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Jeffrey Ellis - Page 24

Jeffrey Ellis

Jeffrey Ellis is a Nashville-based writer, editor and critic, who's been covering the performing arts in Tennessee for more than 35 years. In 1989, Ellis and his partner launched Dare, Tennessee's Lesbian and Gay Newsweekly which later became known as Query. Ellis is the recipient of the Tennessee Theatre Association's Distinguished Service Award for his coverage of theater in the Volunteer State and was the founding editor/publisher of Stages, the Tennessee Onstage Monthly.  He is a past fellow of the National Critics Institute at the Eugene O'Neill Theatre Center and is the founder/executive producer of The First Night Honors - the history of which can be traced to 1989 and the first presentation of The First Night Awards - which honor outstanding theater artisans from Tennessee in recognition of their lifetime achievements and also includes The First Night Star Awards and the Most Promising Actors recognition. Midwinter's First Night honors outstanding productions and performances throughout the state. An accomplished director, Ellis helmed productions of La Cage Aux Folles, The Last Night of Ballyhoo and An American Daughter, all in their Nashville premieres, as well as award-winning productions of Damn Yankees, Company, Gypsy and The Rocky Horror Show. Ellis was recognized by The Tennessean as best director of a musical for both Company and Rocky Horror. Since 2015, Ellis has been increasingly in demand as a director by a variety of Tennessee theater companies and he has helmed productions of Picnic (Circle Players), The Last Five Years (VWA Theatricals), The Miss Firecracker Contest, Cabaret, My Fair Lady, Daddy's Dyin'...Who's Got the Will?, South Pacific, Winter Wonderettes and The Wizard of Oz (The Larry Keeton Theatre), The Little Foxes (ACT 1), The Boys in the Band (Jeffey Ellis Presents), Singin' in the Rain (Arts Center of Cannon County) and The Secret Garden (Center for the Arts, Murfreesboro) and, in 2020, the 70th anniversary season production of La Cage Aux Folles for Circle Players. Later this year, he will be directing Beautiful: The Carole King Musical for Center for the Arts.

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EVITA, starring Patti LuPone

Favorite Stories



BWW Review: ACT 1's Bleak Midwinter of Martin McDonagh's THE PILLOWMAN

BWW Review: ACT 1's Bleak Midwinter of Martin McDonagh's THE PILLOWMAN

March 5, 2018

Bleak and darkly menacing, playwright Martin McDonagh's view of the world in his blackest of black comedies The Pillowman focuses on the investigation into a series of child murders in a fictional totalitarian state sometime in the near future - or, given the political climate in this real country i

BWW Review: Nashville Children's Theatre's Poignant and Compelling MOCKINGBIRD

BWW Review: Nashville Children's Theatre's Poignant and Compelling MOCKINGBIRD

March 3, 2018

Poignant and compelling, Mockingbird - the play adapted for the stage by Julie Jensen from the National Book Award-winning novel for younger audiences by Katherine Erskine - is a remarkably timely and prescient look at the aftermath of a school shooting for the people most intimately affected by it,

BWW Review: CABARET Continues to Captivate On Opening Night at Nashville's TPAC

BWW Review: CABARET Continues to Captivate On Opening Night at Nashville's TPAC

February 28, 2018

One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's c

Collegiate Theatrics: USC's MICHAEL KHACHANOV

Collegiate Theatrics: USC's MICHAEL KHACHANOV

February 27, 2018

Theater's next generation of actors will come from all over the globe, to be certain, but one might find an impressive concentration of artists on the campus of the University of Southern California, where the list of candidates for the Master of Fine Arts in acting rivals any group to be found anyw

BWW Review: BIG LOVE, A PLAY, or 50 Brides for 50 Brothers

BWW Review: BIG LOVE, A PLAY, or 50 Brides for 50 Brothers

February 26, 2018

Who'd have thought that a play written in 2000 and based upon a work by Aeschylus from 463 BC (give or take a year or two) would prove to be so timely in the 21st Century? Yet that is exactly what Big Love, a play by Charles Mee, directed by Amanda Card and produced by Tamara Todres, Kristin McCalle

Collegiate Theatrics: USC's Isadora Lee Cintrón Moya

Collegiate Theatrics: USC's Isadora Lee Cintrón Moya

February 21, 2018

Theater's next generation of actors will come from all over the globe, to be certain, but one might find an impressive concentration of artists on the campus of the University of Southern California, where the 2018 list of candidates for the Master of Fine Arts in acting rivals any group to be found

BWW Review: CFTA's SPAMALOT is Good For What Ails You

BWW Review: CFTA's SPAMALOT is Good For What Ails You

February 19, 2018

Terrific performances across the board, sprightly direction that keeps the action moving at a quick clip-clop and a no-holds-barred sense of ridiculous theatricality all come together in Center for the Arts' production of Monty Python's Spamalot, the hilarious stage musical based on the irreverent t

Peformances Continue This Weekend for ACT's YOU'RE A GOOD MAN, CHARLIE BROWN

Peformances Continue This Weekend for ACT's YOU'RE A GOOD MAN, CHARLIE BROWN

February 14, 2018

Directed by Debbie Shannon and Jay Shannon, the musical stars Hunter Thaw as Charlie Brown; Elizabeth Krebs as Lucy; Charlotte Myhre as Sally; Haydin Oechsle as Linus; 2018 First Night Most Promising Actor Danielle Threet as Snoopy; Jared Taylor as Shroeder; 2018 First Night Most Promising Actor Mad




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