Review: BROKEN STORY at The Sherry Theater
The set-up of BROKEN STORY is interesting, it just never catches fire in this lackluster production.
Harker Jones - Page 5
Review: 2:22 A GHOST STORY at Ahmanson Theatre
It doesn’t help that director Matthew Dunster plays much of Danny Robins’ script for laughs when it could have been amping up some suspense.
Review: FARRAGUT NORTH at Theatre 68 Arts Complex - The Rosalie
The show is a blistering expose of a political campaign and the tenuous loyalty, fierce ambition and blinding hubris that takes place every day in every office across the country.
Review: ACCORDING TO THE CHORUS at Road Theatre Company
The ’80s are remembered as the most fun decade in recent memory but they were rife with strife and upheaval that affected everyone, even if they were living in a Broadway bubble, and this show looks back with clear-eyed, unsentimental affection.
Review: EVERYBODY at Antaeus Theatre Company
EVERYBODY, Branden Jacobs-Jenkins’ contemporary riff on a 15th-century morality play, is a creative and chaotic allegory about Christian salvation which is, in the end, an uneven production for the usually consistent Antaeus Theatre Company.
Review: I NEVER SANG FOR MY FATHER at Two Roads Theatre
This is a sensitively crafted and introspective drama is.
Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE at Mark Taper Forum
Bridging the 1985 original with the contemporary leaves one with a sense of disconnection
Review: CLOWNFISH at Theatre Of NOTE
In the end, the pathos that jut through the humor are jagged and piercing, leaving audiences with a lingering sense of both emptiness and hope, like a light flashed on and off in a dark room, the afterimage seared onto the memory.
Review: A MIDSUMMER NIGHT'S DREAM at Open Fist Theatre Company
A MIDSUMMER NIGHT’S DREAM is given a fresh spin by the Open Fist Theatre Company, changing the setting from Athens, Greece, to Athens, Georgia, in the antebellum South to mixed results.
Review: PRETTY WOMAN at Dolby Theatre
What did our critic think? Audiences can’t help but compare and contrast, especially when the production is jumping through hoops to remind us of what made the film special.
BWW Review: COME FROM AWAY dazzles with sheer exuberance, leading to a surprisingly moving conclusion.
The show couldn’t be more relevant today.
BWW Review: AFTERGLOW at Hudson Theatre
The absorbing script by S.
BWW Review: WHO'S AFRAID OF VIRGINIA WOOLF? at Geffen Playhouse
Edward Albee’s Tony Award–winning play about discontent and despair in 1960s academia is brought to blazing, blistering life by director Gordon Greenberg at the Geffen Playhouse, its themes and anxieties as relevant as ever on its 60th anniversary.
BWW Review: TOOTSIE at Dolby Theatre
Read our critic's review.
BWW Review: BRIGHT HALF LIFE at The Road Theatre On Magnolia
Pulitzer Prize nominee Tanya Barfield’s brilliant BRIGHT HALF LIFE is smartly and artfully realized by director Amy K.
BWW Review: JONATHAN LIVINGSTON SEAGULL at Atwater Village Theatre
Its warnings of the trappings of materialism and conformity are universal and timeless.
BWW Review: CELESTIAL EVENTS Lights Up IAMA Theatre Company
The script is amusing, moving with sparkling briskness.
BWW Review: LOVE ACTUALLY LIVE Sparkles Like a Tree Full of Ornaments on Christmas Eve
The smash hit LOVE ACTUALLY LIVE sparkles like a tree full of ornaments on Christmas Eve at the Wallis Annenberg Center for the Performing Arts.
BWW Review: POOR CLARE at Echo Theater Company
Saint Clare of Assisi’s story of devotion, austerity, and understanding, while at first glance not comedic, is brought to vivid and laugh-out-loud life by playwright Chiara Atik.
BWW Review: LERNER & LOEWE'S MY FAIR LADY at Dolby Theatre
The show falls somewhat flat despite tight choreography, stunning set design, and some supporting star turns
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