BWW Review: LA CLIQUE, Underbelly Festival, London
Due to its intrinsically adult nature, cabaret as an art form is a revolution that cannot be televised.
Franco Milazzo - Page 21
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BWW Review: SPACE STATION EARTH, Royal Albert Hall
Seven years in the making, this eye-popping show is the brainchild of International Space Station astronaut Tim Peake and Layer Cake composer Ilan Eshkeri in collaboration with the European Space Agency.
BWW Review: AGE OF RAGE, Barbican Theatre
Revenge is a dish best served old seems to be the message in Age Of Rage, the latest of Ivo van Hove’s latest extreme theatre productions as he serves up seven Greek stories, all in gloriously guttural Dutch.
BWW Review: MULAN ROUGE, The Vaults
Anyway you look at it, the concept of The Vaults' Mulan Rouge – a dinner/cabaret mashup of Disney’s Mulan and musical Moulin Rouge – is both exciting and bonkers.
BWW Review: MARYS SEACOLE, Donmar Warehouse
This ambitious follow-up to the controversial and critically acclaimed Fairview is a kaleidoscopic view of race and women across time and space.
BWW Review: LOHENGRIN, Royal Opera House
Richard Wagner’s Lohengrin may be famous for introducing the tune of “Here Comes The Bride” to the world but there’s much more here in this stirring tale.
BWW Review: THE TIGER LILLIES: ONE PENNY OPERA, Soho Theatre
The Tiger Lillies return to the Soho Theatre with a vicious and viscous re-imagining of the classic Brecht and Weill opera, thick with murderers, thieves and all manner of villainy.
BWW Review: THE HANDMAID'S TALE, English National Opera
Poul Ruder's 1998 operatic take on The Handmaid's Tale takes flight once again at the English National Opera featuring a new production and the West End debut of Camille Cottin (Killing Eve, Call My Agent).
BWW Review: STRING V SPITTA, Soho Theatre
String v SPITTA might sound like a court case but is, instead, something far more serious: a battle between two children’s entertainers for supremacy of the London scene.
BWW Review: LA TRAVIATA, Royal Opera House
Eyre’s take on La Traviata quite rightly deserves to be seen as a jewel in ROH’s crown but Angel Blue lifts it to a new level.
BWW Interview: Director Nadia Latif Talks MARYS SEACOLE
Director Nadia Latif returns this month with the hotly anticipated Marys Seacole written by Jackie Sibblies Drury.
BWW Review: PETER GRIMES, Royal Opera House
There are few operas which, at once, gives some insight into the history of the current UK opera scene, the sexual politics of the 1940s and the darkness within Benjamin Britten’s mind.
BWW Review: COSÌ FAN TUTTE, London Coliseum
Phelim McDermott is among the very top tier of opera directors and, with this welcome revival of his 2014 interpretation of Così fan tutte, it is easy to see why.
BWW Review: DANCE, Sadler's Wells
This rare revival of Dance is the epitome of Philip Glass' artistic ethos, combining minimalism and layered music with huge projections and skilful dancing.
BWW Review: MUCH ADO ABOUT NOTHING, ROYAL SHAKESPEARE COMPANY, Royal Shakespeare Theatre
For those searching for some mid-winter glam to lift the gloom, look no further than @TheRSC’s latest take on Much Ado About Nothing.
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