Review: THE TOTALITY OF ALL THINGS at The Road Theatre
While the nature of truth is always complicated, the difference between right and wrong should not be.
Harker Jones - Page 3
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Review: JANE EYRE at A Noise Within
While a complicated and creative adaptation, the production ultimately suffers from a lack of energy and a tonal inconsistency that is hard to reconcile.
Review: ONE FOR MY BABY at El Portal Theatre
Scott Thompson and Fred Barton plumbed legendary composer Harold Arlen’s catalog to create the dazzling world premiere jukebox musical ONE FOR MY BABY playing now at the El Portal Theatre in North Hollywood.
Review: BAT BOY: THE MUSICAL at Open Fist Theatre Company
BAT BOY: THE MUSICAL is smart, silly, and full of heart.
Review: THE SPHERE OF FIXED STARS IN THE HEAVENS at Theatre 68 Arts Complex
This is just another gem of a production that should not fly under the radar.
Review: NOISES OFF at the Geffen Playhouse
The classic show is revived to hysterical effect with excellent directing, staging and acting
Review: DEATH OF A SALESMAN at Colony Theatre
The themes in DEATH OF A SALESMAN are universal and timeless, though that doesn’t mean they always resonate.
Review: NIGHTINGALE at Atwater Village Theatre
NIGHTINGALE is by turns stark, humorous, shocking, and devastating, revealing truths and realities obliquely but with the power of blunt force.
Review: BLOOD/LOVE at The Crimson
At a brisk 80 minutes, the rock opera flies by in a flash of opulence and sin with an infectious joie de vivre
Review: ROBBIN, FROM THE HOOD at The Road Theatre On Magnolia
The Road Theatre’s 2024–2025 season opener, Marlow Wyatt’s ROBBIN, FROM THE HOOD, is a smart and sensitive look at two kids in the projects of an unnamed tropical American city who strive for more.
Review: THE IMPORTANCE OF BEING EARNEST at Antaeus Theatre Company
The Antaeus Theatre Company pulls off another triumph with the enchanting and handsomely mounted Oscar Wilde classic.
Review: RENT at Jaxx Theatre
The beloved story of dreamers and lovers in late ’80s New York is marred by poor sound and a band that drowns the players out.
Review: CREVASSE at Victory Theatre Center
Tom Jacobson’s script is a razor-sharp warning of how easy it is for history to repeat itself with long, dark shadows stretching across our country again.
Review: THE POLYCULE: A COMEDY OF MANNERS at Loft Ensemble
A little more nuance to both the characters and the script would have given the show more weight.
Review: DIDO OF IDAHO at Echo Theater Company
DIDO OF IDAHO is a dark comedy by Abby Rosebrock that tackles intense themes of grief, trauma, and obsession.
Review: MURDER AFTER HOURS at Lonny Chapman Theatre
MURDER AFTER HOURS is exquisitely well done and will keep you guessing up until the affecting and surprising end.
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