Review: MERCURY at The Road Theatre On Magnolia
Overall, the show is wickedly funny and a trenchant meditation on entitlement, revenge and justice, even if that justice is one-sided.
Harker Jones - Page 4
Review: SANTA'S CIRCUS at Montalbán Theatre
Hit the Montalbán in Hollywood for a night out with family and/or friends.
Review: SHE at Antaeus Theatre Company
SHE is a moving, lyrical story with deft characterizations, luminous performances, and a poetic quality that reflects our heroine’s dreams
Review: BLOOD AT THE ROOT at Open Fist Theater Company
Dominique Morisseau’s BLOOD AT THE ROOT is a blistering look at race, prejudice, and the complexity of human relationships, and is provocative without being preachy.
Review: EVERY BRILLIANT THING at Geffen Playhouse
EVERY BRILLIANT THING is a deeply affecting meditation on grief and mental illness told with humor and a clear-eyed optimism that makes the message that much more powerful.
Review: DISNEY'S ALADDIN at Pantages Theatre
Despite stunning choreography, sets, and costumes, you might find yourself left wanting once the magic carpet has spirited our lovers away to that whole new world.
Review: PETER PAN GOES WRONG At Ahmanson Theatre
PETER PAN GOES WRONG is the most Fractured of Fairy Tales, a raucous sitcom on steroids that is uproariously funny as it barrels along at light speed
Review: CRABS IN A BUCKET at Echo Theater Company
CRABS IN A BUCKET is one of the Echo’s best in recent memory and that’s saying a lot because the Echo consistently brings challenging and entertaining material to vibrant life.
Review: BEETLEJUICE at Pantages Theatre
An exhilarating, inspiring event, BEETLEJUICE does its source material proud, retaining the look and tone of the film and expanding upon it in organic ways.
Review: LAST SUMMER AT BLUEFISH COVE at Fountain Theatre
Unlike most stories told about the LGBT community in the ’70s and ’80s, this isn’t about homophobia, about the terror of coming out to loved ones, or about self-destruction or self-hatred.
Review: A TRANSPARENT MUSICAL at Mark Taper Forum
Soloway and their cast and crew have created a new classic that should reverberate with people of all stripes
Review: THE BOTTOMING PROCESS at The Renberg Theatre
This could have been a compelling exploration of interracial and intergenerational relationships, but with the lead being so hateful and the script so sharply heavy-handed, any impact is lost.
Review: HAIRSPRAY at Dolby Theatre
Aerosol is in the air as Tracy Turnblad, Penny Pingleton, and the teens of Baltimore bring politics and pizzazz to Hollywood with a stunning production of one of the best and beloved musicals of all time.
Review: A LITTLE NIGHT MUSIC at Pasadena Playhouse
Part of its Stephen Sondheim Celebration this spring, “A LITTLE NIGHT MUSIC” is another triumph for the Pasadena Playhouse, following up the sublime “Sunday in the Park with George.
Review: THE THIN PLACE at Atwater Village Theatre
Tony-nominated playwright Lucas Hnath’s THE THIN PLACE is an eerie meditation on grief, regret and the need for closure, though it is undermined by the lack of a satisfying conclusion despite phenomenal performances.
Review: LET ME IN at Theatre 68 Arts Complex
The show varies from insightful to manic, bordering on shrill but never crossing into it thanks to strong performances from well-cast performers and Thayer’s tight direction.
Review: NOT/NOW at Write Act Repertory
The friends’ frenetic jumble of revelations and their evening of navel gazing (so much navel gazing) is a powder keg of soap opera cum sitcom tropes.
Review: DO YOU FEEL ANGER? at Circle X Theatre Company
Playwright Mara Nelson–Greenberg smartly and incisively takes on the topic of male toxicity to explosive and thought-provoking results.
Review: MEAN GIRLS at Pantages Theatre
Despite some deficiencies in the script, MEAN GIRLS still skyrockets in ways most large-scale musicals don’t these days.
Review: ANNIE at Dolby Theatre
With the state of the world these days, we need a heroine like Annie.
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