Misha Davenport is the chief critic for Broadway World Chicago. A Chicago-based freelance writer, blogger, critic and singer. He studied playwriting at Michigan State University under the late Arthur Athanason. He covered theater in the Windy City for more than a decade at the Chicago Sun-Times. He is a fierce advocate and lover of live theater from shows in 50-seat storefronts to big Broadway blockbusters.
July 31, 2019
David Cerda scores another camp hit with the timely and topical THE DRAG SEED
July 8, 2019
Elizabethan comedy meets modern constructs of gender fluidity in Kokandy's top-notch production of HEAD OVER HEELS.
April 16, 2019
BWW Review: A Country's Soul Beats in CAMBODIAN ROCK BAND
March 27, 2019
Hell in a Handbag's parody of the classic 1972 disaster film, is in top ship-shape and worthy of you booking a passage. It's a laugh riot of epic proportions.
December 12, 2018
Theo Ubique's debut in its new Evanston performance space disappoints.
November 30, 2018
HIAH puts a holiday twist on the camp classic 'Showgirls' with SNOWGIRLS: THE MUSICAL
November 20, 2018
The current National Tour of MISS SAIGON feature refreshed staging and a heartfelt, emotional and star-making performance by Emily Bautista.
November 2, 2018
Based on his prior works, Playwright Bruce Norris seemingly relishes nothing more than to push the buttons of the liberal, cultural elite (aka most theatergoers). He is in rare form in DOWNSTATE. The show is well-acted and directed with tact and skill by Pam MacKinnon.
October 9, 2018
BWW REVIEW: Unrestrained Laughter in THE ARTIFICIAL JUNGLE
July 5, 2018
Review: A Comforting, Heartfelt and Homey WAITRESS
May 31, 2018
Listen: Two songs from PF&P's hit show FLIES! The Musical
April 24, 2018
10 on Tuesday with GENTLEMAN CALLER's Rudy Galvan
April 17, 2018
10 on Tuesday with SOUTHERN GOTHIC's Michael McKeough
April 16, 2018
Come to see the new theater space, but stay for Mercury's COMPANY.
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