Born and bred in South Africa, David is an award-winning arts journalist who has loved theatre since the day he set foot on stage in his preschool nativity play. He graduated with a Master of Arts (Theatre and Performance) degree from the University of Cape Town in 2005, having previously graduated from the same university with a First Class Honours in Drama in 2002. An ardent essayist, David won the Keswick Prize for Lucidity for his paper "Homosexual Representation in the Broadway Musical: the development of homosexual identities and relationships from PATIENCE to RENT". Currently, he teaches Dramatic Arts at a high school in Cape Town and also freelances as a theatremaker and performer.
With the National Arts Festival having come to a close, many people are reflecting on what they took away from their experiences in Grahamstown over the past two weeks.
The winner of a Silver Standard Bank Ovation Award last year, Robaby's FATHER, FATHER, FATHER is back on the National Lottery Fringe at the National Arts Festival in Grahamstown.
PEOPLE BENEATH OUR FEET is the first original play from Hungry Minds Productions, written by Katya Mendelson and Kiroshan Naidoo in response to the refugee crisis that has been the result of the Syrian civil war.
Although OUT OF BOUNDS is highly watchable, director Crizelle Anthony should re-interrogate her production thoroughly so as to refine both her vision and her execution of this still significant South African play by Rajesh Gopie
What happens when your parents' legacy is one of violence, alcoholism and abuse? That question is at the heart of THE GRAVEYARD, Philip Rademeyer's magnificent new play for the Rust Co-Operative.
Certain parts of Jason Robert Brown's score for SONGS FOR A NEW WORLD have been translated for a new South African production of the show which is currently being performed at the National Arts Festival in Grahamstown.
WHISTLE STOP, Ameera Patel's play about a brief encounter between a man and a woman in a park, is being revived at the National Arts Festival by Dark Laugh Theatre Company and Hijinks Theatre this year.
Piecing together a new mythology is an audacious undertaking, and yet it is an act that is at the very heart of theatre-making: the building of a new world, with its own origins and order, that only becomes fully realised when an audience believes in it.
In this second of three special columns previewing the National Arts Festival on BroadwayWorld, I'll be taking a look at three productions that I previously reviewed, all of which are back in Grahamstown on the National Lottery Fringe, having switched things up in one way or another since their ori
With audiences at the National Lottery Fringe at the National Arts Festival being spoiled for choice, BroadwayWorld South Africa previews some of the theatre highlights to be seen on stage at #NAF2016 in the first of three special columns.
In the months since its premiere at the National Arts Festival last year, Greg Homann and Ralph Lawson's A VOICE I CANNOT SILENCE has played seasons in Johannesburg and Durban, garnered critical acclaim and won three Naledi Theatre Awards.
All eyes are on New York as the American Theatre Wing and The Broadway League prepare to present the Tony Awards at the seventieth ceremony of its kind.
Even if A COCK AND BULL STORY ultimately pulls its punches, the two performances around which Marthinus Basson builds his production are stellar, most likely some of the best work South African audiences will see on stage this year.