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Juan Michael Porter II

Juan Michael Porter II is the Managing Editor and  Critic-in-Residence of BroadwayWorld Dance. He writes and creates with a focus on engaging, entertaining, and educating the reader without being a prick about it. He has contributed dance and theatre criticism to Color Lines, TheBody.com, Dance Enthusiast, Time Out NY, Ballet Review, TDF Stages, HuffPost, and Movement Research.

He has worked with H.T. Chen & Dancers, NYCOpera, Michael Mao Dance, The Martha Graham Dance Company, BalaSole Dance Company, Alpha Omega Theatrical Dance Company, and collaborated as a soloist with Yvonne Ng, Autre Ne Veut, William Hooker, Yasuhiko Fukuoka, Bird Mask, Isaiah Sheffer, Rose Marie Guirard, and Yung Yung Tsuai.  

Behind the scenes, he is the former producer of Nadine Bommer Dance, production partner of Williamsburg Movement & Arts Center, director of dance at Webster Hall, Resident Artist at Sangre de Cristo Art Center, and regional coordinator of The New York City Road Runners. As the the founding artistic director of The Moving Beauty Series, he has advised, developed, consulted, and presented the work of numerous acclaimed artists.

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BWW Review: NIGHT WITCHES Fails to Take Wing

BWW Review: NIGHT WITCHES Fails to Take Wing

November 3, 2017

NIGHT WITCH's tour de force physical production made use of evocative physical theatre effects, minimal production elements, and wonderful staging by Kathleen Anne Hefferon but failed to overcome its soggy script.

BWW Review: The Flames of FERGUSON Fizzle

BWW Review: The Flames of FERGUSON Fizzle

November 1, 2017

Following a by-the-numbers formula, FERGUSON rolls out like the sketch of a LAW & ORDER episode during which the results are foretold without bothering to connect the dots.




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