BWW Review: ROMEO AND JULIET, Royal Opera House
Real-life partners Francesca Hayward and Cesar Corrales turn star-crossed lovers in Kenneth MacMillan's definitive staging of Sergey Prokofiev's ballet
Gary Naylor - Page 23
BWW Review: GODSPELL, Ye Olde Rose and Crown Theatre
CR8TRACT Theatre's production of Godspell makes the most of the excellent songs but cannot escape the straitjacket of the show's dated structure.
BWW Review: TOKYO ROSE, Southwark Playhouse
So called 'Tokyo Rose' Iva Toguri's struggle for a post-war pardon is given life by Burnt Lemon Theatre in a musical that has many echoes of Hamilton
BWW Review: THE WEEKEND, Bloomsbury Theatre
This new opera, adapted by Tamsin Collison from Michael Palin's play, is both funny and wonderful to hear, Scott Stroman's score swinging as much as the characters are stuck
BWW Review: JOE STRUMMER TAKES A WALK, Cervantes Theatre
Joe Strummer, legendary lead singer of The Clash, seeks his hero, Federico Garcia Lorca, and tells us much about his life, and ours, along the way
BWW Review: SHINING CITY, Theatre Royal Stratford East
Men who have behaved badly fail to communicate in Conor McPherson's reflection on guilt, emotional intelligence and a kind of redemption
BWW Review: THE CO-OP, Jack Studio Theatre
When Charlie joins Jimmy and Cazza's acting agency, things go badly and well all at the same time in an absurdist comedy
BWW Review: THE FUNNY GIRLS, New Wimbledon Theatre Studio
Barbra Streisand and Joan Rivers kvetch (a lot) and kvell (a little) before and after they become two of the biggest stars in the USA
BWW Review: RIGOLETTO, Royal Opera House
Rigoletto delves deep into the human psyche to ask questions both through its subject matter and its melding of music and voices
BWW Review: CALL ME MADAM, Upstairs at the Gatehouse
Escapist, dated nonsense, but such fun and beautifully done.
BWW Review: THE DURATION, Omnibus Theatre
Bruce Graham's new play reaches back 20 years to find an explanation (well, a partial explanation) for this new, unhappy, divided USA that has not gone away with the election of Joe Biden
BWW Review: THE BEAUTY QUEEN OF LEENANE, Minerva Theatre, Chichester
This landmark play in Anglo-Irish drama gets a superb revival in a space that could have been designed exactly for its claustrophobic tale of familial obligations and missed opportunities
BWW Review: GREAT EXPECTATIONS, Rotherhithe Playhouse
Phil Willmott brings his years of experience to bear on the familiar story and pulls a fantastic set of performances from his totally committed cast
BWW Review: LEOPARDS, Rose Theatre
Hot button topics keep coming, but the drama gets lost a little in Alys Metcalf's new play
BWW Review: ORFEO ED EURIDICE / ZANETTO, Arcola Outside
The Grimeborn Festival presents two short operas concerning love failing to land as required, leading to tragic consequences
BWW Review: INVISIBLE ME, New Wimbledon Theatre Studio
If life is 'what happens when you're making other plans' what if you actually act on those other plans - at 60 years of age?
BWW Review: ONCE UPON A TIME IN NAZI OCCUPIED TUNISIA, Almeida Theatre
Set in Tunisia in 1942, this new play sparkles with wit, but its exploration of the undercurrent of antisemitism that flows through even the most cosmopolitan of societies tells us much about today.
BWW Review: CONSTELLATIONS, Vaudeville Theatre
For much of the last 18 months, we've thought 'What would I be doing now - if only I could?' Things don't always turn out that way though, as Nick Payne's warm, funny and poignant play shows.
BWW Review: PARADISE, National Theatre
State of the nation stuff at the National Theatre.
BWW Review: DIE WALKÜRE, Hackney Empire
The Grimeborn Festival scales up for the second part of Wagner's Ring Cycle and gains in music what it loses in intimacy.
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