BWW Review: THE MARRIAGE OF KIM K, Arcola Theatre
The Marriage of Kim K is an innovative melding of musical genres, as three couples find life together more difficult than expected, their lives revealed in a very 21st century style.
Gary Naylor - Page 42
BWW Review: I LOVED LUCY, Arts Theatre
I Loved Lucy returns to the West End with a change in tone, but retaining its charm and its pathos with another incandescent star performance from Sandra Dickinson.
BWW Review: POULENC'S LA VOIX HUMAINE, King's Place
La Voix Humaine, Poulenc's one act, one soprano opera based on a play by Jean Cocteau, is a visceral, demanding, rewarding evening, ferociously up to date in every sense.
BWW Review: KING KONG (A COMEDY), The Vaults
King Kong (A Comedy) tries a little too hard for laughs, but captures some of the pathos of its 1933 movie inspiration in a breathless 80 minutes show.
BWW Review: MACBETH, St Paul's Church, Covent Garden
A Macbeth that stays true to the 17th century origin of the play, yet feels bang up to date with plenty for teenage fans of Game of Thrones and Shakespeare veterans to enjoy.
BWW Review: BLONDEL THE MUSICAL, Union Theatre
Blondel The Musical has elements of pantomime and elements of the real punch of musical theatre in a show that works well only intermittently.
BWW Review: THESE TREES ARE MADE OF BLOOD, Arcola Theatre
These Tress Are Made Of Blood tells the story of Argentina's Dirty War using cabaret as a vehicle to describe the horrors and the politics that drove it.
BWW Review: LA STRADA, The Other Palace
La Strada, adapted from the Fellini movie is a play with music that captures the style and ethics of a classic movie, indeed the Neo-Realism style.
BWW Review: VIXEN, The Vaults
Vixen updates Leos Janacek's opera for the victims of Generation Rent moving the action into the big city of 2017 with hi tech and great singing.
BWW Review: ANNIE GET YOUR GUN, Union Theatre
Annie Get Your Gun delivers wonderful, uncynical entertainment, the romance studded with some of the finest songs ever written for the theatre.
BWW Review: JAM, Finborough Theatre
Jam, Matt Parvin's first play, shows promise but cannot overcome its structural and narrative problems to deliver its full potential.
BWW Review: THE MIKADO, Richmond Theatre
The Mikado is as much as ever in this all male version that showcases the great songs with some fine voices.
BWW Review: OTHELLO, Wilton's Music Hall
Othello's extraordinary tapestry of human vulnerabilities, brilliantly woven in Richard Twyman's brutal production, remains as relevant today as ever.
BWW Review: TEETH 'N' SMILES, Stockwell Playhouse
Teeth 'n' Smiles is an early work by Sir David Hare, tracking a punk band's disastrous night playing Jesus College Cambridge's 1978 May Ball.
BWW Review: RICHARD III, Arcola Theatre
Greg Hicks' Richard III twists and turns his evil until he's left with nobody to hate, screaming for a horse and escape.
BWW Review: 110 IN THE SHADE, Ye Olde Rose and Crown Theatre
110 In The Shade is both old-fashioned and bang up to date, full of pleasing songs, fine performances and a heartwarming message of love and hope.
BWW Review: OCCUPATIONAL HAZARDS, Hampstead Theatre
Occupational Hazards portrays the chaos of post-Saddam Iraq through the eyes of Rory Stewart, who was there and who tried.
FAVOURITE SONGS: 'Hello, Dolly!', HELLO, DOLLY!
Continuing our series of favourite musical theatre songs is Carol Channing's version of 'Hello, Dolly!'
BWW Review: COSMIC TRIGGER THE PLAY, Cockpit Theatre
Cosmic Trigger The Play is an exhilarating event that entertains and educates, full of fun but never losing the serious dimension of Robert Anton Wilson's work.
BWW Review: VOICES FROM CHERNOBYL, Jack Studio Theatre
Voices From Chernobyl reminds us of a largely forgotten disaster and the terrible human cost, a price still being paid today.
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