Review: LA CLIQUE, Leicester Square Spiegeltent
When it comes to London Christmas stage institutions, there’s an argument for saying that La Clique now deserves a place alongside Handel’s Messiah, A Christmas Carol, The Nutcracker and Mother Goose.
Franco Milazzo - Page 18
Review: NOT ONE OF THESE PEOPLE, Royal Court Theatre
Cutting edge technology and a witty script combine in this play which pushes the boundaries of what can be considered theatre.
Review: A DEAD BODY IN TAOS, Wilton's Music Hall
David Farr made his name in 2016 bringing John le Carré's book The Night Manager to vivid life in a hit TV adaptation.
Review: JORDAN GRAY: IS IT A BIRD?, London Palladium
Jordan Gray is having one hell of a year.
Review: TRAINSPOTTING LIVE, Riverside Studios
Choose Trainspotting Live for an unforgettable experience.
Review: THE CHOIR OF MAN, Arts Theatre
If Irvine Welsh had been born in England and written Trainspotting while sat in an old school boozer high on molly, this show may very well have been the result.
Review: GERMAN CORNEJO'S TANGO IN THE DARK, Peacock Theatre
Those searching for proof of George Bernard Shaw's view that dancing is “a perpendicular expression of a horizontal desire” need look no further than this show.
Review: ONLY AN OCTAVE APART, Wilton's Music Hall
“Keep it pretty, keep it shallow, keep it moving.
Review: THE WITCHES OF OZ, The Vaults
If you're looking for some dinner-cabaret, this show really is a no-brainer.
Review: DIDO'S BAR, The Factory
What began with an encounter between director Josephine Barton and Kurdish Iranian musician Marouf Majidi in 2017 in Helsinki has culminated in a converted factory space in Newham and Dido’s Bar, a story of immigrants fleeing war and persecution and finding love in foreign lands.
Review: EUREKA DAY, Old Vic
Jonathan Spector’s much-anticipated comedy Eureka Day starring Helen Hunt explores how a group of people with the same overt goals can diverge so wildly in their approaches to meeting them.
Review: GROOVE, Oxford House
Produced by Outbox and Shoreditch Town Hall, Groove tells a story at the heart of every gay community: that of the dancefloor and those who gather on it.
Review: CAGES, Riverside Studios
What fresh hell is this? Those who come to see musical theatre for the acting, the songs and the story may be wondering where Cages fits into this art form.
Review: DON GIOVANNI, Royal Opera House
With the opening night delayed due to the death of Queen Elizabeth II and coming at a period of national mourning, this latest revival of Kasper Holten’s take on Don Giovanni is as cathartic an experience as it gets.
Review: SALOME, Royal Opera House
If you thought horror as a genre wasn’t something opera dabbled in, think again.
Review: THE TIGER LILLIES: THE LAST DAYS OF MANKIND, Wilton's Music Hall
The Last Days Of Mankind is undeniably one of the strangest plays few people have heard of.
Review: THE GOLDBERG VARIATIONS, BWV998, Sadler's Wells
Complex chords are paired with seminal choreography in The Goldberg Variations, BWV 988 from choreographer Anne Teresa De Keersmaeker and pianist Pavel Kolesnikov.
Review: NOT F**KIN' SORRY, Soho Theatre
As the title suggests, the crip-cabaret crew Not Your Circus Dog collective are definitely, truly and utterly not f**king sorry.
Review: REUBEN KAYE: THE BUTCH IS BACK, Soho Theatre
Those new to Reuben Kaye should be warned that there are few holy cows that he is unwilling to turn into beefburgers.
Review: VENUS, CUPID, FOLLY, & TIME: 30 YEARS OF THE DIVINE COMEDY, The Barbican Centre
Celebrating thirty years of cerebral pop, The Divine Comedy return to the Barbican to pick up where they left off in 2020.
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