY VIII, Shakespeare's Globe
As the most notorious monarch in British history, Henry VIII's rule was tyrannous and imposing.
BWW Review: JUNIPER AND JULES, Soho Theatre
It must have been said at some point in history that the course of lesbian love never did run smooth.
BWW Review: THE TAXIDERMIST'S DAUGHTER, Chichester Festival Theatre
Chichester Festival Theatre welcomes their 60th Anniversary season with The Taxidermist’s Daughter, a gothic tale of revenge set across the Sussex marshes in 1912.
BWW Review: SHEDDING A SKIN, Soho Theatre
Myah is in her thirties, recently single, homeless, now unemployed, and agonizingly uncomfortable in her own skin.
BWW Review: PURPLE SNOWFLAKES AND TITTY WANKS, Royal Court
What do nuns, granola bars and a string of pearls all have in common? It sounds like the start of a bad joke but really, they’re all part of Sarah Hanly’s vibrant one-woman show, Purple Snowflakes and Titty Wanks.
BWW Review: DOUBT: A PARABLE, Chichester Festival Theatre
John Patrick Shanley's Pulitzer Prize-winning play, Doubt: A Parable, is a court room built to question your understanding of integrity.
BWW Review: THRILL ME: THE LEOPOLD & LOEB STORY, Jermyn Street Theatre
In Chicago, 1924, Nathan Leopold and Richard Loeb each receive life, plus 99 years, for the despicable murder and kidnapping of 14-year-old Bobby Franks.
BWW Review: STRAIGHT WHITE MEN, Southwark Playhouse
What happens when Christmas Day becomes a playing ground to expose the tangible relationship between privilege and identity? Written by Young Jean Lee, Straight White Men is an ambitious study of those who gain the most from the world and their awareness of the power they possess.
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