Review: CRAZY FOR YOU, Gillian Lynne Theatre
With a plot packed with clichés that are older than the hills and gags of pure corn which may be even older, it’s just as well that Crazy For You is an utterly spectacular feast for the eyes and ears.
Franco Milazzo - Page 15
Review: A MIDSUMMER NIGHT'S DREAM, Opera Holland Park
With June being a prime time to get hitched, now should be as good as any time to dig up and put on stage Felix Mendelssohn’s 1842 incidental music for A Midsummer Night’s Dream, a score which features the famous Wedding March.
Review: A STRANGE LOOP, Barbican Theatre
Hot off Broadway with a Best Musical Tony and a Pulitzer Prize for its script, Michael R Jackson’s A Strange Loop comes to London for a summer run at The Barbican.
Review: TARANTINO LIVE: FORCE FOX FIVE AND THE TYRANNY OF EVIL MEN, Riverside Studios
Before DC, Marvel and Spider-Man cottoned onto the potential of cinematic crossovers, Off The Record created arguably the most intriguing of them of all: a staged multiverse drawn from Quentin Tarantino films which is as sweary, gory and fun as one would expect.
Review: WE WILL ROCK YOU, London Coliseum
Whether We Will Rock You will attract the attention of Trading Standards is unknown but rarely has a show been so poorly named.
Review: THE TIGER LILLIES: FROM THE CIRCUS TO THE CEMETERY, Cadogan Hall
Going by this latest show, the Tiger Lillies are still very much kicking against the pricks, still ploughing their own particular furrow, and still staying artistically relevant.
Review: GIFFORDS CIRCUS: LES ENFANTS DU PARADIS, Chiswick House and Gardens
National treasures Giffords Circus return for their annual tour of village greens and stately homes with another show, another theme and, it appears to be, another hit.
Review: RE-MEMBER ME, Hampstead Theatre
Athletes have the Olympics.
Review: HEAD FIRST ACROBATS: GODZ AND ARRR WE THERE YET?!, Brighton Fringe Spiegeltent
Nudity, profanity and hilarity: Head First Acrobats present a new holy trinity in Godz as well as an exciting children's show in Arrr We There Yet?!
Review: SMITE: AN IMMERSIVE MURDER MYSTERY, CRYPT
Few words grab the attention like murder.
Review: CHAILLOT – THEÂTRE NATIONAL DE LA DANSE/RACHID OURAMDANE'S CORPS EXTRÊMES, Sadler's Wells
Most people going to the theatre will take public transport or their own car.
Review: DEAD ON TIME - A MOVING MURDER MYSTERY, Belmond Trains
It’s 1951 and, as the nation prepares itself for the Festival of Britain, a heinous crime has been committed.
Review: ONCE ON THIS ISLAND, Regent's Park Open Air Theatre
A modern musical fairytale, Once On This Island is Romeo and Juliet set in the French Antilles with the two lovers on opposite sides of a race and class divide.
Review: PORCA MISERIA, Barbican Theatre
Sometimes show titles are spot-on perfect, albeit unintentionally.
Review: JEFF WAYNE'S MUSICAL VERSION OF THE WAR OF THE WORLDS: THE IMMERSIVE EXPERIENCE, Old Metal Exchange
Ulla! Martians, music and mayhem: who could ask for more from an immersive show? Layered Reality has taken HG Wells classic story, scored It with Jeff Wayne’s much-loved album, added some very effective VR and placed it inside a dedicated space in the City of London.
Review: SYMPHONY OF SORROWFUL SONGS (SYMPHONY NO. 3 OP. 36), London Coliseum
Featuring a work which doesn’t even last an hour, this was never going to be an ordinary evening for the English National Opera but, even from the off, history was being written.
Review: NEDERLAND DANS THEATER-NDT1: GABRIELA CARRIZO/JIŘÍ KYLIÁN/CRYSTAL PITE AND SIMON MCBURNEY, Sadler's Wells
Nederland Dans Theater, one of the premiere dance venues in Europe, makes its first return to Sadler's Wells since 2018 bringing together three very different pieces which go from the dream-like to the very real and heart-rending.
Review: IMMERSIVE PICTURE OF DORIAN GRAY, CRYPT
Midnight Circle Theatre finally gets an opening night.
Review: HAMNET, Swan Theatre, Stratford-upon-Avon
What’s in a name? That which we call William, Hamlet or Anne still smells as sweet when we see their historical origins in this adaptation by Lolita Chakrabarti of Maggie O’Farrell’s 2020 novel.
Review: HUMANS 2.0 BY CIRCA, Southbank Centre
The title of Circa’s Humans 2.
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