Review: HIGH SOCIETY, The Mill At Sonning
As households around the country begin to plan their festive feasts, the delightful Mill at Sonning in Berkshire already has theirs well in hand.
Mickey-Jo Boucher
Review: OUR LAST FIRST, The Space
What happens when the roles an actor will play in a show are left entirely to chance?
Review: GYPSY, The Mill At Sonning
One thing is certain in the world of theatre: there will always be revivals of Gypsy.
Review: THE SUSPICIONS OF MR WHICHER, The Watermill Theatre
The ever enchanting Watermill Theatre in Newbury could hardly have hoped for more atmospheric weather to mark the opening night of their latest show, The Suspicions of Mr Whicher.
Review: WUTHERING HEIGHTS, Royal & Derngate
For what it's worth, I think Emily Brontë would probably love this new production of her then controversial 19th century novel, Wuthering Heights.
Review: THE WAY OLD FRIENDS DO, Birmingham Rep Theatre
Beginning as a writer some decades into his acting career, Ian Hallard cites his motivations for The Way Old Friends Do, his first play, as providing a means for him to portray a dream role.
Review: LIVE TO TELL: (A PROPOSAL FOR) THE MADONNA MUSICAL, Omnibus Theatre
An autobiographical piece, it acquaints its audience with Brian, an eccentric American writer living with HIV.
Review: WE'LL ALWAYS HAVE PARIS, The Mill at Sonning
Billed as a romantic comedy, the eye-catching poster artwork courtesy of Oink Creative seems to promise a sort of European '9 to 5', but upon closer inspection the play scarcely lives up to this colourful concept.
Review: WHO'S AFRAID OF VIRGINIA WOOLF?, Ustinov Studio, Bath
Who's Afraid of Virginia Woolf? is not an easy play to watch, rather a theatrical storm that must be endured with three contempt-filled acts making up a three and a half hour runtime.
Review: THE OCEAN AT THE END OF THE LANE, The Lowry
Just over a year after the opening of its West End run at the Duke of York’s Theatre, the critically acclaimed production remains a singularly thrilling piece of storytelling.
Review: TOP HAT, The Mill at Sonning
West of London, the Mill at Sonning is hugged on either side by the Thames and neighbours George Clooney’s 17th century mansion.
Review: JEKYLL & HYDE, Reading Rep Theatre
Audrey Brisson is a quirky intrigue at 4’10”.
Review: TRIO, New Wolsey Theatre
At its core, Trio’s biggest wound is a self-inflicted one.
Review: BILLY ELLIOT THE MUSICAL, Leicester Curve
Six years after it closed in the West End, the first new staging of Billy Elliot The Musical has opened at the Leicester Curve, made possible by liaison with the original filmmakers.
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