BWW Review: THE FINKELSTEINS ARE COMING FOR DINNER – and There is Sweet Love and Comic Domesticity on the Menu
Richard Kaplan's debut as a produced playwright with THE FINKELSTEINS ARE COMING FOR DINNER offers an evening of solid entertainment.
David Fick - Page 4
BWW Review: Mamela Nyamza's DE-APART-HATE is First Rate Dance Theatre from a Visionary Artist
DE-APART-HATE will mean a lot to everyone who is trying to engage with what is going on in our country at the moment.
BWW Review: Powerful HOLY CONTRACT Reminds Us That We Can Stop, Even as It Encourages Us to Go
HOLY CONTRACT ends with a brief but powerful statement that compels us to reflect on our personal, social, political or artistic narratives.
BWW Review: Powerful Choreopoem SONGS FOR KHWEZI is Theatre That Can Disrupt and Heal
SONGS FOR KHWEZI is theatre that one hopes to see grow in its reach.
BWW Review: Will the Real WOZA ALBERT! Please Stand Up?
WOZA ALBERT! remains an incredibly powerful play.
BWW Review: Energetic Performances from Zondi and Nzimande Make TERMITE a Romp for the Tween Set
TERMITE! TALL TALES FOR BIG PEOPLE is a dynamic performance piece in which two actors tell a trio contemporary tales that blend izinganekwane with physical theatre .
BWW Review: LA RÊVE DU LUCIE a Highlight for Young Audiences at the Cape Town Fringe
LA RÊVE DU LUCIE brings children and their guardians together like few theatre pieces for young audiences manage to do.
BWW Review: Louis Viljoen's DANGLED with Rob van Vuuren Offers Genius in Action at the Cape Town Fringe
It is quite remarkable when contemporary theatre-makers succeed in taking on a classic work and reinventing it so that it resonates within the context of our particular space and time.
BWW Review: Brisk Business at Cape Town Fringe Will Ensure That THE GRUFFALO Franchise Continues to Grow
THE GRUFFALO seems to have done brisk business at the Cape Town Fringe and is sure to have a life on South African stages beyond this initial engagement, with an isiXhosa version already lined up for next year.
BWW Review: Irrepressibly Zany POLICE COPS a Giddy Ride on Laughter-induced Endorphins
POLICE COPS is pastiche on a grand scale, taking the buddy cop genre, putting a self-aware spin on it and playing tropes that were once taken extremely seriously to the very edge of sheer lunacy.
BWW Review: A Play About Failure, DEATH OF A CLOWN Has the Makings of a Successful Web Series
The way that Ryan Napier tells the story of DEATH OF A CLOWN, through a solo live performance piece, prompts the question of whether this format and medium is the best way to tell this story, and the stalemate it reaches as an extended theatrical presentation is wrapped up in the answer.
BWW Review: WAIT Over-simplifies the Complex Dilemma of Access to Education for Girls and Young Women
The discrimination against girls and young women when it comes to their education remains a pervasive issue in contemporary society.
BWW Review: WOZA SARAFINA! at Cape Town Fringe a Disruption that Needs to Erupt
Writer-director Koleka Putuma's assemblage of ideas and motifs in WOZA SARAFINA! is constructed within the context of the #RhodesMustFall movement and is informed by the ideologies that underpin that movement.
BWW Review: Quirky MACHINE MAKES MAN Extends Tradition of Science Fiction on Stage at Cape Town Fringe
Dealing with the concepts of technological singularity and transhumanism, Adina and Michael Verson-McQuilken's MACHINE MAKES MAN navigates its way through the traditions of science fiction, ultimately emerging as a poignant reflection on the nature of humanity, with some broadly comic entertainment
BWW Review: The Fugard's CLYBOURNE PARK a 'Woke' Look at White Privilege and Gentrification
The Fugard Theatre's production of CLYBOURNE PARK arrives at a time when South Africa is caught up in Archibald MacLeish's idea of 'the play without the play,' a world in which the gentrification trend and the problems caused by white privilege denialism intersect.
BWW Review: I LOVE YOU - You're Privileged, Now Change
There is a meme making the rounds on Facebook at the moment.
BWW Review: ANGELS ON HORSEBACK: RELOADED Delivers on its Promise to Be Daring, Dirty and Delicious
ANGELS ON HORSEBACK: RELOADED is a revival of a successful cabaret first devised by Fiona du Plooy - who directs this reboot - and Candice D'Arcy in 2007.
BWW Review: NIQABI NINJA an Essential Commentary on Sexual Harassment at Alexander Bar's Upstairs Theatre
Theatre can bring people to the threshold of revelation; theatre can also engender revolution.
Startling and Intimate THE INCONVENIENCE OF WINGS a Triumph for Lara Foot at the Baxter Theatre Centre
Lara Foot's latest play, THE INCONVENIENCE OF WINGS, has been seven years in the making.
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