BWW Review: THE HOLLOW CROWN - PARTS SEVEN AND EIGHT, BritBox
BWW is reviewing the BBC's epic adaptation of Shakespeare's history plays, The Hollow Crown, available for streaming on Britbox (free 30 days trial).
Gary Naylor - Page 26
BWW Review: THE HOLLOW CROWN - PARTS FOUR, FIVE AND SIX, BritBox
BWW is reviewing the BBC's epic adaptation of Shakespeare's history plays, The Hollow Crown, available for streaming on Britbox (free 30 days trial).
BWW Review: THE HOLLOW CROWN - PART THREE, BritBox
BWW will be reviewing the BBC's epic adaptation of Shakespeare's history plays, The Hollow Crown, available for streaming on Britbox (free 30 days trial).
BWW Review: THE HOLLOW CROWN - PART TWO, BritBox
The Hollow Crown continues with power slithering away from Richard to the reluctant usurper, Bolingbroke.
BWW Review: THE HOLLOW CROWN - PART ONE, BritBox
BWW will be reviewing the BBC's epic adaptation of Shakespeare's history plays, The Hollow Crown, available for streaming on Britbox (free 30 days trial).
BWW Review: THE WINTER'S TALE, Globe Player
The Winter's Tale at The Globe is a reminder of how things once were - and how we all hope they will be again, very soon.
BWW Interview: Gabriel Lumsden Talks Life As A Music and Drama Student Under Lockdown
Gabriel Lumsden, a BA Music and Drama student, was approaching the end of his first year at Manchester University when the country was locked down.
BWW Review: A SEPARATE PEACE, The Remote Read
The Remote Read revive Sir Tom Stoppard's 1966 television play using the technology of 2020, and provide an interesting insight into theatre's enduring power - and a rattling good play!
BWW Interview: John Schwab and Matt Humphrey Talk A SEPARATE PEACE
This Saturday night, a revival of Sir Tom Stoppard's A Separate Peace - his 1966 play, set in a nursing home - will be broadcast live, starring David Morrissey, Jenna Coleman, Denise Gough, Ed Stoppard, and Maggie Service; Sam Yates directs.
BWW Review: FRANKENSTEIN, National Theatre At Home
National Theatre Live makes its celebrated 2011 production available free for online platforms but, rather like Frankenstein's Creature itself, its reviving isn't without its issues.
BWW Review: DRAWING THE LINE, Hampstead Theatre Live Stream
A surfeit of exposition and shouty scenes detract from an important story that resonates to this day.
BWW Review: HENRY V, Barn Theatre Live Stream
The Barn Theatre stream their Henry V right into your living room - why not watch it with your stay at home band of brothers?
BWW Review: LOVE, LOVE, LOVE, Lyric Theatre Hammersmith
Mike Bartlett's play has aged not a jot in its analysis of how one generation's freedoms constrains anothers.
BWW Review: TALKING HEADS, Watford Palace Theatre
Jan Ravens and Julia Watson excel in three of Alan Bennett's famous monologues, two of which pack a surprising punch, 30 years on.
BWW Review: NOT I, CATASTROPHE AND ROCKABY, Brockley Jack Theatre
Angel Theatre Company bring Beckett to Brockley and leave this first time viewer looking forward to more.
BWW Review: THE WHIP, Swan Theatre
The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.
BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House
This show, by the company of ex-Principal dancer at The Royal Ballet, Carlos Acosta, gives the audience a mixed bill, as up close as the title suggests, with as much Cuba as you would find in a hand-rolled cigar.
BWW Review: FLIGHTS, Omnibus Theatre
Flights looks into the hearts of three men whose lives in rural Ireland are not working out as they once hoped.
BWW Review: FAR AWAY, Donmar Warehouse
In just 45 minutes, Caryl Churchill's Far Away walks a tightrope between tricksy surrealism and dystopian warning but stays upright due to its sheer theatricality.
BWW Review: MONOLOG 3, Chickenshed Theatre
monolog 3 presents a range of plays that explore life as it's lived today through the voices of single performers drawing on Chickenshed's uniquely inclusive approach to theatre.
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