Review: LIFELINE at The Road Theatre
The writing is sharp and smart and in the end Robert Axelrod gives us, if not hope, a sense that, for as bad as things can get, we can power through.
Harker Jones - Page 2
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Review: AN INSPECTOR CALLS at Greystone Mansion
AN INSPECTOR CALLS is a bit of a soap opera by way of a particularly existential “Twilight Zone” episode while tackling class, entitlement, and status, making it as relevant as it was 60 years ago.
Review: MADAM SCROOGE: A CHRISTMAS CAROL MUSICAL at Nocturne Theatre
Director-writer Justin Meyer has made magic with his energetic and talented co-horts, both on- and off-stage, launching what should become a holiday tradition.
Review: STEREOPHONIC at Hollywood Pantages Theatre
The actors are phenomenal musicians, playing the instruments themselves, and are extraordinary vocalists, with DeJean being particularly jaw dropping.
Review: PARANORMAL ACTIVITY at Ahmanson Theatre
Chris Fisher’s illusions are the ace in the hole for this production.
Review: GREASE at El Portal Theatre
Director Thomas and choreographer Gary Roberts have designed some creative staging, but it never quite takes off
Review: STRINGS at Titmouse Warehouse
Trepany House has never shied away from pushing buttons and boundaries, and its latest project, writer-director Amit Itelman’s STRINGS, does both to wild effect.
Review: DOG OF CARNAGE at Broadwater Black Box
DOG OF CARNAGE is an incisive, contemplative fever dream about relationships, perspective, and the unique and deeply resonant love of a dog.
Review: FALLEN SAINTS: TALES OF BLAZE CITY at Sawyer’s Playhouse
What Fallen Saints does so well is create worlds of horror that are only a few steps from where we are in the world ourselves, offering a mirror to the underside of our own lives.
Review: SUDDENLY LAST SUMMER at Whitmore-Lindley Theatre
While SUDDENLY LAST SUMMER still holds up, more assured direction would help this production rise to its source material
Review: SOME LIKE IT HOT at Hollywood Pantages Theatre
It’s clever and smart but not smirking.
Review: THE IRISH CURSE at Broadwater Black Box Theatre
THE IRISH CURSE is a moving exploration of masculinity, brotherhood, and how one commonality can erase race, age, and socioeconomic lines to find connection.
Review: A Hollywood Fringe Festival Overview Pt. 4
Overall, this year’s Hollywood Fringe Fest was a boon of creativity and talent.
Review: Hollywood Fringe Round-Up Pt. 3
It was a mixed bag at the Hollywood Fringe Festival, but overall, the show went on and talent persevered
Review: HOLLYWOOD FRINGE ROUND-UP PT. 2 at Various
A double feature from Pamela Eberhardt showcases her caustic wit and emotional depth
Review: PARADE at Ahmanson Theatre
When PARADE debuted on Broadway in December 1998 it won Tonys for Best Book and Best Original Score and six Drama Desk Awards.
Review: HOLLYWOOD FRINGE ROUND-UP PT. 1 at Various
The Hollywood Fringe Festival is hitting new highs this year, and with 416 shows to choose from, there’s something for everyone.
Review: GATSBY REDUX at Greystone Mansion
Roston’s choreography is evocative and sensual with diaphanous and whimsical qualities, and she finds the perfect setting for each sequence as romantic dusk fades into ominous twilight.
Review: A DOLL’S HOUSE 2 at Pasadena Playhouse
Elizabeth Reaser gives a career-defining performance under the creative direction of Jennifer Chang in this utterly delightful triumph at the Pasadena Playhouse
Review: THE GLASS MENAGERIE at Antaeus Theatre Company
Director Carolyn Ratteray infuses the poignant memory play with shards of humor that undermine the story’s power and its heartbreak
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